This year's summer TV series can be said to have a mediocre start and waves, but when the curtain comes down, it is stormy and the two are promoted.
The two sweet girls of internal entertainment played in the ring, before there was Zhao Lusi and Wu Lei's "Star Han Brilliant", although Zhao Lusi's medium distribution type was once spat upon at the beginning of the broadcast, but the CP pair of "Wu Lu can escape" still made countless viewers suffer toothache; After the counterattack and explosion of the "Canola Recipe", Wang Hedi's blood "Meet the Dragon" shame, Yu Shuxin also became the lovely daughter of the whole people "Little Orchid".
It is said that fashion is a reincarnation, the audience's taste seems to be unavoidable, sweet sister has re-become the hottest topic of domestic dramas in 2022, although the third generation of sweet sister Zhao Lusi, Yu Shuxin's heat is rising, but there is no lack of doubts about their appearance, acting skills downgraded, today we will review the three generations of sweet sister representatives, to see whether it is the era filter or aesthetic downgrade?
To say that the first generation of sweet sisters, in fact, it has to be traced back to the Hong Kong circle. Li Qihong is one of the representatives of sweet sisters who stand out from the Hong Kong sisters. Although she was 24 years old when she participated in the Hong Kong Sisters Draft, the baby fat has not yet faded, the small round face is full of collagen, bright eyes and teeth, sweet and lovely, and the smile is very infectious, which not only makes her the third runner-up of the Hong Kong sisters, but also makes her "debut is the peak" and becomes a small sweetheart in the hearts of the audience.
Li Qihong's representative roles are also mostly sweet sisters, of which Guo Xiang in "Divine Eagle Hero" and xiao chili peppers in "Absolute Double Pride" are the most classic. Her Guo Xiang is still recognized as the best version, both aura and evil qi, and the little pepper is even more cruel and cute.
Unfortunately, although Li Qihong is sweet to the hearts of the audience, she has suffered for half a lifetime, and the family's hereditary depression has always tormented her, all the way high and low, and now she can be regarded as one of the more miserable Hong Kong sisters.
Another pity is He Meidian, who is a female supporter in many dramas. Although developed in TVB, Ho mei tin is a native of Guangzhou.
To be fair, her face can be said to be the most exquisite kind of baby face, if Li Qi's red bones are relatively flat, the aura relies on the skin phase to support, He Meidian was born to eat the sweet sister's bowl of rice, her 31-year-old and Zhong Hanliang's "Chia Bone Dan Heart" can prove this, the shelf life of the sweet is quite long.
Unfortunately, the sweet sisters in the early martial arts dramas were mostly female supporting roles, and after He Meidian starred in the little sister Yilin in "Smiling Proud of the Jianghu", sweetness seemed to become her only label. After that, Zhong Ling in "Tianlong Eight Parts" even played the innocence of the girl to the extreme, and no one has been able to surpass it so far. The audience is accustomed to seeing the sweetness of He Meidian, but it is not very acceptable for her to play some of the bitter love heroines that were popular at that time.
In addition, Yang Ruoxi in the mainland is also a representative of some sweet sisters who go high and low. Her debut drama is Zhang Guoguo and Deng Jie's "Kangxi Micro Service Private Interview", in which she plays a little girl who is recognized by Zhang Guoguo's wise eyes because of her beautiful and dexterous appearance.
In "Kangxi Micro Service Private Interview 3", she also played the heroine of the unit drama, one person played the two sisters of Tie Zhu'er and Tie Ling'er, one was weak and quiet, and the other was lively and pretty.
Personally, I think that Yang Ruoxi's most classic role is still He Xiangu in "The Story of the Eight Immortals of Laughing", which is sweet in the beauty of the world, and the temperament when not laughing is more like Sun Li, with the aroma of books; But a sweet smile seems to be the finishing touch. Unfortunately, Yang Ruoxi was a little unladylike in the face of people, and he quit the circle early, and now he no longer has the youth of that year.
