Architecture is a solidified note, some like serenade, light and bright, some like a symphony, the structure is complex, and Tadao Ando's building is solemn like a Gregory hymn, solemn with a meditative meaning, like the projection of the kingdom of heaven on earth. I've been to Hoshino Resort in Hokkaido, where there's one of his classic trilogies, and it was night when his feet were in the snow and made a screeching sound. Passing through a hall, entering the church, it was extremely empty, only outdoors, condensing a cross, nothing else, there was an invisible aura pressing down, and everyone had their own understanding.
This time, the Fosun Bund Center brought an exhibition of Ando's works to Wuhan and set up a large green apple on the roof.
In fact, the internal space of the whole exhibition is not large, most of it is a picture display, a small number of models and sketches.
There are two windows that are very characteristic, triangular and circular, and through the thick cement frame, you can see the flowers and grasses, and the four seasons change.
Remember to go to the roof, the green apples on the roof, and the red Qingchuan Bridge behind, the rolling river water, constitute a wonderful mix, touch Ando's signature, gently sigh, when, we in Wuhan, can also produce a world-class master builder?
P.S. This time Chen Man and Shuhei Aoyama also participated in the opening event, one is a photographer who took photos for countless stars, one is a Japanese designer who came to China for development, their arrival also added a bright color to this event, Chen Man himself looks cold, there is a sense of loneliness.
Shuhei Aoyama is like on TV, with a faint melancholy and slender fingers.
After heaven and earth, there is the Bund. The confluence of two rivers, legendary for a hundred years