Due to Miller's personal turmoil, the new version of "The Flash" may cancel the release plan, "Batgirl" has disappeared, "New Bat" can save DC's plan? THR film critic Allen talked about this topic, he believes that Warner has not kept up with the rhythm of the mainstream market, the old film industry has a strong creative ability, but Walter Hamada is somewhat conservative in terms of publicity, and DC Film Productions is difficult to adjust the publicity model, they can only change the way of creation, so that the work is more in line with the trend of the market. Allen suggested that "New Bat" add a figurative creative idea, and the concept of figuration is the mainstream direction. The reputation of "Obi-Wan" is not very good, why is the rating of the film so good? Because "Obi-Wan" has a figurative creative idea, "New Bat" must also add this creative means, and the sequel to this film can achieve the desired effect.
Since "Batgirl" was abandoned by Warner, there is a lot of talk about Walter Hamada leaving DC Pictures, and the president believes that he has an empty name and that he has no say in the decision of the DC superhero series. Ellen suggested to him that Hamada could learn from Kevin Fitch. Since the affirmative action movement began, Kevin Feige was not the boss of the Marvel task force, and the head of the MCU was replaced by Victoria Alonso, the producer of Iron Man. Because Alonso was a female producer, the equal rights era required some women to become the president of the film industry, so Alonso took Kevin Feige's place. However, fans have seen that most of the DC Universe movies or series part-time are Kevin Feige, including the "Wanda Vision" and "Heroes Of No Return" series. Hamada will learn kevin Feige's attitude and way of doing things, and it is better for him to stay at DC Pictures.
Many people have suggested that "New Bat" take the artistic route, and Allen feels that this statement can be more clear - the new version of "Batman" directly adds figurative things, and the effect will be much better. Many people feel that the concept of figurative creation is often used in static works such as oil paintings and sculptures. Because of static works, abstract creative ideas need to be expressed. However, a film or a series is a dynamic work of art, so how does Reeves adopt a figurative approach? Allen reminds everyone not to forget that the new version of "Batman" itself is a comic book movie, and the film itself is derived from a paper work, that is, a comic book series. The creators hold the requirements for figuration, and "New Bat" can at least be closer to the original comic book work, which is something that cosmic cinema lacks in the era of streaming.
Why did Allen take Obi-Wan as an example? Although some elements of science fiction are the same, the situation between the two is not the same at all. Obi-Wan itself is a star wars solo series, and whatever relationship Anakin develops with his master in the film will not affect the work's attachment. However, the situation of "New Batman" is different, the new version of "Batman" can be counted as a new Bruce Wayne, and there is nothing substantive about the previous generations of Batman, that is, "New Batman" actually has no attachment. In Allen's view, works without dependency need more concrete means of creation in order to clearly establish the main axis. Regardless of the quality of the "New Bat" sequel, Reeves must pay attention to the pictures and bridges that have an abstract feeling, and perhaps become "Easter eggs".
Therefore, Allen suggested that "New Bat" add a figurative creative idea. Some fans will say that the first series of "New Bat" has a very good reputation after its release, and according to Warner Bros. always conservative thinking, Reeves followed the creative idea of the first series to save the star. Following Allen's advice, the effect of the new Batman sequel has the potential to go to two extremes. I have seen many people who have also advised James Cameron that directing the "Avatar" sequel is an act of adventure, after all, no one knows whether the sequel can continue the classic. However, in Allen's view, when the sequel lacks figurative thinking, the film industry cannot eat the "old book" of the classic series, which is what "New Bat" needs to add. Of course, Reeves can't over-lick the figurative stuff, so that the sequel to New Bat will become a completely abstract work.
In order to avoid DC's work from being too cluttered, Hamada had to learn from Kevin Feige in terms of choreography. From their different attributes, Allen can also see the gap between the two comic book film presidents - most of Marvel's works at this stage, its supervising producers are Kevin Feige, and occasionally producers join in. Hamada, on the other hand, is basically in charge of the executive production of "Aquaman", and he does not care much about other projects, which shows that DC Film Studios has appeared in the form of "management shirking responsibility from each other" when the theater has not yet closed. Hamada's creative scope is small in itself, so Allen said hamada can learn from Kevin Feige.