In 2022, there is no shortage of beauties in national dramas.
But, what kind of beauty do you love?
Is it a well-dressed, wig denture and false abs, everything can be fake, and the flowers make people think of the Internet red-faced beauty?
Is it a standard beauty of the girl group style who decorates vigorously, plastic surgery and reshapes the whole body, and creates a bumpy body, with white skin and beautiful beauty under the blessing of beauty, filters and refined cultivation?
Yes, yes, because beauty comes in many forms, and everyone has the right to appreciate the beauty in their hearts.
But I love it alone - the beauty of many "ugly girls" in 2022 national dramas.
What do you mean? Is this a sick sentence?
That's right, if beauty is simply understood as "a feeling that stimulates men's desires".
Extreme temptation is beauty, and simple appearance is ugliness.
Then of course this is a sick sentence - ugly girl, how can it be beautiful? Is the language taught by the physical education teacher? Learned Chinese in vain?
Unless there is an ugliness, the purpose is to enhance the inner charm of the work.
The "ugly" appearance of actresses achieves beauty in film and television dramas.
For example, in Zhang Yimou's movie "Qiu Ju Fights Lawsuits", the village woman played by Gong Li is surrounded by a green turban, wearing a flower cotton coat, and her face is dark and dirty.
But the actress's "soil", in the movie, turned into a splash of poetry in the camera, becoming a stepping stone to inquire about human nature.
Also, the splash played by Reiza in "Mountain and Sea Love", with a thin body, pulled a scooter, carrying a disabled husband and young children, walked for seven days and seven nights, and finally came to Jintan Village. When the morning sun shone on her ashy face, that face smiled brightly.
Infinite vitality instantly overflows the entire hill. The beauty of life force suddenly flew like a verse.
I found that in the hands of a true master, beauty is not an impeccable makeup, but a mixed human warmth, not a skillful curve, but a vitality that reverberates.
"Beauty is not in the skin", the bone here is not only the bone phase, but also the wind bone.
Because true beauty comes in many forms.
In the national drama in 2022, there are such excellent actresses, which let us appreciate the diverse beauty of the world.
The following is my reference based on the popular film and television works in 2022, and I will select 10 actresses who are "the most underrated in beauty" because of the type of role, and by the way, I will rank their beauty contrast inside and outside the play.
How ugly they are in the play, how beautiful they are outside the play.
When countless women face the endless torment of appearance involvement, the beauty of these national dramas full of appearance defects and collapsed "aunts" and "village women" blooming in ugliness may tear the beauty fig leaf of the entertainment industry and cure the "spiritual internal consumption" of thousands of women.
10, Luo Haiqiong: The beauty is still the same
2022 work: "Meet the Season"
In today's entertainment industry, appearance has become more and more the "hard currency" of actresses.
In many traffic-led idol dramas, no matter what scene, what plot, or what character, beauty is right.
But Luo Haiqiong wants to be "ugly".
In the eyes of ordinary people, Luo Haiqiong is not related to ugliness.
Luo Haiqiong's face is not a beautiful appearance that can be attracted at a glance, but it belongs to a bone beauty, with three-dimensional eyebrows, a high nose bridge, and a face shape that reveals a rare heroism of actresses.
The more you look at it, the more charm it is, and the plasticity is very strong.
She became famous at the age of 27 and married the vice president of Huayi at the age of 37, and the grandeur of the wedding that year made countless people envious. Coupled with her good acting skills, there is a clear and cold beauty, and she looks good on camera.
When he was young, Luo Haiqiong's masterpieces and classic roles were many.
For example, Ying Gu in "Da Song Ti Criminal Officer", Fang Ziyi in "Like Fog Like Rain and Like Wind".
Entering middle age, although he began to play supporting roles, he is still brilliant and still beautiful.
In "One Life to Live" starring Ren Jialun and Bai Lu, she played Qin Wan with a face that looks difficult to talk to, and is a ruthless character who does not talk much, but there is an image of an intellectual beauty, shrewd and capable female elite, which makes people unforgettable.
