In the history of Chinese literature, there is a reading tradition of "ancient and modern". For example, in the history of poetry, the dispute between Tang poetry and Song poetry has more or less this factor of reading tradition. Of course, the "victims" of this reading tradition are not only Song poetry, but also most of the dynasties below the Song Dynasty have also suffered the loss of being too close to the reader. In these dynasties, a large number of poems were created, such as lush forests, looking at the green shades of the forest in the distance, occasionally blowing winds, and shanshan was lovely, but what a specific plant looked like, whether the branches were sparse, and whether the flowers and leaves were beautiful, were often not real and could not be understood. In fact, in the creation environment of Tang Dynasty poetry showing off the forest and pressing the crowd of trees, even if it is "anxious", later poets can often plant different "Lingyun wood" and "girl flowers". In the forest of Qing poetry, there are exactly some "strange flowers and strange trees" that are worthy of later readers' evaluation and observation.
To find these "exotic flowers and trees", for future generations, the fastest way is to find a "demonstration base" that will be gathered together. For Qing poetry, the most well-known is Xu Shichang's compilation of the Evening Qing Poetry Collection. This is the largest collection of Qing poems in existence at that time, and in the absence of "all Qing poems", this "Evening Qing Poetry Collection" is often used as a "schematic map" and "tour guide manual" for an overview of Qing Dynasty poetry. It should be said that Xu Shichang had a unique advantage in compiling the "Evening Qing Poetry Collection", first, the Qing Dynasty has become history, and there are specific beginnings in the selection and compilation of Qing poems. The second is that Xu Shichang was once a Qing Dynasty Hanlin and was an official in Beijing for many years, which made it very convenient for him to search for Qing Dynasty poetry collections. The third is that Xu Shichang selects poetry according to certain aesthetic standards of poetry. In the compilation of selected examples of the "Evening Qing Poetry Collection", Xu Shichang wrote:
Selected poems, ben Zhu Zhuyuan "Ming Poetry Synthesis", refer to Yuyang 'Feeling Old', GuiYu's "Don't Cut". Regardless of the same, gather the strengths of all, respect the gods, and make the screen puppet. In addition to the self-name, we must all save people because of poetry, and use both examples because of people's poetry. And the search is particularly meaningful.
"Evening Poetry Collection"
In other words, when Xu Shichang selected poetry, the selection criteria of a copy of Zhu Yizun's "Ming Poetry Collection" were fine-tuned with reference to the poetry selection criteria of Wang Shizhen (No. YuYangshanren) "Feeling the Old Collection" and Shen Deqian's "Collection of Poetry of the State Dynasty" (now known as the "Qing Poetry Collection"). This is the essential feature of the book "Evening QingYi Poetry Collection", and in a sense, it also constitutes the "shortcomings" of "Evening Qing Qing Poetry Collection". That is to say, in the choice of poetry, Xu Shichang will focus on some poems that can better express the literati IELTS, which will often "lose" some aspects of Qing Dynasty poetry, and if they are not aware, they may even have "illusions" about some poets in the Qing Dynasty. So, is there a collection of Qing poems that can complement each other with the "Evening Qing Poetry Collection"? Yes, this is "Qing Shi Duo".
"Qing Shi Duo", originally known as "Guo Dynasty Shi Duo", is a collection of Qing poems compiled by Zhang Yingchang in the Qing Dynasty according to the theme of poetry. The editor Zhang Yingchang (張應昌), courtesy name Zhongfu (仲甫), was born in Qiantang (present-day Hangzhou) and was born in Gui'an (present-day Huzhou). In the fifteenth year of Qing Jiaqing (1810), he was appointed as the secretary of the cabinet. In the early years of Daoguang, he participated in the compilation and revision of the Records of Emperor Renzong. Soon, due to illness, he resigned and returned to his hometown, closed his doors, dedicated himself to the study of "Spring and Autumn", and after more than thirty years, completed the eighty volumes of "Spring and Autumn Dictionary Dictionary". Part-time poetry, often sung with the Hangzhou lyricist Zhang Jingqi. In terms of poetry judgment, unlike Xu Shichang's Zhu Yizun, Zhang Yingchang held a traditional Confucian poetic concept of "not being able to teach the government, and reciting poetry is also important". Under the implementation of this poetic concept, the "Qing Shi Duo" came into being.
