Two days ago, the top three Hong Kong sisters of the class of 2022 were selected, how to evaluate it, can only say that there is no shadow of Li Jiaxin, Qiu Shuzhen, Zhong Chuhong and so on.
In fact, you can't blame the standard for choosing Hong Kong sisters is getting lower and lower, and if you look closely, you will find that there has been an "aesthetic degradation" situation all over the world.
With the rampant flow of capital and traffic, male and female stars are dressed up as "white young and thin dolls", even if they look angular, they will also be installed with a "silly white and sweet" character setting to create the so-called "contrast cuteness".
In recent years, a succession of talent shows have pushed this trend to the top, with male stars becoming less and less aggressive, and the way they attract fans is through painted makeup and various X-implied dance moves.
But to be honest, doing such an action with such a shape is difficult for the audience to feel their hormones, but more like a rogue child.
It's not that male celebrities can't wear makeup and dress, the problem is that the entire entertainment industry is full of this childish aesthetic, which really makes the audience's eyes get no respite.
Therefore, Xiao 8 especially misses the showbiz circle that was originally controlled by the "coal boss aesthetic", and misses the "manliness" that has disappeared.
"Manliness" does not refer to the left green dragon and the right white tiger, but to the male "sexy" emitted from the inside out. It can be extrinsic or introverted.
The first: Chen Daoming
Chen Daoming's manhood belongs to the introverted faction, and the whole person is synonymous with the word "Confucianism".
Chen Daoming's appearance is not the first class in the entertainment industry, but his temperament is really outstanding.
His father was a professor at Yenching University, his mother was a doctor, his grandfather and uncles were celebrities in the literary and art circles, Chen Daoming learned the Six Arts of Gentlemen from a young age, and after decades of precipitation, the whole person is a "stable" character.
In the industry for 7 years, Chen Daoming was a dragon set without lines for 7 years, until he starred in the TV series "The Last Emperor" in "Puyi", he successfully became popular.
Chen Daoming's "Puyi" is not only handsome, but also allows the audience to see helplessness, depression, struggle and gloom, which is probably related to his state of mind at that time.
After many years of silence and overnight popularity, few people can resist such a contrast, Chen Daoming also fluttered for a while, but was awakened by Mr. Qian Zhongshu, determined to be a "normal person" among actors.
He pushed away all the scenes, thought at home for 9 years, and even slept in the pile of books, staining himself with an indelible book atmosphere.
Therefore, Chen Daoming is particularly suitable for playing the role of great power, the role gives him the image, he gives the character the soul, and captures the hearts of all the audience.
The second kind: Hu Jun
Hu Jun is the opposite of Chen Daoming, his manhood belongs to the extroverted type, his appearance is clearly defined, he belongs to the thick face system, and his physique is also very strong.
Hu Jun's manhood is visual, and when he stands in front of everyone with such a wall, most people will feel a sense of oppression, which will subconsciously produce some submission to him, and even Wu Jing will be spoiled in front of him.
To put it simply, Hu Jun is a tough guy, but under the surface of a tough guy, he can behave exceptionally soft, and this contrast is simply too gripping!
The third kind: Zhao Wenzhuo
Zhao Wenzhuo and Hu Jun have some similarities, they are both thick eyebrows and big eyes, but Zhao Wenzhuo's facial features are more exquisite than Hu Jun, the silhouette is not so sharp, and he has a youthful spirit on his body.
Because he learned martial arts from a young age, Zhao Wenzhuo was very straight, with broad shoulders and thick back, every move was very powerful, and he carried a chivalrous spirit, which was especially in line with the image of the jianghu hero in the hearts of Chinese audiences.
Wu Jing, like Zhao Wenzhuo, has a handsome appearance and neat hands, but Wu Jing is too sharp and too decent, without the "sexual tension" of Zhao Wenzhuo.
More importantly, Zhao Wenzhuo has a "ascetic" temperament, and he and Maggie Cheung contributed a classic "sexy" scene to the audience in the movie "Green Snake".
The fourth kind: Zhu Yawen
Zhu Yawen is definitely a unique presence in internal entertainment, with a tough appearance and a particularly turbulent temperament.
In "Red Sorghum", Zhu Yawen is covered in tendon flesh, looking rough and wild, full of power.
Of course, "sexual tension" has two levels of connotation, one is sexiness, the other is tension.
Zhu Yawen is especially suitable for kissing scenes, his movements are fast and fierce, his eyes are fierce, and his posture is very strong.
Even if he doesn't move his mouth, he can use his eyes to drive a car for everyone, and there is a lot of desire in his eyes.
If Zhu Yawen purely used his own tendon meat to attract the audience, it would be too greasy.
However, he was from a military family, carrying a righteous qi on his body, and eventually the qi mixed with the righteous qi, and one by one emitted his exclusive hormones.
What's even more rare is that Zhu Yawen did not go all over the world to release his hormones, he clearly knew where his destination was, allowing himself to be sexy, but never wavering.
This kind of manly taste of voluntarily putting on the shackles is simply too much in line with the "sense of abstinence" in Chinese bones, one word, absolutely!
The fifth: strict and wide
There are Zun Dragons abroad, and there are Yan Kuan in China.
Yan Kuan's appearance is absolutely rare among Asians, a face with sharp angles, deep and three-dimensional features, and a high and straight nose, and it feels that the word "sword eyebrow star" was invented for him.
After Yan Kuan, the internal entertainment did not appear as heroic as him, if he was born 20 years later, today's entertainment industry will definitely be his world.
In the novel, it is often described that the male protagonist laughs with "three points of thin coolness, three points of ridicule and four points of carelessness", and this feeling can only be achieved by Yan Kuan.
The male audience is a visual animal, the female audience is the same, and Yan Kuan perfectly meets everyone's visual needs, he is not as elegant as Chen Daoming, but his body is full of nobility.
Compared with the flow of fresh meat of oily noodles today, Yan Kuan's handsomeness is even more rare, even if he plays a gentleman, it will make the audience shine.
Two years ago, Ding Zhen, a Tibetan boy from Litang, Sichuan Province, went viral on the Internet with a video.
There are many netizens who do not understand, he has no culture and no dedication, why can he be sought after by the whole network, and has become the official spokesperson of Litang?
In fact, the reason is very simple, this is a small rebellion of the audience to today's aesthetic.
Looking at today's entertainment industry, the flow of fresh meat with heavy makeup and smearing occupies the audience's field of vision, and the audience is in urgent need of eye sanitizer.
Unlike the beans who paint on their faces, he carries a natural and wild nature, allowing the audience to temporarily return to nature and true colors.
In the past, Ding Zhen would not make any splashes in the entertainment circle just by his appearance, and he could also be regarded as a hero created by the times.
Chen Daoming, Hu Jun and other older generation of "male gods" gradually withdrew from the circle, leaving us with traffic stars, only the "manhood" that has changed its taste...