In addition to these three, there is no shortage of surprise glimpses in the previous generation of sweet girls. For example, asa's purple orchid fairy, it can be said that sweet with its own witty effect, even if it is deliberately ugly, it is difficult to make people think that she is not cute, really want to say that the delicate and flexible to not let life be bored of the silly white sweet fairy, or "only this one, no other branch".
With a "little fairy" to become the childhood goddess of countless people, Bai Xue can be said to be the sweetness of the Qingli fairy, this role may be a bit brutal, may be a little sad, but under the agile interpretation of Bai Xue, it is difficult not to throbb.
Compared with these first-generation sweet sisters who are far away to have an era filter, the second-generation sweet sisters of internal entertainment are much closer to us.
Tan Songyun, who has always been loved by the audience as "age-reducing baby face", can be said to be a rare case of "loading tender and not rolling over". In the voice of the older actress forcibly dressing up, Tan Songyun, who is 30 years old and goes up, still has no sense of violation when she plays a high school student.
The peak of her sweet feeling personally feels that it is Chun'er in "The Biography of Zhen Huan", with its own foodie attributes and the ignorance of a young girl, in the harem of intrigue, like a small white rabbit who mistakenly entered the wolf pack, it is difficult not to let people have a desire to protect.
Before the transformation of the popular little flower Zhao Liying, she also relied on sweetness to play a piece of heaven in the fiercely competitive internal entertainment. It is said that women before divorce and after divorce are two flavors, and Zhao Liying is a good proof.
The unmarried Zhao Liying's small round face with round and slippery eyes, whether it is the smart girl in "Flowers and Bones", or the sweet and ignorant carp essence red Aya in "Legend of Chasing Fish", or the energetic Xue Shanshan in "Shanshan to Eat", she is always so affinity.
Although there were also problems similar to He Meidian's limited play path before, after fading the baby fat, Zhao Liying could say that the aura was fully open, from sweet to cold and tough hanging, just like opening and hanging.
In contrast, the popular third-generation sweet sister in the mainland is actually a single type. For example, Zhao Lusi, who relied on the fire of "Rumored Chen Qianqian", has a higher degree of adaptation to her sweet and funny scenes, and has a unique style of ghost and horse funny. However, Zhao Lusi belongs to the type with full of staying power, and in the early days, like Zhao Liying, she was questioned about her rusticity and manners, and now she has gradually evolved.
Yu Shuxin, who broke through this year's "Canglan Tips", her sweetness was more questioned, and many people felt that her sweetness was an awkward sweetness, and no matter what she acted, she could not get rid of her own small work essence. Although there is a slight gap between bone phase and appearance compared with female stars in the entertainment industry, Yu Shuxin's ability to choose scripts is still OK.
Finally, the recognized elected sweet sister Tian Xiwei, to be fair, her appearance is actually more in line with He Meidian's kind of talented sweet sister, but the resource abuse at the same time fans jumped high, has caused a lot of disgust, and Tian Xiwei's acting skills are a bit soulless, can only wait for "Xinchuan Daily" to come out and then evaluate.
Looking at the sweet girls in the entertainment industry over the years, I personally feel that compared with the subjective aesthetic degradation of appearance, the space given by the role to the actor and whether the actor's acting skills are natural is the focus of the gap.
Some people say that Yu Shuxin and Zhao Lusi are "big cake faces", but the original Li Qihong is actually not perfect, whether there can be amazing roles, more depends on the addition of the script and the actor's acting skills.
After all, He Meidian's Zhong Ling's eyes can make people feel the agility of the girl in Jin Yong's book, and what Zhao Lusi and Yu Shuxin lack is perhaps how to naturally integrate the sweetness that flows on the surface and truly integrate it with the attributes of the character.
Do you like Sweet Sister? Who do you think is the Inner Entertainment Sweet Sister Ceiling? Welcome to the comments section.
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