"Qing Shi Duo"
For example, in qing dynasty poetry, there is a kind of poetry dedicated to drug opium and its legacy, which is a kind of realist poetry work produced after opium was dumped into China by imperialism at that time, and three related poems are selected in the "Evening Qing Qing Poetry Collection", one is Chen Guangxu's "Idle Miscellaneous Poems (Overseas Poppy Cream)", one is He Yanqing's "Boat Trip Occasionally Formed", and the other is Lin Hongnian's "Poppy Feeling Endowment in Xianyang Dao". Among these three poems, He Shi is not specifically written about the harm of opium, and the irony of Lin Shi is very tortuous, so twisted that it is impossible to see at a glance. In contrast, the "Qing Shiduo" specially set aside the category of "opium smoke", including Li Guangzhao's "Aphrodisiac Song", Chen Guangxu's "Idle Miscellaneous Poems (Overseas Poppy Paste)", Le Jun's "Lingnan Lefu Opium Smoke", Song Xiangfeng's "Opium House", Chen Wenshu's "Opium Smoke", Huang Antao's "Ten Opium Poppies of the Tide Wind", Wang Yanmei's "Opium Line", "Mocking Zhang Si", Fan Yuanwei's "Opium", Ruan Wenzao's "Opium Smoke Song", Liang Shaoren's "Opium Chapter", Yuan Yi's "Pearl River Lefu Xiangsi Tu", Zhu Guchang's "Who's Son" Twenty-four poems of eighteen others (one of which appears under the door of "Confused Drowning") far exceeds the number of poems of the Evening Qing.
Not only in terms of quantity, but also in terms of description, the twenty-four poems selected by the Qing Shiduo constitute the large side of the Opium in the Qing Dynasty society, which is enough to become the first-hand material for later generations to study the impact of opium on the society of the Qing Dynasty. In addition, the above-mentioned authors Chen Wenshu, Huang Antao, Wang Yanmei and other authors who appear in the "Qing Shiduo" are selected from their other works in the "Evening Qing Poetry Collection", while Li Guangzhao, Le Jun, Song Xiangfeng and others mentioned in the book "Qing Shiduo" do not even appear in the "Evening Qing Poetry Collection", which is the best example that can supplement the "Evening Qing Poetry Collection".
Opium addicts in the late Qing Dynasty
The selection of poems in the "Qing Shiduo" spans through the eight dynasties of Shunzhi, Kangxi, Yongzheng, Qianlong, Jiaqing, Daoguang, Xianfeng, and Tongzhi, although it has not been selected to Guangxu and Xuantong, but most of the history of the Qing Dynasty is already in the book. In addition to the "opium smoke" category mentioned above, there are still 150 categories of poems such as age, wealth, boats, money law, salt policy, water conservancy, tianjia, textile, tax collection, force service, section, military affairs, generals, military salaries, civil unrest, floods, earthquakes, displaced people, customs, gold panning, mining, women, etc. Although they fail to help readers understand the artistic character of poetry itself according to poets or poetic styles like traditional poetry, all aspects of social life in the Qing Dynasty are in the book. Therefore, from the perspective of "proving history with poetry", "Qing Shiduo" has its own unique position in the history of Chinese poetry.
In the development of realist poetry, Du Fu is the most important link. After Du Fu, the "Xinlefu Movement" advocated by Bai Juyi, Yuan Shu and others was another key step in the development process. In the self-prologue of "Qing ShiDuo", Zhang Yingchang said: "Taste and read Zimei's "Tongguan Official" and "Stone Trench Official", as well as Xiangshan, Wenchang, and Zhongchu Xinlefu, the so-called words are easy to know and easy to enter. In today's world, many Zimei, Xiangshan, Wenchang, and Zhongchu's songs, as far as they can see, are selected and compiled. Zhang Yingchang put the Qing Dynasty realist poetry works into the history of the development of realist poetry, there is no "noble ancient and thin present", there is no "anxiety", honestly show the ugliness of society, generously express the poet's emotions, let these poems bear the "Zhishu" and "Liechuan" in the "Twenty-Four Histories", let people see a hundred worlds, and leave nothing behind. This is the remarkable thing about this book.
Detailed Notes on Du Shi (Chinese Sinology Library)
Some people have studied the selection strategy of "Qing Shiduo" and believe that this book is a representative work of qing poetry selected by the Qing people in terms of "poetry history". In fact, "Qing Shi Duo" is not quite the same as the general collection of Qing poems compiled from the perspective of human poetry and poetry preservation, and it can also be seen in his different characteristics when compared with many poetry collections in history (such as the well-known "Quan Tang Five Dynasties Poems", "Song Poetry Banknotes", "Selected Yuan Poems", "Ming Poetry Synthesis", etc.). Because the Qing Shi Duo is a collection of collections strictly divided according to the theme (or theme) of the poem. This practice is obviously learning from the practice of "Collecting Thousands of Family Notes and Classifying Du Gongbu Poems" and "Classifying Supplementary Notes on Li Taibai's Poems", and it has surpassed them. After all, in the book, Zhang Yingchang flexibly uses the method of "not judging each other" used in the compilation of book catalogs, so that poetic works with different themes sit firmly in the two categories, turning the original flat and linear total set into a three-dimensional and intricate total set. This is of great reference significance for understanding and studying the ancient Chinese book system.
