laitimes

Selected poems of Tang Guoming's goose feathers published a poetic stream of long stories " Soldiers Who Insist on the Fortress of the Great Wall "

author:Writer Tang Guoming said

Tang Guoming, a famous writer who published the poetic flow of "Soldiers Who Insist on the Fortress of the Great Wall", read selected poems

(Reminder: The content of this article begins under the 5th picture below)

————————————————————————————————

Tang Guoming, who advocated wearing thoughts on his body and became a writer, said: Especially for LiLu and other deaths, it is better to leave a name for the ages.

Tang Guoming's philosophical sayings: 1 is the halfway of 2, and 2 is the next moment of 1.

In June 2019, Tang Guoming published a collection of goose feather poems that pioneered halfway literature. As Tang Guoming expressed in the poem "Mr. Halfway"——

Not in the past, not in the present, not in the future, only on the way

Not elsewhere, not far away, only on the road

Not in the hometown, not in other places, at the moment only halfway above

May it be a mountain, may it be flowing water, may it be the appearance of a clear wind and a bright moon

I don't want to be poor, I don't want to be luxurious, I just want to think of danger and strive to be strong

————————————————————————————

Published in 2022, the "Poetic Stream" novel "Soldiers Who Insist on sticking to the Fortress of the Great Wall" is a cross-genre novel that has laid the foundation for the Tang Dynasty Ming Literati poet philosopher, has the meaning of flying poetry, the flying structure of goose feathers, and can burn you up after reading, which is a cross-genre novel that integrates poetry, literature, history, numbers and philosophy; it is a goose feather poem and "Zero Township" with Tang Guoming. One of the trilogies that make up the halfway system.

Selected poems of Tang Guoming's goose feathers published a poetic stream of long stories " Soldiers Who Insist on the Fortress of the Great Wall "

……………………………………………………………………

The "archaeological restoration" basis and data of "Archaeological Restoration" of Cao Wen after the Eighty Times of the Dream of the Red Chamber: The 81st to the 100th Time are derived from the 40 times after Cheng Gaoben's "Dream of the Red Chamber".

Reproducing Cao Xueqin's writing is to eliminate the part that Cheng Gaoben wrote 40 times after "Dream of the Red Chamber", leaving 20 times of Cao Xueqin's original text.

Tang Guoming said: There is no point in continuing to write "Dream of the Red Chamber" for ten thousand years

When Tang Guoming introduced his book "Zero Township", he said so:

"Zero Township" is a text that shows the spirit of constantly advancing and riding the wind and waves on the road of reality of no return.

The half-way doctrine expressed in "Zero Township" is both a philosophical idea and a literary concept.

"Zero Township" wrote ten million reasons why Tang Guoming could not become a writer, but became a writer. It also wrote how Tang Guoming went from looking up at the starry sky to becoming a starry sky to be looked up to.

"Zero Township" is a book that you can read without burden, and after reading it, the afterglow will continue to go around liang for thousands of years. You can read a few minutes or ten minutes or an hour at any time, you can pick or jump and read a few verses at will, you can put it down at any time, you can finish what you should be busy with, and you can read a book for a few minutes or ten minutes; you can enter my life from any entrance, but feel that there is never an end, always continuing, always looping; that is, you can start from any section of the book and read in a loop.

"Zero Township" is more like a non-fiction, cross-genre, autobiographical, encyclopedia variety of ways to talk to you face to face; with the posture of "in order to let you know myself, I am speaking to you so repeatedly", I write a person with "goose feather style bones, fresh wind and bright moon flesh, idle clouds and flowing water, long wind and affection", in the passage of time, under the soil of various symphonies and interweaving, sometimes there is a sense of homelessness, sometimes there is a sigh of "useless king" process - through the description of this state, Reflecting the kind of far away from the hometown without a sense of home, turning back to the hometown but finding that the hometown is no longer the scene of the hometown, in the wandering like a dream, nowhere to pursue, on the one hand, I lost and disappeared in the process of the times with a memory of the restoration of the rural homeland, on the one hand in the existing text monuments of their own spiritual homeland traceability, on the other hand in the spiritual wandering to find their own soul belongs to the homeland of the mental process, and I wandered in this process, wandering, wandering, searching for roots, memories, Speaking of the reality of "zero township" as a sense of rootlessness, uncertainty, and dependence, and a sense of strangeness to the rapid change of the world, he asked the world whether we were in the dream for the sake of our dreams. Or is it empty because of confusion? In the face of this unanswered problem, we can only continue to wander in the homeless, and we have to continue to drift again. So that every self with the same experience has forever become a "zero township" history that has been "zero township", and has achieved the famous saying of "half-way philosopher" - we are neither in the past, nor in the present, nor in the future, we are only on the way, we are only in the moment, we have become us on the way, we have become "zero township" we have become. At the same time, this book also reveals how I reproduced cao Xueqin's hundred times of "Dream of the Red Chamber" in an archaeological way, wrote goose feather poems, and demonstrated how goldbach conjecture and 3x+1 conjecture became halfway philosophers. More importantly, I wrote how I went from the top of One Kan Niu Mountain to the foot of Yuelu Mountain, how I interacted with hundreds of girls, and how I achieved dreams that people thought were impossible to achieve. What kind of spirit is supporting me? If you want to know more, please read my 800,000-word book "Zero Township".