But in this year's "Meet the Season", the role of middle-aged Jian Minmin opened "stupid and cute", and then criticized wildly, and started without a word, which has the slightest temperament and gentle beauty, it is simply a walking powder keg.
Either blow people up, or blow themselves up.
Luo Haiqiong's acting skills are really amazing, what is acting like.
How can this grumpy, inwardly resentful, "demon king"-like terrifying character be reminiscent of the intellectual and wise Han Bing in "Kite"?
But precisely because of this performance regardless of image, when the audience watches this play, they see not the shadow of the actor's past, but through the actor to see something other than the story, which is the charm of the performance.
9. Chi Peng: The beauty of "village girl"
2022 work: "Happiness to Ten Thousand Homes"
Without watching the older generation of actors, you can't really understand that the "ageless goddess" and "frozen age" are just a fantasy.
And the moment I saw Chi Peng, I directly sensed the magic of time.
At the beginning of the year, he poked "Happiness to Ten Thousand Homes" at Zhao Liying, but was first taken away by Chi Peng, who played her mother-in-law. Ms. Lin Guizhi, don't come harmless.
Later, Cao Jianjun's snobbish mother-in-law in "Police Honor" was also her.
The acting skills of the old drama bones are of course infectious, and every expression is rich and layered and accurately conveyed.
But looking at Chi Peng's old photos, I found that today's evil mother-in-law is so beautiful when she was young.
Once a girlish face,
When I get older, I become a beauty with a temperament, gentle and moving.
But obviously can play the noble lady Chi Peng, play the mother-in-law, but she performed a vivid rustic atmosphere, and did not fall into the rut of the evil mother-in-law of countless face-based wholesale domestic dramas. It's about giving the character a past, a cause.
In this era of "white and thin" and makeup and filters, the once gentle beauty seems to be old in the play, and the earthy taste deliberately displayed also covers up the elegance and calmness of the actors themselves.
But it is precisely because of his dedication to the role that Chi Peng transformed the traces left on the character into an incomparably solid wisdom in life.
Chi Peng's life path has therefore become a good medicine for moisturizing and silent life, which is enough to relieve the spiritual internal consumption of many women, especially the ruthless fear of time and the anxiety of aging.
Chi Peng, who was once a Peugeot beauty, does not know if she has experienced great or small pain.
But when she let go of all the baggage of her appearance, she performed such a vivid village woman. Time has long been out of her hands.
8, Liu Lin: Rustic blooming
2022 work: "Dear Child"
Let's not look at Liu Lin's works this year, let's first look at her early appearance in the TV series "Camphor Tree" in Tao Ni's look.
Long straight hair, pure and generous, I see pity. Do you dare to say that this girl is not beautiful?
Now let's go back to 2022 and look at Liu Lin's role as a moon sister-in-law in "Dear Child".
A moon sister-in-law with eight hundred hearts and eyes started a fierce women's war with Fang Yinuo at the beginning of the story.
If you only look at the shape, who can not be curious, how did the girl who was so touching back then give birth to such worldly eyes?
But after watching Jiang Dehua, the sister-in-law from the countryside played by her in "Parental Love", everything has an answer.
So a rustic, big-tempered, uneducated and big-hearted middle-aged rural woman.
Being played by Liu Lin into the crowd can't be found, this is no longer like, she is.
But if the rustic must be ugly, Liu Jing, the screenwriter of "Parental Love", will not agree.
At that time, Liu Jing was in a vote of acting school, and did not hide her preference for Liu Lin, who played Jiang Dehua, "When I didn't see her in person, I liked this actress who was very good at acting when I watched the film flowers." She simply played the rustic sister-in-law Jiang Dehua (later renamed Dehua) who came out of the countryside."
But Liu Jing's Dehua is not only earthy.
