In the last century, Hollywood in the 1930s and 1940s was a mixture of contradictions, conservative and indulgent.
The private life of female celebrities is wonderful, cheating has become a common thing, marriage and divorce are as few as three or four times, as many as seven or eight times, and sacred marriage has become a child's play.
For the affair of Hollywood stars, people are talking about it, and at the same time, they stand on the moral height to accuse and even angrily scold their indiscretion.
The female star we mentioned today has been said by the media that her infidelity has had a greater impact on the family and the church than Stalin and Lenin.
What kind of derailment is this? Even Hollywood actors once looked down on her, treating her as an actor's scum, a disgrace to women.
In the face of everything, she did not react in any way, because, she was in charge of her life.
The star was Ingrid Bergman, a beautiful woman who never compromised.
Born in Sweden in 1915, when her mother died when she was 3 years old, Bergman followed her father, who was a very good photographer.
Such a life was happy and happy, and the happy childhood came to an abrupt end at the age of 13, because of a sudden illness and death.
Before his father died, he gently stroked Bergman's head and said to her, "When a person lives, he must make himself happy." ”
This sentence from his father influenced Bergman's life.
Bergman graduated from high school and was admitted to the Royal Swedish Academy of Drama, where she took over more than a dozen films.
After graduating from college, her aunt persuaded her to marry her soon so that someone could take care of her, so Bergman obeyed her aunt's arrangement and married Peter, a well-known dentist.
The age difference between the two men is nine years, and Peter is mature and stable, but the macho man wants his wife to be able to teach his husband and children at home.
The two people do not have a common language, occasionally sit down to chat, and the husband is not concerned with the topic of the wife's speech, but whether the wife's sitting posture is correct. The wife does the housework, he will not help, will only blame what is not done well.
Peter hated his wife's appearance, was not interested in her career, and even resented some of the large-scale films made by Bergman.
The two men often quarreled over the matter, but neither would budge.
Such a marriage has no passion, like stagnant water.
Such marriages are suffocating and numbing.
The marriage stumbled in such a way that the apparent harmony was maintained, and Bergman became pregnant and gave birth to their daughter.
In 1939, Ingrid Bergman married David M. O. Selznick signed.
David is a very famous producer, and the actors who have passed through his hands have basically become popular female stars. For example, Rita Hayworth, Catherine Hepburn, Louis Jordan, Vivien Leigh and so on.
David wanted to take Bergman to Hollywood, and Switzerland at that time was not suitable for Bergman's development.
After signing the contract, Bergman quickly got the heroine of "Cold Night Love", so Bergman and her husband came to the United States with their daughters.
Peter works at a medical school in New York, and Bergman shoots in Los Angeles.
During filming, David discovered that Bergman's personality was very strong, and unlike other female stars he came into contact with, Bergman was not a docile little sheep and would not obey the director and producer.
Bergman was the first actor David met who dared to argue with him, she refused to get plastic surgery, even refused to make up, Bergman became a female star in the film and television industry.
As it turned out, Bergman's stubbornness was right. She stood out from the crowd of women with heavy makeup and became a clear stream.
Such a Bergman has a certain reputation, but there is also a crisis in married life.
The two men have been separated for a long time, and Bergman has proposed a divorce, but Peter disagrees, arguing that most couples have contradictions, quarrels, and live a numb life, and they can accompany each other until old age.
In 1942, Bergman won the Global Award for Casablanca. Even the theme song has become an immortal classic, feminine with a faint sadness, which is unforgettable.
In 1944, Bergman won an Academy Award for Under the Gaslight.
Dignified and beautiful appearance, charming voice, Bergman's acting skills are flowing, and the characters she plays cannot see her own shadow and act like what.
Bergman worked tirelessly to create his own era and became the brightest and most popular female star of the time.
The audience loves Bergman deeply, she is the purest lily on the screen
Suddenly, her career reached the peak of her life. Fame, money, resources, years of hard work by others she has at her fingertips.
All of this is ultimately ruined by an immoral love history.
Bergman met Gregory Pike, the film's male protagonist, while filming the romantic thriller Doctor Edward.
Bergman is 175 tall, Parker is over 190, and the two people standing together are such a good match. At that time, Pike was also a little famous, but he still had to be harassed by the director, because Pike was not an actor selected by the director himself.