If the 21st century is the century of popular half-way philosophy proposed by Tang Guoming, then "Zero Township" is destined to be the most understandable good book and masterpiece of half-way philosophy proposed by Tang Guoming, a half-way poet, a half-way philosopher, a dream of the Red Chamber, and a man in the bright moon and a breeze, using novels, encyclopedias, and autobiographies to convey the half-way philosophy that Tang Guoming put forward and understood.

"Zero Township" is a text that shows the spirit of constantly advancing and riding the wind and waves on the road of reality of no return. Although "Zero Township" has some repetitive but different forms of expression, it is precisely these repetitive contents such as "pulling back and forth drawers" and "wildfires burn endlessly, and the spring breeze blows and grows again", which better forms a system called "Zero Township" with the twists and turns of my becoming a talent and seeking; highlights the major philosophical themes that human beings repeat at this moment and at this moment. At the same time, the text of "Zero Township" uses a way of year, month, date and time to express the rapidly changing era, and we are placed in a state of "zero township" that is on the way, homeless, and old at this moment.

We came into the world to become talents, not to become slaves. We have no far away, nowhere else; there is no past, no present, no future, only one way for us to ride the wind and waves for our dreams, there is no way to escape, only this moment and "zero hometown".

Tang Guoming wrote the poem "Reading Xiang Yu", saying: "It is better to learn Xiang Yu to be himself than to learn from the ancients to become an imperial slave; but there are disputes in the world, and only Yu Ji is a husband."

Tang Guoming said: 1 is the halfway point of 2, and 2 is the next moment of 1, and all things are always on the way. Not in the past, not in the present, not in the future, only on the way; not elsewhere, not far away, only on the road. On the way, we have nothing but the present moment.

Tang Guoming said: We are neither in the past nor in the present, nor in the future, we are just on the way; our lives are not elsewhere, we are just living on the way; students ask death, hearsay, gossip; for vegetable rice oil and salt sauce vinegar tea or money and power fame and fortune poetry and hops, running non-stop, working non-stop; under the premise that n is an integer, either eternally exist in the infinitely infinite flowing space-time process divided by 1 divided by "n power of 2" and rotate in circles on the ground, dissolving and exhausting themselves; or being in the "nth power of 2" In the space-time journey of the supreme being who can travel freely, he will be infinitely eternal.

Tang Guoming said: I have the feeling of long wind and the style of goose feathers; I have the style of goose feathers, the flesh of the clear wind and bright moon, the blood of idle clouds and flowing water, and the feelings of long wind.

Tang Guoming said: When I say "long wind feelings", I mean ambitions that have been passed down through the ages; when I say "goose feather style", I mean insistence on a thing that benefits the world without remembering the gains and losses of utilitarian gains and losses.

————————————————————————————————

Selected poems of Tang Guoming's goose feathers published a poetic stream of long stories " Soldiers Who Insist on the Fortress of the Great Wall "
Selected poems of Tang Guoming's goose feathers published a poetic stream of long stories " Soldiers Who Insist on the Fortress of the Great Wall "

————————————————————————————

Tang Guoming's theorem:

1. The birth of cosmic galaxies should be generated in the form of a band and a band similar to the "3x +1" conjecture "strange change" and "even change", which is continuously arranged with the change size of n data. Like these formally prescribed numbers, some fall into traps forever and cannot extricate ourselves, and some are transcended but disappear.

