An iconoclastic Western. First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
author：犀锋Film
An iconoclastic Western.
First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
Editing in sync with real time reinforces the sense of urgency of the narrative, and the light and sad theme song echoes the mood conveyed by the film.
The ending seems to be complete but cannot be heartily relieved, and the cowardice and inaction of human nature is chilling and sad, and it is worth thinking about?
- "High Noon" (1952) 25th Academy Awards Best Picture (nominated), 25th Academy Awards Best Director (nominated), 10th Golden Globe Awards Film, Best Feature Film (nominated) Director: Fred Kinneman
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An iconoclastic Western. First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
An iconoclastic Western. First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
An iconoclastic Western. First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
An iconoclastic Western. First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
An iconoclastic Western. First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
An iconoclastic Western. First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
An iconoclastic Western. First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
An iconoclastic Western. First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
An iconoclastic Western. First of all, the protagonist is not a "conscious" lone hero. Secondly, compared with the fierce gunfighting, the film obviously focuses more on the delicate portrayal of the sheriff's psychology.
