Among the existing Song paintings, there are many works by unknown authors. One is that there is no money, and the other is that it is not easy to identify. Among them, it is not excluded that there are famous works. Collect some and enjoy it with your friends.
Song Anon. Wind and Rain Pastoral Return Map
Song Dynasty painting is a painting work during the Song Dynasty in China, which lasted for more than 300 years, and its painting continued to develop on the basis of the five sui and tang dynasties. Folk painting, court painting, and scholar painting each formed a system, and they influenced, absorbed, and penetrated each other, constituting a colorful face of Song Dynasty painting.
Song Anon. Coats will play chess chart page
Silk, color, length 25cm, width 24.5cm.
There is no author's print on this canvas. There are 4 parties, such as "Yu Teng's Private Seal", "Prince Sun Yongbaozhi of Qianning", "Ding Bochuan Appreciation Seal", and "□ Hall".
In the spring of March, butterflies dance among the branches of begonia flowers. The painter focuses on the dynamic moment when the begonias are spreading in the spring breeze, the flowers are leaning back, the leaves are rolled up, and the branches are in an "S" shaped curved state, and by depicting the tangible flowers and leaves, they successfully render the invisible intoxicating spring wind and the eternal spring meaning. In the picture, the petals are first outlined with an ink pen double hook, and the center is sharp, and the lines are rounded and smooth. Then a little carmine is added to the upper part of the outer part of the petals, and then the color is smudged with water, and finally a layer of white powder is covered, adding a few feminine charms to the bright tone of the begonia flowers. The leaves are performed by the double hook filling brushwork of the whole, and the author fills in and dyes the colors of stone green and ink ochre according to the different degrees of illumination of the leaves, thus fully revealing the beauty of the leaves "clear as water, clean as frost", showing the painter's meticulous observation and profound realistic skills.
Song Anon. Lotus Pond according to the music chart page
Song Anon. Red Plum Peacock Diagram
Silk, color, length 24.4 cm, width 31 .6cm
This picture was originally published in the "Catalogue of Famous Pens of Past Dynasties" (see "Catalogue of Famous Paintings of The Void"). Signed ma Linzuo. Careful examination of the inscription on the painting is very different from Ma Lin's style, and his style is not similar. Ma Xia's next word is vague and unclear, and it is not appropriate to mistake it for Linzuo. Therefore, it had to be included here as an anonymous name. It may be the work of the Ma family, but the age of the work seems to be earlier than that of Ma Lin.
Spring colors by the creek, plum blossoms bloom, on both sides supplemented by camellia, cooper, bamboo, spring. A pair of peacocks, the male perched on the trunk of the tree, looking back at the combing plume; the female, if she flew to the shore, bowed her head to feed. The hairy feathers are colorful, and the flowers and trees merge into a brilliant spring light. The difficulty of this diagram is that the layout is dense, but it is messy but not chaotic; the color is rich, but it is colorful and not vulgar.
Song Anon. Jin Mingchi contests the map
Color on silk Length 28.5 cm, width 28.6 cm Collection of Tianjin Art Museum
This picture depicts the scene of the Jinmingchi water play in the capital of the Northern Song Dynasty (present-day Kaifeng City). The picture garden wall is surrounded by a cross platform in the pool, and an army circular temple is built on the platform, and there is an arch bridge leading to the left bank. On the left bank, there is a color building, a water hall, and the lower archway with the words "Qionglin Yuan". The shore of the pond is surrounded by peach and willow green, and there are pavilions, docks, and pavilions. In the water, the dragon boat is in a high pavilion, and the characters are active inside and outside the building; there are five small dragon boats on each side of the dragon boat, each with about ten people rowing oars side by side, and one person on the bow of the boat holding a flag; and several others swim in between. Written on the left, on both sides of the garden wall inside and outside, the crowd is bustling. There are about a thousand people in the whole picture, although the characters are as small as ants, but careful observation, the proportions are appropriate, the postures are different, the looks are vivid, and they are quite artistic. On the pink wall on the left side of the picture there is the five-character model of the inscription "Zhang Zeduan Presented". After expert appraisal, the author of this figure has two opinions: First, from the perspective of falling money, it is not like posterity to add. Such a delicate and skilled brush stroke should come from a master, which may be Zhang Zeduan's early works; second, judging from the style of this picture and the scenery in the painting, there is no doubt that it is a Song painting, and it is likely that it is a facsimile of the Southern Song Dynasty. This picture was once an anguo of the Ming Dynasty, Xiangzi Jingjian collection.