Initially, the male protagonist of the director's pre-selected "Doctor Edward" was not Pike, but Gary Grant. But After Gary Grant's agency read the script, he thought that the male protagonist in the play was somewhat neurotic, and such a role would ruin Grant's image, so he politely refused.
During the filming process, the director often embarrassed Pike, and Bergman would stand up for him. There are a lot of opponents between them, and they will also play together when they are resting.
In this way, back and forth, the two people seem to have feelings.
It's the hormones of young people at work. But reason tells them that they all have their own families and children.
Therefore, they put their love for each other into the film, and during the filming process, when there was a kiss scene, it was difficult to give up, and even ignored the director who had shouted the card next to them.
A staff member of the crew revealed that the two of them often faked the real scene.
Another actor also revealed that they had rushed to the crew in disheveled clothes.
The reason why this underground affair was not reported was because the producer invested a lot of money to suppress it, and Parker's relationship with a number of media was maintained well, so it became a little-known scandal.
"Doctor Edward" is about to end, and the two people are going to go their separate ways to return to the family. Pike found Bergman and said affectionately to her, "Let's elope!" ”
Bergman decisively refused.
Maybe Pike didn't weigh enough in her heart.
This relationship is really nothing, at best it is a night of passion.
Ironically, a few years later, Bergman eloped with Italian director Roberto Rossellini.
Bergman was tired of hollywood studio films, and she wanted to change the path of the scene, not wanting to continue to shoot pretentious films.
One day, Bergman was thrilled after watching two of Roberto's films, Rome, the Undefended City, and Partisan on Fire, which was what she had always wanted to pursue.
After reading it, she did not want to delay for a moment, and she wrote to Roberto immediately, desperate to cooperate with him.
After that, the two people began to correspond, and the two people had too much common language, talking about life together, talking about ideals, talking about movies, talking about acting, talking about everything.
In 1948, Robert invited Bergman to Rome to shoot Love on the Edge of the Volcano.
The shooting location is on an isolated island, in addition to work, the two people have endless topics to talk about, things to do, and when the film is about to be made, Bergman is pregnant.
Ingrid Bergman was pregnant, and she was pregnant, Roberto's child.
How could Bergman be so careless that she was pregnant, and if this extramarital affair was exposed, it would definitely blow up Hollywood.
At the time, Hollywood had zero tolerance for female celebrities cheating.
Bergman could face everything calmly, and he couldn't see that this matter had bothered her.
She wrote to Peter and formally filed for divorce.
Bergman thought he could handle this matter in a low-key manner, but he did not expect to be caught by the media.
The paparazzi came to the island, disguised as all kinds of people, and the kung fu paid off, and the paparazzi finally took a photo of Bergman and Roberto holding hands and published it in the newspaper.
The evidence of her cheating is there, or the hammer, so that the fans who like her can't stand it, how much they loved her at the beginning, how much they now spit on her.
In "St. Mary's Bells" and "Joan of Arc", her role as Joan of Arc was too successful.
She is sacred and inviolable in the minds of fans, pure and unattainable.
The world held her to the highest point, so when the evidence of her infidelity was on the table, the human set of the saint Joan of Arc collapsed.
Overnight, Bergman became a slut spurned by everyone, and some even called her a prostitute.
Many magazines and newspapers denounced her at great length, and all kinds of sarcastic, insulting and insulting letters and cartoons were shipped to Italy by boat.
Even her filming of "Love on the Edge of the Volcano" was banned. All cinemas in Memphis removed all of Bergman's films.
She became a disgrace to Hollywood and the first female star to be banned from all movies for cheating.
The directors threatened her, asked her to issue a statement, and asked her to deny the affair.
The Motion Picture Association of America threatened her to issue a statement stating that she had no intention of divorcing her.
Even members of the U.S. Senate gave up discussing national events and talked about the peach-colored news. Some parliamentarians attacked her harshly, saying that she was the most influential saint on earth, and that her infidelity had caused serious evil effects.
Legislation was even proposed to expel Bergman from the United States, to ban her from returning to the United States, and protests were held.
Peter was also threatening her that if he continued to make trouble, Bergman would never see his daughter again.
Does Bergman care? No!