Seniority, history, classification, and mutual authorship are the arc of the book "Qing Shiduo". These arcs of light seem to be reflected on the bell of the "golden tongue" in the title of the book. This is also reminiscent of the allusion to the bell:
Yi Fengren asked to see, "As for Si Ye of the Gentleman, I have not been able to see it." "The one who sees it. "Why did the second and third sons suffer from mourning?" The world has no way for a long time, and the heavens will take the master as the wooden dove. (The Analects of the Eight Nobles)
At the end, it should be said that from the ancient book engravings to the modern collated books, many collections have gone their own way, and the Qing Shi Duo is the same, and it is not the same. The same is that from the engraving to the modern collation, to break sentences, to proofread, are to be repeatedly polished, spend a lot of energy to complete. What is different is that "Qing Shiduo" was first published at the beginning of the founding of the People's Republic of China, and it is an earlier collection of classical literature published after the Zhonghua Bookstore moved north to Beijing; The second publication was in the 1980s, shortly after the national publishing effort returned to normal; This publication is on the 110th anniversary of zhonghua bookstore - this book is a small footnote to the zhonghua bookstore's efforts to move forward in the history of new Chinese publishing, and a small witness to the publishing work after the founding of the People's Republic of China. For other collections, it has some special significance.
Group photo of the first, second and third editions of "Qing Shi Duo"
The sound is crisp, clanging, swirling around the road, resounding through the front.
The essence of a generation of poetry, the history of poetry in the Eight Dynasties
Dianshuying entered Jingdong to buy the book
"Qing Shi Duo"
[Qing] Zhang Yingchang, eds
Traditional vertical
32 open Hardcover
978-7-101-15679-9
RMB148.00
Synopsis
"Qing Shi Duo", also known as "Guo Dynasty Shi Duo". It is an anthology of Qing poems compiled by Zhang Yingchang, a Qing dynasty. The book is selected from more than 2,000 works by more than 900 authors from the early Qing Dynasty to the Tongzhi period. It is divided into one hundred and fifty-two categories, such as age, wealth, boats, money law, salt policy, water conservancy, tianjia, textile, tax collection, force service, science and pai, military affairs, generals, military salaries, civil unrest, floods, earthquakes, displaced people, customs, gold panning, mining, women, opium smoke, etc. When the book was compiled, it broke through the scope of famous artists and included the works of many unknown authors, providing extremely rich information for understanding and studying the society and poetry of the Qing Dynasty and the founding of the Qing Dynasty for more than two hundred years. At the beginning of the volume, there is the Bibliography of the Poet's Mingshili, followed by an index of authors for the reader's review.
About the Author
Zhang Yingchang (1790-1874), also known as Zhongfu (仲甫), was born in Qiantang (present-day Hangzhou) and was born in Gui'an (present-day Huzhou). In the fifteenth year of Qing Jiaqing (1810), he was appointed as the secretary of the cabinet. In the early years of Daoguang, he participated in the compilation and revision of the Records of Emperor Renzong. Soon, due to illness, he resigned and returned to his hometown, closed the door, dedicated to the study of "Spring and Autumn", after more than 30 years, completed the 80 volumes of "Spring and Autumn Dictionary Dictionary", took more than 400 Confucian books below the three traditions and the Qing Dynasty, compiled its exposition of the Spring and Autumn Debate, classified by door, and broke the example of praise and depreciation, and compromised. Part-time poetry, often sung with the Hangzhou lyricist Zhang Jingqi. He once assisted the Haiyan poet Huang Xieqing in collecting research materials and compiling the book "Continuation of the National Dynasty Words". He is also the author of "Collection of Righteous Qi of the National Dynasty", 26 volumes of "Poetry of the State Dynasty", 28 volumes of "Supplementing the History of the Southern and Northern Dynasties", 4 volumes of "Yanbo Fishing Song", 12 volumes of "Yi Shouxuan Poetry Notes", and 2 volumes of "Ji'an Miscellaneous Works".