Song Anon
A kitten with gray-brown markings on a white background looks back in the painting. The painter uses light ink to smudge the head, ears, cheeks, upper lip, back hair, tail and heel; uses white powder to highlight facial expressions and limb dynamics; and then uses thick ink to paint the markings on the body. The pupils of the cat's eyes are light, medium and thick, showing the characteristics of the cat's eyes flashing with light and shadow. The painter's brushstrokes are realistic and subtle, the roots of the cat hair are clearly drawn, and the small claws that press on the ground in the shape of plum blossoms look soft and cute. It is said that princess Qionghua in the post-Tang Dynasty also had a cat with a spot on its mouth like this, because it looked like it had a zhizhi in her mouth, so it was named "Cicada Slave", so later poets also used "Cicada" as another name for cats.
Song Anon. Willow Creek Leisure Chart Page
Song Anon. Caged Finches
Song Anon. Sell pulp picture page
Song Anon. Southern Tang Dynasty Picture Page
Song Anon. Loquat Mountain Bird Picture Page
Silk, color, length 26.9cm, width 27.2cm.
There is no money in this painting. The Seal of the Plutonium is "Approved by Song Yan" and "Treasure of xuantong imperial collection". The framed edge is inscribed: "Song people paint loquat mountain birds".
Pictured in May, the ripe loquat fruit is particularly attractive in the summer sun. An embroidered eye with a tail and a neck perched on a loquat branch and was about to peck at the fruit, but found that there was an ant on it, so he returned to his beak and fixed his eyes on it, and his expression was very vivid and interesting. The loquat branches seem to flutter up and down with the imbalance of the center of gravity of the embroidery eye, and the picture is still and moving, which is interesting. The feathers of the embroidered eyes are first colored and inked, and then depicted with small brushstrokes that are fine and not stagnant, showing the different textures of the bird's back feathers are firm and smooth, and the belly hair is fluffy and soft. The loquat fruit is outlined with an earthy yellow line, then filled with golden yellow, and finally painted with an ochre umbilicus, and three different warm colors of water and milk blend to show the fullness and sweetness of the loquat fruit at maturity. Loquat leaves are expressed in a delicate and delicate heavy color method with brushwork, which not only faithfully depicts the various natural shapes of the leaf surface turning backwards and backs, but also meticulously depicts the damage marks of the leaf surface being bitten by insects, fully reflecting the artistic level achieved by the Song Dynasty flower and bird painting in terms of realism.
Bibliography of the Three Editions of Shiqu Baodi.
Song Anon
Song Anon. Dragonfly Cat Drama Diagram
Song Anon. Qiu Jiang to be crossed on the map page
Song Anon. Satin Smoke Tree Diagram
Song Anon. Loose Lotus Sand Bird Picture Page
Song Anon. Song Yin Pavilion Picture Page
Song Anon. Xi Lu Wild Duck Picture Page
Silk, color, length 26.4cm, width 27cm.
There is no money in this painting. Jianzang Seal "True Reward", "Pang Laichen Treasure Song and Yuan True Works", "Treasure Secret", "Changyi Descendants", "Gong", "Xin Gong Treasure Reward", "Huihou Treasure", "Dan Cheng", "Du Wei Geng Xin Gong Calligraphy and Painting Chapter". Framed edges "Xingong Appraisal Collection".
The reeds and circumferences along the creek are overgrown, leafy and full of life. The male duck stands on one foot on the shore to take a nap; the female looks back in the water and combs her feathers, with a leisurely posture and grace. This picture is intended to show a peaceful and stable atmosphere, which should be the work of the Southern Song Dynasty Painting Academy embellishing Shengping. The composition is mature and concise, the middle left of the picture is shaded by reeds, giving people a sense of safety; the upper right is left a piece of water, inspiring people's reverie, so as not to be blocked. The color is fine and realistic, and the performance of the male duck feathers is particularly powerful. Although the colors are dark and old, it is still conceivable that they were colorful and brilliant.
On the opposite page there is Geng Zhaozhong's inscription: "Huang Yao Uncle Dove Bamboo Figure Yu Suzhenzhi, the spirit of this page is one and the same." Draw the matter to this point, and go deep into the Samadhi. Shōjo. ”
It is stored in the book "Famous Pens". Catalogue of Famous Paintings of The Void.
Song Anon. Xiqiao Staff Diagram Page
Song Anon. Xishan Travel Map Page
Song Anon. Xi Tang Guest Speech Chart Page
Collection of the Palace Museum in Beijing
Song Anon. Drama Cat Diagram
This painting was painted by the Song dynasty, and there are eight large and small cats playing in the corner of the garden. The painting column is surrounded by fine yo twins B, making the garden seem to have a hole in the sky. The group of cats frolicks among the lake stones, bamboo bushes, peach trees, and peonies, or static or moving, and the ecology is full of ecology. The painter observes in detail, and points out the timing of this cat play with the pupils of the cat's eyes shrunk into a line, which should be the day when the sun is strong.
Song Anon
Song Anon. Visiting Friends with Qin
Song Anon. Sketch sketch grass insect diagram page
Silk, color, length 25.9cm, width 26.9cm.