A scene in the play is regarded by countless audiences as the most memorable scene in the whole play - Jiang Dehua's husband died in the war, was called a widow of Kefu by the same villagers, and later followed his brother's family, stumbled with his sister-in-law, but was kind-hearted and helped his brother and sister-in-law bring up all the children.
She liked her brother's comrade-in-arms Lao Ding, dared to take the initiative to pursue, was rejected many times, but still bravely moved forward, and in the end, Lao Ding finally "from" her, and on the way home, Dehua's crying and laughing expression moved countless audiences.
At this moment, the character's tears are beautiful.
It is also this scene that makes many people return to the theme of the story - love.
Liu Lin's role has always been like this over the years, either the grand lady of the Sheng family who has no heart, or the extremely paranoid single mother in "Hidden Corner", either soil or evil.
But Liu Lin, who walked out of the role, is so temperamental and beautiful.
In that play, wearing a flower gown, with short hair, carrying a big baggage, dark complexion, one "yi", grinning, showing a mouth full of teeth and flowers, the whole person exudes a rustic woman, changed into exquisite makeup, and immediately changed from an aunt at the mouth of the village to an elegant and beautiful lady.
She is so beautiful, but she has performed so many rustic roles with all her might, and when rustic blooms, it is really moving.
7, Ren Suxi: "play ugly" circle fan
2022 work: "Dear Child"
Ren Suxi is not a beautiful actress, but as open-minded as in "Dear Child", I dare to say that few actresses in China can do it.
At the beginning of the whole play, the heroine she played Fang Yinuo showed her pregnancy spots, had a big belly, and appeared on the screen sloppily.
Fang Yinuo looked at himself in the mirror, from calm to doubtful, then a little sad, turned to pretend that it didn't matter, after quickly removing makeup, looking at himself with a big belly in the mirror, he cried aggrievedly, and finally breathed a long sigh of relief in the mirror, smiled stiffly at himself, just this scene, the mood changed more than a dozen times, which can be called "plastic surgery" acting skills.
Fang Yinuo is indeed a rare unflattering protagonist on the screen of this year's national drama, not in appearance, but in personality.
But Ren Suxi plays the whole process of a mother from pregnancy, childbirth to raising children, and experiencing the turmoil of life, whether it is excessive anxiety when she first became a mother, or complex emotions when she later fell into difficult choices.
It is such a selfless performance that allows the audience to understand the hardships of pregnancy in October through this character.
The honesty and truthfulness in the performance also made Ren Suxi attract countless fans with a very unflattering role.
Compared with the "white beauty and thin skinny" in the TV series, so many female viewers like the real "ugly girl" in front of this camera.
Because the truth is the most moving.
6, Jiao Junyan: moving without makeup
2022 work: "Outside Court"
When many Chinese drama actresses finally turned the acting skills competition into a competition of beauty technology, under the praise of fans for "beauty explosion" and "absolute son", the audience couldn't help but be rolled up and brought in.
But Jiao Junyan is the opposite of this involution war in the entertainment industry.
Several plays of Jiao Junyan have been broadcast this year, but what moved me the most was "Outside Court".
As the heroine of the second part of the series "Overboard", she did not appear until the end of the seventh episode, when she played Xiao Zhen.
Such a small role that seems to be a trainee lawyer playing soy sauce was performed by Jiao Junyan with an unpredictable sense of layering.
Even at the end, there is still a clear AB side of the character.
One side of the devil, the other side of the angel.
Jiao Junyan is a typical bone beauty, the biggest feature is to have a girl's face, but when she showed a pure and sweet smile like Xiaoqiu in "Meet Wang Lichuan" in front of the camera,
The audience couldn't help but shudder, because this smile was full of mysteries, so that her image of feigning vulnerability but actually being strong stood firmly.
There is an impressive scene in the play, that is, go home to remove makeup, Jiao Junyan, who is completely without makeup, looks at himself in the mirror, at that moment, Jiao Junyan is really not beautiful enough, but his eyes are so penetrating, so confusing and fascinating.