2. "Any even number divided by 2" plus or minus the same positive integer can give two prime numbers equal to this even number; and the two asymmetric prime numbers are distributed in the intervals on both sides of the "even number divided by 2" and are equal to the difference between the numbers.

3, 1 is the halfway of 2 - everything is always in the middle of the way, everything is always on the way, when you reach "1 +n", you are in the "2 + 2n" halfway. That is, when you reach 1, you are in the middle of 2, when you reach 2, you are in the middle of 4 or when you reach 1, you want to reach 2; when you reach 2, you want to reach 4, facing the endless future, you are neither in the past nor in the present, nor in the future, just on the way, in the present; your life is not elsewhere, you are just living on the way; you are always on another unknown halfway, you are forever placed in an unknown "zero country".

————————————————————————————————

Selected poems of Tang Guoming's goose feathers published a poetic stream of long stories " Soldiers Who Insist on the Fortress of the Great Wall "
Selected poems of Tang Guoming's goose feathers published a poetic stream of long stories " Soldiers Who Insist on the Fortress of the Great Wall "

————————————————————————————————

Works by Tang Guoming, a philosopher of the halfway road, a poet of goose feathers, a man in the Red Chamber, a poet of free ancient style, and a man of the clear wind and bright moon

————————————————————————

Tang Guoming pioneered the seven goose feather poems of halfway literature online