There is no paragraph on this page. There are 7 sides of the picture, namely "Xiang Molin Jian Zang Seal" in the upper right corner, "Yi Kun Eye Blessing" in the lower right corner, and "Yu Teng Private Seal", "Ding Bochuan Appreciation Seal", "Maohe True Reward", "Wu Treasure Collection" and "Shenzhi" in the lower left corner.
The right side of the picture is painted with wild flowers and plants, interspersed with dog tails and aster leaves. Butterflies fall on the flowers to absorb nectar, dragonflies fly slowly, grasshoppers leap and jump, and the whole picture is full of movement. The equilateral triangle composition of the three insects on the screen balances the center of gravity bias caused by the overgrown weeds, making the structure of the picture stable. Wild grasses and flowers and leaves are filled with flower green and juice green, flowers are made out of the boneless method, and insects are written with a part-time work belt, and the form is realistic.
Song Anon. Apricot Parrot Picture Page
Song Anon. Snow Window Reading Picture Page
Song Anon. "Snowy Cold Chicks"
This picture was originally published in the "Picture Book of the Song Dynasty", see "Shi Rui BaoDi Three Editions", no author dropped the money. Paint the snow bamboo standing tall in the ice and snow and the young birds that brave the cold. The painter's brushwork is smooth and healthy, the bamboo leaves are double hooked, and the bird's feathers are also outlined, which is very bone strength. But the pen is relaxed, rough and clumsy, and the scrutiny is exquisite.
Song Anon. Put the cup chart page under the moon
Song Anon. 螽思绵瓞圖 page
Song Anon. Bamboo Bird Brocade Chicken Diagram
Song Anon. Bamboo Bird Diagram
Song Anon. Mao Foot Diagram Page
Song Anon
Song Anon. "Gu Feng Anle Tu"
Color on silk Length 24.1 cm Width 24.1 cm Collection of the National Palace Museum in Taipei
To a certain extent, this figure reflects the style of "royal riches". The composition of the picture is simple, the painting method is rigorous and beautiful, and the point overview is that a fruitful rice ear symbolizes the harvest situation. Four sparrows with different moods and lively joy occupy the main part of the picture: one flying down, one looking up at the grain, one mouthing grain, and one concentrating on picking the grain on the ground.
Song Anon. "Jiangtian Pavilion Map"
Color on silk, length 97.4 cm, width 54.6 cm, Nanjing Museum collection.
This picture has no print, writing Jiang Tianpo stone, distant mountain pavilion, boat character, pine branches and qi jin. Exquisite and vivid. It can be seen that the typical "Ma Xia" style composition, taking a corner of the scene, coupled with the rolling hills of the distant mountains, is vast and far-reaching, and the artistic conception is deep, which injects new vitality into the water and sky of the picture. On the painting are collected seals such as "Cangyan", "Wanji Qinghui", "Daya Zhai", "Treasure of Empress Dowager Cixi", etc.
Song Anon. "Diagram of the Dead Lotus Partridge"
This picture was originally published in the "Picture Book of the Song Dynasty", see "Shi Rui BaoDi Three Editions", no author dropped the money. It may be an ornament on a screen, the painting method is very exquisite and neat, vivid and vivid, it should be made by the middle and late Southern Song Dynasty masters.
Northern Song Dynasty Anon. "Durian Yellow Bird Diagram"
Silk, color, length 24.6cm, width 25.4 cm.
There is no paragraph on this page. The plutonium is printed with "Zhang DuXing", and the other 2 seals are not distinguished.
In late autumn, pomegranates ripen and open their skins, revealing fruitful fruits. The pomegranate leaves have changed from green to yellow, some withered, some eroded by insects, and the autumn sun is written. A fat yellow oriole clings to a small insect perched on a durian branch, leisurely. The feathers of the yellow oriole are dyed with light ochre and yellow and then outlined with white lines, which is close to "boneless". Pomegranate branches and leaves are contrasting in color.
On the opposite page there is a poem inscribed by the Qianlong Imperial Inscription of the Qing Dynasty: "When the durian is ripe, when the warbler turns, the wild insects are tied to the horizontal branches." Laugh at his self-satisfaction and gratification, forgetting that someone is playing with him. Xinhai Qing and Yubi. The seals of "钤" eight signs of "Eight Signs of Immortality", "Treasure of the Emperor Taishang", "Eight Signs of Immortality", and "Self-Improvement".
Qing "Shiqu Baodi" bibliography.
This figure was originally published in the Four Dynasties Selected Algae Album (see Shiqu Baodi Sequel). Signed the title Mao Yizuo. According to Mao Yiwei Qiandaozhong (1165-1173) painting academy to be edicted, gong painting feathered flowers and bamboo, especially able to render, as if wanting to fly, see "Picture Painting Treasure Book" and "Southern Song Dynasty Courtyard Painting Catalogue". The title of this picture is Mao Yizuo, which is quite similar, but the age seems to be late, so it is changed to anonymous.