Such a complex role is played so naturally and charistically because Jiao Junyan rubbed his pure appearance into the performance.
When many actresses fight their faces in the play, Jiao Junyan can use this face to empower the performance.
And when those beauties become the same, the reality under the lens has a different charm.
5, Sui Junbo: Ancient and modern beauty
2022 works: "The World", "War of the Roses"
In recent years of national dramas, we have already seen too many "peerless beauties" without skin texture, pores, and without edges on their faces.
To say that peerless beauty, Sui Junbo has also acted.
When "Knife in the Snow" was broadcast, Sui Junbo played Pei Nanwei.
Because in the original work, Pei Nanwei is recognized as the world's first beauty in the rivers and lakes, but Sui Junbo's appearance does not match the role.
Her bones are very good, angular, and she belongs to the attractive beauty, but she is not a fierce beauty who can sweep the rivers and lakes.
But when it comes to Hao Dongmei in "The World", her reputation is instantly reversed, relying on both acting skills and appearance.
Sui Junbo played Hao Dongmei almost without makeup in "The World", which already has the beauty of clear water out of hibiscus, no need for heavy makeup, naturally revealing everyone's gentle temperament.
As soon as Sui Junbo appeared with simple twist braids, it was Hao Dongmei.
But if it amazes me, it is her makeup and performance in old age.
Do you know which female star is willing to grow old in front of the camera?
Even if they are not young, they glare, pout, and follow the silly and white sweet mode, trying to blend into young actresses. Because "full of vitality" and "girlishness" are the undefeated secrets of this domestic entertainment.
But Sui Junbo really aged in front of the camera, and in the scene where she learned that Bingyi was ill, she used accurate performance to let Hao Dongmei show the grievances that had accumulated in her heart for a long time without scruples, so that the audience felt the warmth in her crying and saw the real acting skills in the peak duel of the acting school.
At that moment, she had completely jumped out of the shackles of domestic entertainment.
Sui Junbo has a light breeze, elegant and quiet temperament, and an elegant soft beauty, which makes her always give people a feeling of light wind and clouds, quiet as water.
But in fact, she can also perform a charm with a sense of wind and dust.
When beauty can grow old and ugly on the screen, time is no longer her enemy, and she becomes the best proof of the actress's confrontation with time.
4. Yin Tao: The more soil, the more beautiful
2022 work: "The World"
What is popular for female stars this time is to lie down in the patterned performance, integrate into the "white, young and thin", Internet celebrity aesthetic, and follow the waves.
But Yin Tao didn't care about this set.
Yin Tao is of course a beauty, with round eyes, a full forehead, and a pair of deep dimples when she laughs. In "The Secret History of Wu Zetian", her shape is round and jade, graceful and noble, dignified and atmospheric, and has the momentum of an empress.
Occasionally, there is a little daughter's tenderness like water and shy cuteness.
But as long as the character needs, she can be beautiful or ugly.
At the beginning of "The World", she is dressed in coarse linen, like a goddess.
But when the character went through the years of tempering, went to ask Luo Shibin's wife Zeng Shan, to sell pancakes on the street alone, the pores on Yin Tao's face were clearly visible, and the dead skin on her lips was very real, and then wore an earthy and old polka-dot shirt, as if she was really a middle-aged woman who came out of the past era.
It can be said that Yin Tao at this time is actually "playing ugly" without a trace.
How could a strong woman who was struggling in life, a woman who collapsed in court and went to kneel for a femme fatale like Zeng Shan, not be "suppressed" by Zeng Shan?
But when her knees catch the ground, the character's soul is still high.
Yin Tao used her own interpretation to tell the audience that a real actor can be ugly or beautiful, and everything lies in the role, rather than taking the initiative to seek the so-called broken beauty of the role.
Her empathy, layering and crying scenes in the play can be called textbook-level interpretations, and it is thanks to her performance that Zheng Juan, an ordinary woman, gives the audience such a big shock.
