Kamen Rider ushered in the 34-episode story last week on Thursday, and I have to say that there are still quite a few slots in this sentence. The screenwriter and the supervisor have no misunderstanding about enlightenment, in the 34-episode story, they do not see any sophomore consciousness, and Jumei's side is similar to the previous sages and Chikusa, who began to doubt life after seeing the so-called future, but Jumei should still have the possibility of salvation.
Let's start with a word that has recently been abused, enlightenment. Enlightenment should have been abused in the previous incidents with Aguirera and Sakura, and Sakura's enlightenment was to protect Aguirera. To be honest, from the beginning of Sakura's transformation to the present, I don't know the specific positioning of the screenwriter for Sakura, after all, sakura and Akirera do not interact much in the play. Then it's time to start rescuing Aguirera, which is not too much of a problem because Kamen Rider is the guardian, but why the other people who have been contracted by the Demon Are going to jail after being defeated, Aguirera and Smyru are whitewashed. Isn't that a little unfair, and the story of that story doesn't end up understanding what Sakura's realization is. If it was because of that battle that Ichiki lost important memories, Sakura's realization would really be a joke.
The second is the sophomore realization this week, when I thought that my sophomore year would show the same awareness as Monada. But what he didn't expect was that the sophomore was killed instantly after incarnating into the Divine Live Form, and all this was in Akaishi's calculations. Since sophomores and Ichiki and others have thought of this, why don't they have two hands to prepare? This is also quite confusing in my personal opinion, and if this week's story does not talk about the realization of the sophomore year, it is actually not too much of a problem. Of course, we have to get rid of the story of Akirera and Sakura at the beginning, although the two of them are very eye-catching, but is there really no problem with the story being arranged like this? The sophomore side is about to be killed, and Sakura is still busy dating, and this kind of plot arrangement will only make the audience feel awkward.
Moreover, it is said that he is a sophomore who realizes that as soon as he returned home, he began to look for his brother Yihui to help. From the beginning of the story to the current growth of the sophomore in the play is not reflected at all, if so, why did you arrange for Master Lou to leave the scene so early? It can only be said that the sophomore year is really tragic, and the dragon I appeared in the Regal era.
There are also a series of problems on the side of Ichiki and Vice, and in the previous story, Kinoshita has repeatedly shaped the trust between Ichiki and Vice. This was true when the Eggshell Dragon was hijacked Thursday, and it was true of the Thunder Hurricane, plus the secret that Vice told Ichiki about losing his memory before. According to this logic, vice should be quite trusting of Yihui, but when Bell says that Yihui will abandon vice, vice is confused. So the previous molding has been wasted, this is really confusing!