She didn't care what kind of ugly face others used to insult her, she only did what she thought was right.
She gave up her hollywood job, gave up her daughter, and followed Bergman to Italy.
In 1950, after Roberto divorced, the two were married.
The year after their marriage, Bergman became pregnant again and gave birth to twin daughters.
Bergman thought that this was the love he wanted, and thought that such love could last a long time.
Love is finally defeated.
What beats love is the trivial details of life, the disappointment accumulated little by little, and the temperature that goes cold again and again.
After they had three children, their already small income was even more strained, and they quarreled over chai rice oil and salt.
Two people are no longer the pillow people who talk about ideals and talk about movies with common topics, and real life makes them unrecognizable.
Love will disappear with the loss of time, just like the red wine poured into the glass, put in the light to look dazzling, take a sip, the tip of the tongue feels sweet, the sides are sour, and the root of the tongue feels bitter when swallowed.
The cheating incident caused her husband's movies to not sell well, their quality of life was worse than a day, Bergman realized that she could not stay at home anymore, she had to go out to earn money, but Bergman's reputation had long been stinking, who dared to use her.
Bergman traveled around with three children, she had been to Paris, to Spain, to England... As long as she can perform, she will go no matter how far away she is.
Bergman is struggling for her children, what is her husband doing?
Under the moon before the flower, Qingqing me and I.
Bergman learned through the newspaper that her husband had an affair with the wife of an Indian producer, and what was even more ridiculous was that they were ready to elope.
What is this? What is eight years of effort?
Is it a joke to think about what she's been through over the years?
Bergman did not tangle, such a love is not worth lingering, she filed for divorce.
In 1956, the sensational extramarital affair in Hollywood ended like this.
After the divorce, Bergman decided to return to Hollywood.
She was ready, and if someone threw rocks and rotten eggs at her, she would put up with it, as long as she was let her go back to Hollywood.
On January 20, 1957, Bergman got off the plane, and unexpectedly, she was greeted not by stones or rotten eggs, but by flowers and cheers.
"Ingrid Bergman, we love you! Welcome home! ”
Eight years on, the resentment of the people has long since faded without a trace, they like Bergman's films, they like her works.
That year, 20th Century Fox decided to shoot True and False Princess, and Anatole Litwack insisted on using Bergman as the daughter of the fake former Tsar in the film. If anyone objected, Anatole Litwack would choose to resign.
Darryl M. F. Zanuk weighed the pros and cons, decided to gamble, and was finally willing to pay $250,000 to ask Ingrid Bergman to join the crew of "True and False Princess".
He was right, and "True and False Princess" was a huge success after its release.
The New York World Telegraph reports, "Ingrid Bergman is still as passionate as she was when she left Hollywood seven years ago." ”
The New York Times: Bergman's performances are extraordinary, and such performances should be awarded to the Academy Award.
Bergman won the 29th Academy Awards with "True and False Princess", once again taking away the little golden man.
In 1974, Bergman won the Oscar for the third time for Murder on the Orient Express. Another little golden man was taken away.
20th Century Fox wanted to continue to sign her with a million dollars in salary, plus twenty-five percent of the film's profits, and promised that Bergman could choose from 14 famous directors in the company at will.
Excited? Yes, the heart is moved, but no matter how high the price is, she has to make her own decisions and find her own scripts and roles that suit herself.
In this way, Bergman Nirvana was reborn and blew his own "Ingrid Bergman Wind" in Hollywood.
No one remembers her unbearable forgetfulness, no one remembers that she was detrimental to female morality.
People only see her strength, see her long-lasting works.
Once asked if she regretted what had happened, she said, "I went from saint to bitch, and back to virgin,"
"I regret what I didn't do, not what I did"
"Ingrid Bergman, the first lady of Hollywood," lived unbridled.
She proved with strength that she had the ability to pay for the madness of the year.
In 1973, Bergman found out she had breast cancer, and doctors asked her to be hospitalized, but she refused, not wanting to waste the rest of her life in a hospital bed.
Tormented by the disease, Bergman still worked hard and finished his last film, only to leave the world that made her attached to it at the age of 67.
In this life, she lived freely and freely, but she had no regrets.
She doesn't care about other people's gossip, she only cares about whether she's happy.
She always remembered what her father said to him: People live to make themselves happy.