————————————————————————————————

Song 1: The Village Tonight

……………………………………………………

Tonight I will return to the village of the night

I looked at the moon in the village tonight

……………………………………………………

Tonight's grain is ripe

Tonight's sister has gone far away

……………………………………………………

Tonight in the village tonight

I saw hope on Mai Mang

I lit a fire

……………………………………………………

Put the village of the night, let the village of the night

Become my paper in the light of the fire

……………………………………………………

Let me bring the tears of the village tonight

Suck on the moon-white reed pen

Leave the village with nothing tonight

Painted on the nothingness of the village tonight

……………………………………………………

Tonight's village is like a black coffin

Only the old man who can't walk, only

A child who can't walk a long way

Still stay in the village tonight

Still lying tonight in the village this round

Black on the sun

……………………………………………………

Second track: The Basket of Tears

……………………………………………………

Tonight the village's road to the far side

People come and go, people come and go

……………………………………………………

Tonight only hanging under the eaves of the village

The old man in the wind is like snow white hair

……………………………………………………

My son of the night

I am the son of this village

Empty of strength

……………………………………………………

Look at countless pairs of wandering feet

Put countless pairs of moon shoes on

Look at countless pairs of hands

Put countless old people's tear baskets

Put countless children's tear baskets

Hang all the eaves full

……………………………………………………

The tear basket of the old man, the tear basket of the child

Towards the far side, towards the far side

……………………………………………………

Far away, far away tonight

Those who are far away from the village tonight

Look at the moon in the village tonight

Look at the basket of tears hanging on the moon in the village tonight

Look at those hanging on the moon

The tear basket of the old man The tear basket of the child

Look at the white moon in the sky

Look at the white basket of tears

……………………………………………………

Song Three: Children of the Night

……………………………………………………

You child of the night

Sleep in a village in the dark of night

Lying in the night of the granary, full of heart

……………………………………………………

Thinking about tonight's village, thinking about the hillside

Thinking about the moon on the hillside, thinking about the distance

Thinking about the empty road tonight

You fall, you fall asleep

Sleep in the village tonight

Sleep in the granary in the dark

……………………………………………………

Moonlight butterflies flies on your roof in flocks

But you slept, in the darkness of the night tonight

Sleep in the river of words, sleep in

You weave on the clouds of poetry goose feathers

……………………………………………………

You sleep on the clouds of the village tonight

You sleep in a moonlit dish on the breeze and the moon

You sleep in a moonlight village

……………………………………………………

The night lifts you up

Bury you in the sky of the sun

Let you day and night, day and night realization

According to the wishes of the village tonight

……………………………………………………

Let your village be in the dark forever

Silent words like your wheat

Glows and makes a sound

……………………………………………………

Fourth: The Night on this ancient piece of paper

……………………………………………………

Tonight, I am in the village of the night

I was in the dark room

I lit up that ancient fire

……………………………………………………

I'm on this old paper in the dark of night

Look at my village tonight

Looking at the village I miss

……………………………………………………

I looked at the village, at the village tonight

The village made me a sick person tonight

I fell on the old paper of the night

……………………………………………………

For my beloved Moon Girl

For the moon maiden's village

I stood up from this old piece of paper in the night

I stood up from under the moon girl's skirt

……………………………………………………

For the sake of the village I wandered on the Cloud Dream Lake at night

I sat by the Yunmeng Lake at night and watched over it

I dream of the village by the lake tonight

……………………………………………………

My tonight

My room in the village tonight

It is bright and bright

A torch is already on

Night on this ancient paper

……………………………………………………

Tonight, God brought the ancient village by firelight

Hang in the sky tonight and let all those who pass by

Tears welled up

……………………………………………………

This is the village of their land

This is the village they lost

It's their most gracious village

……………………………………………………

Tonight, God has turned their villages

Held in the palm of your hand in heaven

It became the moon in the sky

……………………………………………………

They stood in the lost village

Night on this piece of paper

……………………………………………………

The village that lost them had nothing tonight

The village with nothing had nothing

There was only one ancient fire

……………………………………………………

An ancient fire in the cloak of the night

I slept soundly in this nightgown

……………………………………………………

Fifth: Bride of the Night

……………………………………………………

Tonight, I am with my village

Like a companion to my bride in the night

……………………………………………………

Tonight, I will not leave again

Tonight, the village is beautiful

Countless moon dresses

Swing up the village tonight

Countless white flowers

In the sky of the village tonight

……………………………………………………

Tonight the village harvested the fields

All the grain

……………………………………………………

Tonight I don't want to miss food

I only miss you in rooms with food

……………………………………………………

Sixth: Shoes of the Night

……………………………………………………

Tonight, I'm far away

Miss the night village

The bed that slept in my village

……………………………………………………

In that village bed

Grow my wheat bride

……………………………………………………

My bride of wheat grows every day

Every day in the village of tonight

The people of the village of Angel of Heaven

Warm as the sunshine in spring

……………………………………………………

My wheat, my empty wheat

I'm away from the village in your scent

The shoes I came home couldn't put on anymore

……………………………………………………

I'm standing on the roof tonight

Tonight's village hangs in the sky tonight

Tonight's moon is within my reach of the village

……………………………………………………

Tonight my village is empty

Tonight my village has become

A symbolic moon

……………………………………………………

Tonight my village was painted

A piece of paper in the dark of night

……………………………………………………

Tonight I'm far away

I was doomed to be homeless, I was doomed to be empty-handed

I am destined to guard the shoes of the village night all my life

Guarding the village's dirt shoes black shoes

Sprouts and grows in the distance

……………………………………………………

Song Seven: The Village Under the Sky

……………………………………………………

My village is on a high hillside

High hillside villages high in the sky

……………………………………………………

The village high in the sky is the sun in the sky

The village that is the sun in the sky is the moon in the sky

……………………………………………………

The village of the sun is desolate at dusk

The village of the moon was desolate before dawn

……………………………………………………

The desolate village remains a granary of harvests

Desolate village on a high hillside

……………………………………………………

The village on the high mountain slope is on the land of sorrow

The village on the land of sorrow is the starlight of the heavens

……………………………………………………

Star-studded villages are the wheat that grows from the earth

The villages that grew wheat were the tears that shone in the sky

——————————————————————

About the Author:

——————————————————————————————————————

……………………………………………………………………………………………………

Tang Guoming's calligraphy: goose feather thesis

……………………………………………………

Selected poems of Tang Guoming's goose feathers published a poetic stream of long stories " Soldiers Who Insist on the Fortress of the Great Wall "

Tang Guoming followed his principle of "knowing your reason and force, looking at his reason and force, combining the reason and force of all families, knowing and doing, and getting my reason and force", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, he came up with the famous saying of "halfway philosophy":

1, 1 is the halfway of 2, all things are always in the middle of the way, all things are always on the way.

2, halfway is a kind of drifting never to the end of the homeless state of zero.

3) We are neither in the past nor in the present, nor in the future, we are only on the way, in the present.

4, there is no far away, the far you reach, but it is a far away halfway above.

5. Write about the gains and losses of heaven and earth, and strengthen the mental strength of the world. I'm rewritten by everything, I'm rewriting everything.