The beauty of the actor and the appearance of the character cannot be all wanted.
Yin Tao chose the role. The old and "ugly" of the final character bursts out of the endless beauty of the world.
3, Liu Dan: "Aunt Pot" is so beautiful
2022 work: "The Beginning"
The most popular acting school of this New Year drama is, of course, Tao Yinghong, the "pot aunt" played by Liu Dan.
But who would have thought that "Aunt Pot" was super beautiful when she was young.
And it's the bright, sassy and sexy beauty of Hong Kong style.
When Liu Dan was 14 years old, he took the Beijing Film Academy in Harbin and entered the final round. If it weren't for being discovered by the examiner because he was too young, he would probably have become Liu Yijun's classmate.
At that time, Liu Dan's face was full of collagen, his skin could be broken, his eyes were kind, his lips were red and white, and he was like a fairy under the mortal.
Later, she was admitted to the Northern Film and is still the youngest student in the Northern Film 90 acting class. Huang Lei, Jiang Wu, and Wang Jinsong are all her classmates.
After graduation, Liu Dan was admitted to the China Youth Art Theater (now the National Repertory Theatre). Since then, it has gone the other way. Liu Dan said: "As long as there is a stage, there are gods. ”
At that time, she always played a fashionable and beautiful beauty in Chinese dramas.
In "The True Color of the Criminal Police", her eyes are as bright as stars, and she is beautiful and domineering.
In "Night Train" directed by Diao Yinan, she almost acted in a one-man show with a lonely beauty.
But when she played the "extreme role" who lost her daughter in "The Beginning", she completely let go of her former beauty.
In her performance, there is hysteria and despair and emptiness. There are gnashes of teeth and sneers, often revealing the deepest grief in the characters' hearts.
Such a grinning performance is not only exhausting, but also easy to appear "ugly" in front of the camera.
But for a real actor, appearance and performance, there is nothing difficult to choose, of course, it is to choose the performance.
In addition to this role, in "Sea of Stars", she played Liu Tao's evil aunt.
In "The Wind Remains", she is also a twilight beauty with outstanding style.
In "Love is Delicious", she is still the shrewd and capable President Zhu.
The reason why the acting school is the acting school is because they always pour their heart and soul into each role.
Look to the side. "Aunt Pot" is mighty.
2, Yan Bingyan: Park Humble and beautiful
2022 work: "Big Exam"
It is said that Yan Bingyan's acting skills are top-notch among domestic entertainment actresses, of course, no one will doubt it.
But if Yan Bingyan was young and her appearance was also top-notch in internal entertainment?
Yan Bingyan back then was really beautiful.
The face is plump, white and red, like a peach blossom blooming brightly in spring, in the martial arts drama "Gan Nineteen Sisters" that year, she played the female young hero Lan Xin, smiled back, and her smart eyes showed the girl's delicate cuteness, which not only surprised the male protagonist, but also surprised the audience in front of the screen.
Later, when her mother suffered from cancer, she retired for eight years, carefully accompanied and cared for her mother, and when she came out of the mountain again, she gradually covered up her beauty in exchange for the "one person with a thousand faces" of acting.
The outside world generally believes that Yan Bingyan at the time of "Ten Thousand Arrows Piercing the Heart" passively bid farewell to the peak of appearance.
Are you kidding? Take a look at the prosperous beauty of my sister at the same time. Obviously, she can also play a big beauty, but she chose to dive into life without a trace in the still water.
When it comes to Duan Yingjiu in "Rivals", one of the character's habits is: when anxious, keep scratching his head, which is not something every actress can do.
In "Big Exam", with slightly gray hair, obvious nasolabial folds, and swollen eye bags, she performed a mother and wife who were exhausted in life, and the wrinkles at the corners of her eyes were magnified in front of close-ups.
But the characters are more vivid because of this.