Song Anon. "Peach Blossom Mountain Bird Diagram"
Color on silk Length 23.8 cm Width 24.4 cm Collection of the National Palace Museum, Taipei
This figure adopts the double hook color filling method, with the line neat and beautiful, vivid and smooth, soft with rigidity, the painter pursues not the form of the line change, but the expression of texture. The petals are dense and realistic, the bird's feathers are thin and soft, and the tail feathers are red and have a sense of transparency. The colors of the picture are elegant, the flowers are lightly dyed, and they are not pretentious at all.
Northern Song Dynasty Anon. Sketch butterfly picture page
It is not known which volume this picture contains, nor does it have the author's last name. The painting method of the begonia flowers and leaves and the butterflies was made by the people in the painting academy at the end of the Northern Song Dynasty. Butterflies are vivid and interesting, and although they are paintings of the courtyard, they are not vulgar.
Northern Song Dynasty Anon. Wang Xizhi portrait page
Southern Song Dynasty Anon. Quail Chart Page
Southern Song Dynasty Anon. Chibi Chart Page
Southern Song Dynasty Anon
Silk with a color of 30.3 cm in length and 32.5 cm in width, tianjin art museum collection This picture depicts three ladies watching flowers in the courtyard of the palace. On the left side of the picture, there are stone flowers in the lake, and there are several bronze gourds on the small square in front of the case, more than three peonies in the middle, and several miscellaneous ancient pots in the back of the case. There are round and embroidered mats next to the fist stone and green grass. A lady with gold ornaments, palace draperies, brocade dresses, and is holding her hands and looking at the flowers in front of the case. The maid next to her holds a golden basin, and the maid behind her holds a long-handled palace fan. The back even green silk step barrier, the barrier is dotted with bamboo, flowers and trees. The whole picture is beautiful and elegant, with a fine pen. From the depiction of characters, even the pen, and the color are similar to the Style of Zhou Fang. There is no print on the screen. After expert appraisal, it was determined to be a Southern Song Dynasty painting. Qing Gao Shiqi and Lu Feiqi inscriptions. Qing Gao Shiqi, modern Zhou Shuhan collection.
Southern Song Dynasty Anon. Hantang 凫圖 page
Silk, color, 16 .6cm in length and 20 .8cm in width This picture was originally contained in the "Catalogue of Famous Pens of Past Dynasties" (see "Catalogue of Famous Paintings of The Void"). Signed the title Yan is second to the work. According to the "Illustrated Treasure Book" Yun: Yan Ciyu is the son of Yan Zhong. You can learn from it. Painting landscape figures, working on painting cattle. Emperor Xiaozong Longxingchu (1163), into the painting of the title of the will, supplemented by Chengwu Lang, painting the academy waiting. However, this figure is similar to the Ma Yuanjia Law, and should not be the work of the early Southern Song Dynasty, so it is renamed as an anonymous work. The painting is a winter scene in Jiangnan, with white plums, daffodils and camellias blooming at the water's edge, the reeds have withered, the water has fallen out, and the birds swim or fly
Southern Song Dynasty Anon. Lotus Pond Partridge Chart Page
Silk, color, length 16.8cm, width 21 cm. Collection: The Palace Museum
There is no print on this canvas.
The picture is misty, a bend of a clear stream, willows planted on both sides, and red flowers in between. The lotus leaves in the stream are dotted, and the partridges play in the water, and their joy is melting. A line of egrets broke through the air and flew into the distance, and the meandering stream flowed deep into the picture. The small album painting uses far-reaching and lofty painting methods, so that the picture conception has achieved a far-reaching effect. Willow leaves are painted with a stroke of a pen, tree trunks are painted with double hooks, and partridges are depicted with a brush. The color is soft and elegant.
On the opposite page there is a poem inscribed by the Qianlong Emperor of the Qing Dynasty: "Flowers and birds have always belonged to Jiannan, and waterfowl Xia Hui illuminates Qingtan." Mandarin ducks are called purple without hindrance, and disciples sometimes win over Pilan. The water dwellers are like a slug, and the sand group style degree is self-sufficient. Rising beaches and falling birds are commonplace, and he is involved in the strange talk of the Xitai Ji. ”
Qing "Shiqu Baodi Continuation" bibliography.
Southern Song Dynasty Anon. Lotus Pavilion Pin Xia Tu Page
In the hot summer, in the pavilion leaning on the mountains and waters, lying on the stomach and cooling by the water, it is a pleasant and happy thing! Next to the thick green mountain rock, in a well-constructed river pavilion that stretches out to the center of the water, not only can you see such a happy immortal, but the green waves outside the river pavilion are swaying, the green lotus is fragrant, the weeping willows on the long causeway are swaying, and the distant mountains and continents are quiet and vast, and anyone who looks at it can't help but dissipate and feel comfortable!