Zhonghua Bookstore Chronicles Series General Catalogue
Since Xiao Tong of the Liang Dynasty compiled the Anthology of Literature, compiling a collection of a generation has become the career of many latecomers. For example, in the Tang Dynasty, seeing the prosperity of the pre-Tang dynasty poetry, there were "Wenguan Cilin" and "Ancient Wenyuan"; The Song Dynasty saw the brilliance of Tang Dynasty poetry, and compiled "Wenyuan Yinghua" and "Tang Wenzhi". And the Song dynasty Lü Zuqian saw the bo of contemporary poetry, so he compiled the "Song Wenjian". Since Si, "Yuan Wen Class", "Ming Wen Hai", "Huang Qing Wen Ying", "Jin Wen Zhi" and so on have all followed. The Qing Dynasty's revision of the Quan Tang Poems and the Quan Tang Wen also led posterity to revise the Quan Tang Five Pronouns, Quan Song Ci, Quan Song Poems, Quan Song Wen, Quan Liao Wen, Quan Yuan Poems, Quan Yuan Poems, Quan Yuan Qu, Quan Yuan Wen, Quan Yuan Wen, and other "Quan Shu" that reflected the achievements of a generation of literature. Since the last century, the Zhonghua Book Company has made a lot of efforts in sorting out and publishing the general collections of dynasties, and has achieved certain results. Once the collected collections were printed, they were widely praised at home and abroad.
| category | Number | Pricing (RMB) |
| Poetry | ||
| Ancient Proverbs One volume | 978-7-101-02438-8 | 158.00 |
| Four volumes of poems from the Southern and Northern Dynasties of the Pre-Qin, Han, Wei, and Jin Dynasties | 978-7-101-12719-5 | 428.00 |
| Twenty-five volumes of Tang poems | 978-7-101-00638-4 | 1180.00 |
| Song Poems Banknotes in four volumes | 978-7-101-00734-3 | 380.00 |
| Five volumes of newly compiled golden poems | 978-7-101-14955-5 | 598.00 |
| Selected Poems of the Yuan in nine volumes | 978-7-101-12825-3 | 1520.00 |
| Ming Poetry Synthesis Eight volumes | 978-7-101-05052-3 | 880.00 |
| The Evening Poetry Collection is fifteen volumes | 978-7-101-12778-2 | 1480.00 |
| Qing Shi Duo Volume II | 978-7-101-15679-9 | 148.00 |
| word class | ||
| Quan Tang Five Pronouns Volume II | 978-7-101-01609-3 | 198.00 |
| The Whole Song Ci in five volumes | 978-7-101-00435-9 | 460.00 |
| Full Golden Words Volume 2 | 978-7-101-12757-7 | 198.00 |
| Quanyuan Words Three Volumes | 978-7-101-14045-3 | 298.00 |
| All Clear Words Banknotes Three Volumes | 978-7-101-12756-0 | 268.00 |
| Genre | ||
| The Song Dynasty Golden Song in three volumes | 978-7-101-14693-6 | 158.00 |
| Quanyuan Sanqu three volumes | 978-7-101-13459-9 | 298.00 |
| The Ming Legend is a complete compilation of three volumes | 978-7-101-15054-4 | 298.00 |
| Group tone class selected school notes in three volumes | 978-7-101-13239-7 | 320.00 |
| Sixty kinds of songs in six volumes | 978-7-101-00689-6 | 880.00 |
| Literature | ||
| Song Wenjian in three volumes | 978-7-101-12758-4 | 320.00 |
| Jin Wen most volume 2 | 978-7-101-12759-1 | 298.00 |
| Poetry review | ||
| The Dictionary of Words and Phrases is a compilation of six volumes | 978-7-101-00763-3 | 598.00 |
| The Dictionary of Words and Phrases is compiled in six volumes | 978-7-101-09032-1 | 530.00 |
| Fiction | ||
| A collection of miscellaneous biographies of the Six Dynasties of the Han and Wei Dynasties in three volumes | 978-7-101-12099-8 | 298.00 |
| Quan Tang Five Dynasties Novels Eight volumes | 978-7-101-09664-4 | 680.00 |
| Ancient novel banknotes in three volumes | 978-7-101-14854-1 | 248.00 |
| Legends of the Five Dynasties of Tang Dynasty in six volumes | 978-7-101-10843-9 | 480.00 |
| A collection of legends of the Song Dynasty in three volumes | 978-7-101-13302-8 | 228.00 |
| The Book of The Children is a collection of twenty-four volumes | 978-7-101-14480-2 | 3200.00 |
(Co-ordinator: One North; Editor: Bai Xinhui)