Yan Bingyan outside the play is still elegant and dignified, and her naturally aging face looks very comfortable, reminiscent of Hao Lei, who is also a powerful person and also gives up her face easily.
Hao Lei will say: As an actress, I have become fat like this, and I am still sitting here with great confidence, because my acting skills cannot be taken away by anyone.
Yan Bingyan will not.
But their similar acting evolution and imperfect posture may give many women strength: compared to a perfect body, excellent strength is an actress, and it is also a woman's capital to stand in society.
Acting is always much more important than appearance.
1. Haiqing: The heart is ice-clear
2022 work: "Home of the Heart"
Haiqing has been a textbook that defeats the rules of domestic entertainment over the years.
In 2001, when he graduated from Nortel, Haiqing looked gentle and atmospheric, his face was like a jade girl, and the natural beauty emanating from the inside out was very moving.
But she plunged into the ethical drama and played Lijuan in "Double-sided Tape", Haiping in "Woju", and Tong Wenjie in "Little Huanxi", becoming a "national daughter-in-law".
And when she has played for many years, her face is naturally aging, there is no trace of medical beauty, and she can lie on the role type of the national daughter-in-law for a lifetime, but she turned around and played unkempt, ragged clothes, speaking an authentic northwestern dialect, limping on the big screen.
The shape in Haiqing's movie is indeed not beautiful, limping on her legs, her scattered hair half covering her dark face, picking up ears of wheat, feeding chickens, and doing farm work handy, as if bringing a real northwest village woman to the audience.
Haiqing in the movie looks ugly, but his heart is ice-clear.
Is it ugly? I think it's beautiful.
Write at the end:
In recent years, appearance anxiety, body anxiety, and age anxiety are like three mountains, pressing on the hearts of countless women, making them breathless.
Under a single female aesthetic standard, "white, thin and thin" and "net red face" have become the standard for women, and beauty and retouching have become the basics.
Internal entertainment is both the initiator and the victim of this anxiety.
But no one can really beat the pig-killing knife of time, and everyone must accept the fact that they are getting old.
Therefore, the calmness of the above ten actresses in the face of the years has brought out three revelations:
First, compared to the same white and thin beauty, mature and true beauty is king.
In the entertainment industry, bitter white and thin for a long time.
Beauty is precious, but refusing to look anxious and staying real is true beauty.
Because true beauty should be a hundred flowers.
It is not only the beauty of appearance brought by youth, but should be integrated into the speech and temperament of the years.
It is the actress who uses her own unique charm to create a unique charm.
Second, compared to the same skin, the acting skills that dare to play ugly are the real beauty.
It is not so much that the above actresses deliberately "play ugly", but that when they created these roles, they completely "abandoned" themselves, devoted themselves to playing the roles.
On the surface, time has left marks on their faces, and time has left axes on them.
Compared with those Internet red faces that are like heavenly people, this real appearance, even deliberately "playing ugly" for the character, is certainly not beautiful enough.
But if you look into the story, you will feel a deep spiritual pleasure.
These ugly beauties are unforgettable because they all have natural and fresh appearances, their beauty is very real, and they have vivid and accurate acting skills.
Third, appearance anxiety and mental internal consumption are not necessary, and the years are undefeated and truly beautiful.
Everyone is afraid of old age and ugliness, especially women.
But the threshold of beauty is never just that skin.
The precipitation of years often allows good actors to have a deeper understanding of life and emotions, which is reflected in the shaping of characters, in order to move the audience more.
The audience praises these actresses with word of mouth, and it is also subconsciously getting rid of an aesthetic rut.
It turns out that for these actresses who know how to accept the gifts of time, time will only make them more attractive.
And what defines beauty is never age, but the eyes that are good at discovering beauty.
Especially mental internal exhaustion, it is better to accept uncertainty with sufficient confidence and accept time to carve.
Years can't beat true beauty, and true beauty can always use good acting skills, respect the years, respect the beauty.