For literati who attach importance to the practice of leisure, the summer heat brings turbidity and stickiness, which must be cleansed up, and the body and mind can return to clarity and purity. Therefore, various "summer sales" scenarios, such as cooling off by the water, have also received special attention. In this "Lotus Pavilion Selling Summer", on the one hand, the painter carefully describes the garden life scenery between the water and light and the mountains in the middle of summer, on the other hand, he uses the owner with a high belly to specifically point out the meaning of leisure and leisure in the painting, and the love and scenery are both harmonious, which is the most commendable place in this painting.
The panoramic composition of "Lotus Pavilion PinXia" is composed from the slope stones and pavilion corridors in the near distance to qingfeng and Zhouzhu in the distance, with well-layered and rich changes. In addition, whether it is Cang pine or green willow, water pavilion or river pavilion, the depiction is quite meticulous, and the slope stones, mountain rocks and trees in the close-up scene also show the strong style characteristics of Li Tang's school, so it seems that this should be a masterpiece of Li Tang's successor in the middle of the Southern Song Dynasty.
Southern Song Dynasty Anon. Lotus Crab Chart Page
Silk, color, length 28.4cm, width 28cm. Collection of the Palace Museum
There is no paragraph on this page. On the side of the print, the print is vague and indistinguishable.
The remnants of the lotus leaves in the picture are yellowish and mottled, half-immersed in water, and a female crab swings on the leaves. In the babbling water, there are red indigo, grass, duckweed, algae, etc., and the edges of the leaves have been yellowed, showing that it is near autumn, and the decline of the lotus leaves is in strong contrast with the freshness of the female crab. The picture is deliberately truth-seeking, the lotus leaf is depicted by the double hook and leaf clamping method, the leaf tendons, markings and small thorns on the leaf are deliberately sought, and the female crab is meticulous and rigorous with the pen. The picture is vivid and the subject matter is innovative, which is a model for the realistic paintings of the Song people.
Southern Song Dynasty Anon. Red Fruit Green Quail Chart Page
Southern Song Dynasty Partridge Lotus Leaf Chart Page
Silk, color, length 26cm, width 26.5cm.
There is no paragraph on this page. The Tibetan seal of the plutonium is "approved by Song Yan", and the printing side is half printed, and the printed text is not distinguished. Framed inscription: "Song people painted partridge lotus leaves". In the picture, the dead branches and broken stems in the lotus pond, a broken lotus leaf slanting upwards, the rolled leaf surface, full of traces of insect erosion, a partridge stopped on it, clutched the lotus stem with its claws, twisted its neck and looked down, looking intently, adding a little life to the late autumn of Xiao Ser. Toba is delicately depicted, first rendered in color, and then outlined with a very fine pen, with vivid and elegant brushwork. The composition is dense and dense, and the dynamic and static are combined.
Southern Song Dynasty Anon
Southern Song Dynasty Anon
Silk, color, length 28.4cm, width 28cm.
Picture the bank of the creek, mud slope gravel, red indigo spitting, wild chrysanthemums blooming lightly. An old turtle slowly climbed up the slope, and before it could get out of the water, it was attracted by the small bees on the flowers, stopped and looked up, and its hind feet were still immersed in the pool, and its leisurely and indisputable appearance was fully revealed. Write with a pen and a work belt, red indigo and turtle with a thin stroke in the center, grass and flowers with a small stroke, a combination of work and writing, flexible and diverse brushwork, and a light and elegant color.
Southern Song Dynasty Anon. Liutang Fishing Cain
On the green mountain pond, a long causeway and a small bridge lead to this poolside retreat. Around the house, there are weeping willows like a green waterfall. At this end of the mountain pond, large and small water ducks swim in front of the water pavilion, and herons travel among the reeds; at the other end of the mountain pond, you can see the owner of the secluded house, leaning on a flat boat, accompanied by fine wine, lingering in the smoke waves.
Since the Northern Song Dynasty, the face of landscape painting, in addition to depicting the grim mountains and mountains in the north and the desert, has gradually integrated flowers and birds into the landscape and developed a small scene that expresses the empty beauty of Xitang Tingzhu. These works, due to their clear brushwork, small size and poetic meaning, later became an important form of expression in the landscape painting of the Southern Song Dynasty. This "Liutang Fishing Hidden" is shot at a wide angle, full of life everywhere, the picture is clear and open, showing the characteristics of the Small Scenery Landscape of the Song Dynasty. The ducks and herons that roam around not only add a bit of wild interest to the mountain pond, but also show the intention of the protagonist in the painting to stay away from the world and hide from the rivers and lakes.
