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In the face of the goose factory 70+ film single official announcement diversion, it still dominates the top of the boom index of the drama to be broadcast.
Zhao Liying's new drama "Happiness to Ten Thousand Homes" has not yet been broadcast, has set off a trend of topics, according to the current trend, the high popularity of the drama is inevitable, and the luxurious and word-of-mouth team lineup makes the audience quite looking forward to it.
The director is Zheng Xiaolong, who created the big hit "The Biography of Zhen Huan", he and Zhao Liying cooperated in "Golden Marriage" 12 years ago, and he is a film and television person who is strong and strong, and after the big IP in his hand, there is basically no dud.
The script is written by gold-medal screenwriter Zhao Dongling, who has cooperated with Zheng Xiaolong in the drama version of "Red Sorghum", and the just-concluded "Police Honor" is also written by Zhao Dongling, a veteran with deep skills and good at digging new hot spots.
In terms of actors, there are big heroine Zhao Liying carrying the banner of popularity, there are also Powerful actors such as Liu Wei, Tang Zeng, Luo Jin, Cao Zheng to escort the quality, and there are also Feng Lei and Wang Zhifei, who have a very good audience.
With the historical achievements and word-of-mouth appeal of this team, the audience's expectation value cannot be low, and the new rural style presented in the trailer has satisfied many audiences with high requirements for real texture.
A new-age countryside full of fireworks
The rural set is full of life, with the pedals of the sewing machine being stepped on, the soles of shoes to be kept in the sewing basket, the sundries on the wooden shelves, and the bacon and red pepper hanging in the kitchen, all of which are familiar to us.
Tidy with a complicated image of the new countryside comes to the face.
In a series of sets, the audience can see the collision of "new and old" and "traditional and modern" in the countryside, the old-fashioned carved beds are simple and elegant, but against the wall, it is the supermarket goods and shopping bags that we are familiar with.
The heroine's choice for marriage is the older generation's favorite red suit, and the in-laws are dressed in festive Tang costumes, but the guests are the village secretary wearing serious suits, and there are also villagers dressed in various regular clothes.
Many viewers actually have certain misunderstandings about the rural scenery of the new era, and it is always easy to stay in the countryside of the last century portrayed in dramas such as "Mountains and Seas", in fact, many areas have now entered the new rural era.
Zhao Liying's makeup in the play is a signal, the whole is simple and natural, basically no traces of makeup, which makes the protagonist more substitutionary when doing housework and farming, and there is no need to have the embarrassment of "sleeping with full makeup".
However, the makeup of this drama has not changed the skin color of the actors as much as many works depicting the rural stories of the last century, because life has changed, and the grounding has evolved from a sense of "locality" to real nature.
"Happiness to Ten Thousand Homes" integrates dense and practical objects with simple humanistic style, allowing the audience to feel the changes of the times and the rural style full of new fireworks, and experience comfortable nature.
When the environment framing and humanistic customs are connected to the ground, the story appeal can quickly land, in "Happiness to Ten Thousand Homes", the screenwriter follows the classic proposition of IP, and also adds a fresh perspective of the modern heroine story.
From Qiu Ju's lawsuit to the happiness lawsuit, the collision between human feelings and the legal system has always been there
The "happiness" in the title of "Happiness to Wanjia" refers to the heroine He Fuxing (Zhao Liying), and Wanjia is the wanjia village where the story takes place, led by the village secretary Wan Shantang (Liu Wei) to get rid of poverty and get rich.
"Happiness to Wanjia", as the name suggests, is the story of the heroine He Happiness after marrying into Wanjia Village.
The opening is the wedding of the heroine and her husband Wang Qinglai (Tang Zeng), and it is also the shuluo field where contradictions break out, and Wan Chuanjia, the son of Wan Shan Tang, crosses the line at the wedding and tries to molest He Xingxing's sister He Lucky.
In order to protect his sister, He Xingxing gave the perpetrator a headshot.
It is difficult for the audience to watch such a plot without clapping their hands and applauding, but the people in the play are not so happy, the in-laws and husbands do not agree with He Xingxing's approach, and the village branch secretary Wan Shan Tang also regards He Happiness as an uneasy person.
