Thibby Headley is Hitchcock's fourth blonde muse after Ingrid Bergman, Grace Kelly, and Joan Fontaine.
But "The Thief" also became the last movie where the two completely broke up, and on the set, the two ignored each other and completed the task just to shoot the scene.
According to Hollywood gossip media, it was because Hitchcock asked Headley for Wushan Yunyu and was rejected, and Hee fat was angry and banned Tibby Headley, and After that, Headley's career was indeed worse than a day.
Aside from these scraps, there aren't many desirable aspects of the film itself, and it's amazing to do two bomb theories in the same clip.
The first time is that the heroine is stealing money, Xi Fat let the heroine and the cleaner in the same picture, the heroine's behavior is about to be punctured, but Xi Fat did not let the bomb explode.
The second time was that after the heroine was not discovered, she took off her shoes and put them in her pocket to sneak away, but the shoes suddenly slipped off, making a big noise, the bomb exploded, but Xi Fat let nothing happen after the explosion, because the cleaner's setting was an old man with an ear back.
These two bomb theories, Hitchcock and the audience fight left and right, completely grasp the audience's psychology, the technique is clever, worth learning and learning.
However, "The Thief" is not like a film made by Hitchcock, but a paper on psychoanalysis that he handed over to his "mentor" Freud.
In order to complete this paper, he designed the text of the film into the style of the paper, borrowed the hand of the male protagonist to understand the psychological disease of the female protagonist, and then cured psychological problems in different ways, so as to achieve the purpose of deconstruction.
Therefore, "The Thief" has some natural thresholds for audiences who are accustomed to Hitchcock's suspense theme, because this film is not suspenseful at all, unlike Hitchcock's style. #影视杂谈 #
