Author: Yang Zhenwei
Among the spring flowers, I like pear blossoms the most.
White, magnificent, yet feminine. Whenever I opened, I always wanted to paint a big scene, and I was always afraid that I would not have patience. After making a few small paintings, he finally had the courage to paint a four-foot "Spring Map": more than a hundred bees buzzing among a cluster of pear blossoms (see one of the pear blossom series), flying and falling. The fuss came out, but it didn't feel grand enough. Then he took a piece of paper of two meters by four by sixty, light beige, and sprinkled with silver. The charcoal strip sets the position of the bird and begins to dot the pear blossom directly with white powder.
One point is three or four days. Every minute I tell myself to calm down and not to be in a hurry. Stop writing in a hurry.
On the fifth day begins drawing branches and leaves. Then there was the endless flowering, until most of the gaps were filled before the birds began to be drawn. After painting the bird, I began to dim the heart, and it was an endless process.
In addition to the white, only a little bit of stone cyan on the gray magpie can be displayed, which looks very harmonious and in line with my creative intentions.
After painting this picture, I was in no hurry.
(The above pictures and texts are all made by Mr. Yang Zhenwei)
Edit: Sender