This "Willow Pond Fishing Cain" has no name. The whole width is lightly colored, and in the delicate and rigorous brushstrokes depicting point scene figures, wandering birds and water birds, and willow lotus leaves, it still retains the beauty of simple realism. This is slightly different from the more rounded, hard, multi-turning, and wavy brushstrokes common in the Southern Song Dynasty, and it is speculated that this should be a landscape masterpiece with flowers and birds as points in the early Southern Song Dynasty.
Southern Song Dynasty Anon. Plum Bird Chart Page
Southern Song Dynasty Anon.
There is no paragraph on this page. The Tibetan seal of the plutonium is "Approved by Song Yan" and "The Treasure of Jiaqing Imperial Collection", and the half-print side is printed, and the printing text is vague and indecipherable. Framed inscription: "Song people paint plum bamboo double magpie".
In the green bamboo bushes, two branches of white plums protrude, which are beautiful and cold. Two partridges perched on the branches, looking forward to it. Toba sketches with a thin pen and then smudges in ink or pastel, similar to the "boneless" method. Plum blossoms are filled with white powder and light yellow, and the layers are rich. Bamboo leaves are outlined by a double-hook method, and then dyed with flowers, juice green, ochre and other colors.
Southern Song Dynasty Anon
Ink pen on silk 22 in length. 8 cm Width 23. 1 cm From the collection of Shanghai Museum
Southern Song Dynasty Anon. Qionghua Kingfisher Picture Page
Southern Song Dynasty Anon. Three Sheep Chart Page
Silk, color, length 21.2cm, width 20cm. Collection: The Palace Museum
In the picture, the goats in the shade of willows wander among the grass on the slopes to feed. Except for the outline of the horn and the four hooves, which are slightly outlined with light ink lines, the rest are based on the "boneless method", especially the two white sheep on the right, with long hairs, soft and fluffy, rich in texture. The trunk is rubbed with a dry pen, and the pen is thick. There is no author's print on this canvas. There are 4 pieces of Jianzang Seal "Drunken □ Heart", "Jiangcun", "Wugong", and "False Lang Zhai".
Southern Song Dynasty Anon. Mountain Residence Pavilion Chart Page
Southern Song Dynasty Anon. Shantang Guest Speech Chart Page
Southern Song Dynasty Anon. Auspicious Multi-Son Picture Page
Southern Song Dynasty Anon. Frost Mountain Bird Chart Page
Silk, color, length 24.2cm, width 25.4cm.
There is no paragraph on this page. Half-printed.
The picture depicts a branch of the black tree, the leaves are sparse, and the tip of the leaf is slightly red after frost. The fruit is full of hanging branches, indicating that it is late autumn. Three birds of different shapes inhabit the branches. The branches are drawn in thick ink and the veins and branches are outlined in ochre. The leaves and small fruits are painted without bones. The leaves toss and turn to the back and the branches twist and turn, are depicted in great detail. The bird feathers are made of thin pencils in the center, and the different parts of its body are lightly dyed with white powder, ochre, and thick and light ink, which are delicate and realistic. The composition is sparse, the combination of dynamic and static, and the color is bright and vulgar. This is a meticulous work in the southern Song Dynasty sketch paintings.
Song Anon. "Frost Ke Bamboo Stream Diagram"
Silk, color, length 27.5 cm, width 26 .8cm
This picture was originally published in the "Illustrated Album of the Song Dynasty", see "Shi Rui BaoJi Three Editions". No author drops. The picture shows that the sky is cloudy and snowy, the frost is near the water, and the bamboo leaves and mountain birds are all hardy. Although the scale is small, it is very expressive. Moreover, judging from the painting style, it seems that the same painter's brush strokes as "Wuhuan Wen Bird Diagram" seem to be from the same painter. Winter scenery in the mountains, the sky is cloudy and snowy, the frost is near the water, the streams under the ke are rushing, the water splashes, and the bamboo forests in the distance are verdant. Two mountain birds perch on the branches and look into the distance, directing the viewer's gaze out of the painting, thus receiving an endless artistic effect.
Southern Song Dynasty No style Snow Flies Cold Chicks Chart
Color on silk Length 28.2 cm, width 28.7 cm Collection of the Palace Museum
This picture was originally published in the "Picture Book of the Song Dynasty". Five pairs of sparrows perched on dry spines, with a small bamboo branch on the right. In the picture, Xiao Wu has a variety of looks, some contemplating, some talking, some wanting to fly, and the image is vivid and vivid. Judging from the picture, the image of Xiao Wu is closer to the natural mood, indicating that the author has keen observation and sketching skills. This picture is beautifully colored with a pen, which is a wonderful work in the Southern Song Dynasty sketching flower painting. No money print, once collected by the Qing Dynasty Song Zhao, the third edition of Shiqu Baodi.