Drink your family's happy wine, damn it!
If the perpetrator is injured by a counterattack, can it still be justified? He really has a "reason" to rely on.
The local "custom" of marriage has become the protective umbrella of illegal acts, how familiar the taste, but also the contradiction that has appeared many times in social news, He Xing, who is obsessed with solving the problem with "reason", has been doubted by the purpose.
What's the picture?
He Xingfu insisted on the principle of good or bad right and wrong.
Wan Chuanjia and others obviously don't think so, and the renminbi smashed into each other represents the speculation of most people.
The collision of human society, folk bad habits and axioms began.
From the indecent marriage to the compensation for land acquisition to Wang Qinglai being injured by Wan Shan Tang, the heroine has been insisting on solving the problem with axiom, but she has also been wrapped up in human feelings, human society, and justice is always walking hard.
One of the chapters of the original novel "The Legend of Qiu Ju", "Qiu Ju Fights a Lawsuit", was put on the screen by Zhang Yimou 30 years ago, and won numerous awards at home and abroad, becoming one of the classic Chinese films.
The collision of traditional rural human culture and modern legal system presented in the film is still one of the major problems in grassroots work, and Zhao Dongling portrayed this problem from another perspective in "Police Honor".
Coming to "Happiness to Ten Thousand Families", the screenwriter continued the discussion of traditional human culture and modern legal concepts, so that He Happiness, a "stubborn woman", shook the mountain of human feelings with persistence, and also brought a new perspective: "poverty alleviation".
The big heroine is inspired to grow up and integrate into the "poverty alleviation" intention
He Happiness from an ordinary rural girl to an urban career woman, and then become the main force leading the villagers out of poverty, is the main plot of "Happiness to Ten Thousand Families", and the inspirational growth of women and rural poverty alleviation complement each other.
Initially, He Xingfu and her husband went out of the countryside to become urban workers in order to avoid the sword of humane society.
She insisted on using legal weapons to discuss the case with Wan Shan Tang, the village party secretary who kicked and injured her husband, which contrasted with Wan Shan Tang's action of calling on the villagers to donate blood to save her, and became the reason for the villagers to accuse her with human feelings.
This is the characteristic of the traditional human society, it is very moving when it is warm, and when it is cruel, it can hurt people to the skin, and many people have to adhere to the word "forbearance" out of the consideration of the human society.
Because if the problem is spread to the legal level to theorize, in their minds, they are abandoning human relations, and in the countryside where daily social relations are close, it is a very terrible thing to be isolated.
Even He Xingxing, who is rational and strong, has to choose to avoid in stages, but the blessings and misfortunes are interdependent, and the experience of going out to work unexpectedly gives her the opportunity to grow up to a professional woman, laying the groundwork for the follow-up return to her hometown to lead the villagers out of poverty.
The return of professional women from the countryside to preside over the poverty alleviation work is a new perspective closely linked to the background of the times in "Happiness to Ten Thousand Homes", but the "poverty alleviation" of the play is not just an economic transformation.
Judging from the preview, the story is more about "spiritual poverty alleviation".
When the economy grows, how the people balance the collision of human feelings and the rule of law, how to change customs and bad habits, and move toward a new life of spiritual civilization and prosperity, the problems faced by He Happiness and Wanjiazhuang.
It is also the status quo that the current society needs to reflect on and change.
Even in the "Police Honor" that takes the urban grassroots route, the task of spiritual civilization construction is continuing, and the case of the elderly dog owner in the play who does not lead the way to fight the blackmail victim is a typical representative of the lag of spiritual civilization.
The rural story of "Happiness to Ten Thousand Homes" faces more challenges of civilization and human feelings, what kind of thinking will the story trigger, and how can He Happiness use his firmness to infect villagers to truly move towards "poverty alleviation"? It's exciting.
I hope that the classic core of "Qiu Ju Fights a Lawsuit" has new brilliance and insight in the work, and I also hope that the first hand-in-hand between the theme of the big heroine and the intention of "poverty alleviation" can bring more surprises to the audience.