Collection of Shanghai Museum
Southern Song Dynasty No Songjian Mountain Fowl Diagram
Color on silk Length 25.3 cm, width 25.3 cm Collection of the Palace Museum
This picture depicts the towering ancient pine under the mountain stream, the mountain stream meandering and rushing, the splash of water, the four pairs of mountain magpies in different postures, or flying, or stopping, or pecking with mountain streams and trees and stones, the image is vivid. In the picture, pine and pine scales are drawn with thick ink, and pine needles are sketched with ink lines and rendered with stone blue. The bamboo leaves are colored with a rigorous double hook method. The mountain stone is outlined with ink lines, and then broken with light cyan to make the picture full of three-dimensional feeling. This picture is vigorous with a pen and energetic in silence, which is a delicate work in the small flower and black paintings of the Southern Song Dynasty. This work was once collected by Wang Mulin and Xiang Yuanbi of Ming Qianning.
Southern Song Dynasty Anon. Tong Yin Play Moon Chart Page
Southern Song Dynasty Anon. Waque Perch Branch Diagram page
Silk, color, length 28.6cm, width 29.1 cm.
There is no money in this painting. The Tibetan seal of the plutonium is "Approved by Song Jie". Framed inscription: "Song people paint tile finches perched branches".
Sparrows often live between the eaves, so a "tile finch". In the picture, a branch of begonia is extended from left to right, the fruit is scattered on the branches, the leaves have been stained with autumn frost, and the red, yellow, and green are colorful and lovely, and some of the leaves and fruits have been eroded by insects. Begonia branches inhabit 5 tile finches, 4 of which or shrink the neck to raise the spirit, or tidy up the feathers, different postures, look comfortable, only the middle one found that there are small bees on the leaves overhead, so the head is high, open mouth to peck, the small bees seem to find the danger, tail open teeth, ready to deal with. This picture is still and moving, tense and relaxed, and deeply in line with the painting.
The feathers are delicately depicted and highly realistic. Begonias are lightly colored to express the light and thin texture of autumn leaves that lack moisture. The finch and the fruit and leaves run through the branches, and if the net is in the order, it is orderly. Although the branches of the fine ink pen are thin, they are still divided into yin and yang to the back with thick and light ink, which is full of three-dimensional sense and looks strong and powerful.
It is stored in the volume of "Song Ren Collection and Painting". Bibliography of the Three Editions of Shiqu Baodi.
Southern Song Dynasty Anon
Silk, color, length 27.5cm, width 26.9cm
After the snow by the stream, the sky is dark, and the old plum is first released. Arboreal ribbon bird with gorgeous feathers. The stream under the trees is turbulent and splashes. The shore rocks are covered with snow, the painter uses ink to dry the clouds, white powder to express the snow, and depicts the flowing water with smooth curves, the most unique of which is to show the honeycomb formed by the erosion of the water on the rocks on the bank of the stream, and create another method, which has never been seen before.
Southern Song Dynasty Anon. Wuyin Qinghui Tu
Southern Song Dynasty Anon. Embroidered Yu Mingchun Figure Page
Silk, color, length 25.7cm, width 24.1cm.
There is no money in this painting. The plutonium is sealed with the tibetan seal "Song Zhen Approval". Framed inscription: "Song people paint embroidered feather Mingchun".
The picture shows a beautiful mountain bird, standing on the stone of Taihu Lake on one foot, with a miserable look, crying incessantly, and its right paw moving uneasily. He was tying to a stone by a string and losing his freedom. The author is very attentive. Song Ouyang Xiu has a saying: "I know that the lock listens to the golden cage, and it is not as good as the forest to cry freely", which is also the meaning.
The dyeing of Taihu stone is relatively coarse, contrasting with the fineness of the bird's feathers, and the primary and secondary are clear. There is no background around, which shows the loneliness of the birds. Birds have no expression, and the painter borrows the painting method of human eyes to express its psychology, which can be called a wonderful brush.
Southern Song Dynasty Anon. Snow Peak Cold Boat Map
Southern Song Dynasty Anon. Domesticated birds pecking at the page
There is no paragraph on this page. The plutonium is sealed with the tibetan seal "Song Zhen Approval". The framed edge inscription reads: "Song people domesticated birds pecking".
A sparrow stands on an open light blue porcelain jar, looking down at the rim of the jar. The sparrow is tied with a red rope, and a ring is tied to the end of the rope, indicating that it has been captured and raised. The sparrow is a bird that is difficult to domesticate, and although the porcelain jar in the picture contains white rice, the bird does not eat it, expressing the desire for a free life. The painter first draws the outline and feathers of the sparrow with a sharp brush, and then draws the wings, tail feathers and eyes with thick ink and light ochre dots.
Southern Song Dynasty Anon. "Flying Pavilion Yanfeng Map"
Silk, color, length 26 cm, width 23.5 cm, Beijing Palace Museum collection.
Southern Song Dynasty Anon.
Color on silk Length 24.3 cm Width 27.5 cm Collection of the National Palace Museum, Taipei
There is no money on the painting. The painting method double hook color, color blending, deep workmanship, leaf color of the tender old, fragrant gold, convey the spirit of Bishao. The leaves are dense and dense, the front side is oblique, curled and covered, and there is a deep sense of space.
Southern Song Dynasty Miscellaneous Drama Flower Drum Diagram
Colored on silk, 24 cm in length and 24.3 cm in width, collected by the Palace Museum
There is no paragraph, and this figure is also scattered. The two characters in the picture are played by women. One on the right, a fan in the back, the end of the book. Its fan has a split of two, which is the same as the fan used in the previous "eye drop acid" sub-end color, which is suspected to be a prop dedicated to the sub-end color to point out the character. The only one implied by the word "诨" is the end of the Ming Dynasty. The thing inserted in the waist is the grate used to purify at the end of the play. As for the title of the play, Mr. Zhou Yibai was suspected of being "Whip Hat Six" and could not be affirmed. According to the "Record of LuoLiang", after the record of miscellaneous dramas, it is also called "there are miscellaneous costumes, or miscellaneous classes, also known as Jing Yuanzi, also known as dialing and harmony, that is, miscellaneous and subsequent scattered paragraphs." This picture or the scattered passages after the miscellaneous drama are also unknown, and are recorded for examination. The characters in the picture are thin and fluent in clothing, and the dynamic portrayal of emotions is just right, which is a precious image material for the history of miscellaneous dramas. In the painting, there are five prints such as "Seal of Calligraphy and Painting of Jinfu", which are collected by the Yuannei Province and are not recorded.
Song Anon. Weeping Willow Flying Silk Diagram
Silk, color, length 25.8cm, width 26.4 cm.
There is no paragraph on this page. There are 4 ways to collect and print such as "Merlin Secret Play", "Xiangzi Jingjia Treasure", "Xiangyuan Seal", and "Divine Product".
The picture depicts the four branches of the new green weeping willow, and the willows are like snow flying, revealing the infinite meaning of spring. In the painting, the willow branches are drawn with a stroke of the center; the willow leaves are outlined with a thin pen and filled with juice green; and the willows are dotted with white chalk letter pens. The whole picture is neatly made with a pen and elegant color. The composition is dense and decent. The willow branches hanging above and the willow branches protruding from the right side divide the picture into four parts of different shapes, which are small and large, which is evocative. In the upper left of the picture, there is an inscription poem by Empress Yang of the Song Ningzong Dynasty: "The line twists against the green, and the gold hangs on the yellow", and the "Kun Gua" shaped seal in the Plutonium Bagua is printed.
On the opposite canvas there is a poem inscribed by the Qianlong Emperor of the Qing Dynasty: "Qingyuan has Yang Hou, but it is out of Kansai." Painted from the female middle, the book will be emperor and Qi. The wind is like the sun, and the snow does not stick to the mud. Set up a more Xie family sentence, a chip should be a loss. "钤" is the treasure of the Emperor Taishang, "The Treasure of the Eight Signs of Immortality", "Self-Improvement" and other seals.
This picture was once collected by The Ming Dynasty Xiang Yuanbian and Qingnei Province, and was written in the Shiqu Baodi Continuation.
This figure was originally published in the Four Dynasties Selected Algae Album (see Shiqu Baodi Sequel). Signed the title Yang after the work. Yang Hou was the wife of Emperor Ningzong, and the books "Treasure Book of Picture Painting" and "Painting History Society" do not say that he can paint. The inscription on this painting reads: "The line is green, and the gold is yellow." "But I don't know if this painting is also out of his hand." The "Painting History Will" contains Yang Hou's younger sister (a work of Yang Wa), who will be an auditor. Empress Ningzong's sister, who enshrined the inner court with art and literature. Gong poetry is good at painting. Try to write a crane diagram, quite fine. It is difficult to determine whether it was painted by Yang Hou's sister or signed by Yang Hou?
Song Anon. Spring Creek Aquarium Chart Page
Silk, color, length 24.3cm, width 25.5cm
Spring blossoms, schools of fish play algae. Silver carp swing tail roaming, catfish turning back behind, mandarin fish head-on, metaphorically "year after year has been expensive" auspicious meaning. The 3 big fish are all heavily painted with penmanship, with a calm and steady workmanship, and the scales of the fish are meticulously depicted, while the small fish, shrimp and algae in the background are stained with pure boneless methods, which shows the agility of the fish and shrimp and the lightness of the algae just right.