6, force to determine the clean, rational world. All things are increasing and decreasing, not being born and dying. The universe began in an increasingly and decreasing parity in which the sun never extinguished.

7) The culture of mankind father and mother is literature and mathematics.

8, on the way, we have nothing but to have this moment.

9, people only put themselves in the middle of the way, there are many possibilities to achieve their own.

………………………………………………………………………………………………………………………………………………………………

Tang Guoming said: There is no point in continuing to write "Dream of the Red Chamber" for ten thousand years

………………………………………………………………………………

Tang Guoming's Cao Xueqin's writing pen found in the 40th time after Cheng Gaoben in "Dream of the Red Chamber" is like looking for a corpse after being divided, organizing the bits and pieces of Cao Wen's flesh and bones found, and then reproducing Cao Xueqin's writing twenty times after the eighty times of "Dream of the Red Chamber" in an archaeological restoration way.

It naturally fits the hundred times of "Dream of the Red Chamber" mentioned many times in the fat batch, called "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: 81 to 100 Times".

On the basis of the 67th Cao Wen of "Dream of the Red Chamber" that is still reproduced in an archaeological restoration, it is proofread again with the first 79 times...

In addition, the first eighty times and the other times are the first eighty times of "Dream of the Red Chamber" published by the People's Literature Publishing House in May 2000, which was proofread by Mr. Yu Pingbo.

Zhengzhou, Henan, September 2004, Haiyan Publishing House, 1st Edition, Mr. Zhou Ruchang used all the fat batches to collect the school's eighty times "Dream of the Red Chamber"

In April 2003, the 1st edition of the Writers Publishing House, Mr. Zheng Qingshan, revised the "Stone Record of the Fat Book Hui School" for eighty times as the main school,

After the mutual proofreading of the 3rd edition of the People's Literature Publishing House "Dream of the Red Chamber" in 2008,

Plus the twenty times after the eighty times of the eighty times I went to the pseudo-authentic archaeological restoration on the basis of the last forty times of Cheng Gaoben, "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time",

And synthesizing this before and after the language style unity, the context is connected, returning to Cao Xueqin's original original pen of the hundred times version -

"Reproducing Cao Xueqin's Hundred Returns to the Dream of the Red Chamber" (formerly known as "Tang Guoming Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber").

————————————————————————————————

Selected poems of Tang Guoming's goose feathers published a poetic stream of long stories " Soldiers Who Insist on the Fortress of the Great Wall "

————————————————————————————————————————————————————————————————

Who is Tang Guoming?

A man in the bright moon and breeze who cannot move, who cannot burn, who does not collapse from wind and rain, who steps on the mountain and goes on the road;

A literati who bleeds without losing the feelings of the long wind, burns without destroying the style of goose feathers, investigates the gains and losses of heaven and earth, strengthens the heart of the world, has the bones of the goose feather style, the flesh of the clear wind and the bright moon, the blood of the idle clouds, and the long wind and the feelings of the heart;

A human intellectual who has the heart to benefit the world and benefit all generations; to advance with the times and think of danger, to seek truth from facts and to seek peace and spiritual feelings under the world;

A half-way philosopher, half-way philosopher, half-wayist youth who put forward half-way philosophical theories, literary adherents, ideological pioneers, and soul sympathizers;

A person in the dream of the Red Chamber who knows your reason and strength, sees his reason and force, unites the reason and force of all families, knows and acts, and obtains my reason and strength;

A goose feather poet who shouts out to the world and the world, I am the useless king who has been passed down through the ages;

A free ancient poet who advocates removing the shackles of the framework and writing ancient poems as naturally catchy and naturally sound, with water to flow and clear water out of dust.

………………………………………………………………………………

The half-way humanistic spirit embodied in Tang Guoming's body, as tang Guoming's famous poem "The Reader" said——

Thunder does not fall, fire does not move, wind and rain do not collapse, like a long moon breeze / eclipse at any time, up and down, writing as you like, like idle clouds and flowing water

To the raging tide, turn a blind eye and listen to it, bleed without losing the feelings of the long wind / Live at the foot of the peaceful mountain, the poor are carefree and rich, and the fire does not damage the goose feather style

Advancing with the times to recognize the truth of the world, thinking of danger and striving to be strong / Seeking truth from facts to transform the actual destiny, cultivating morality and the world

Reading thousands of books, investigating the time of heaven and man, through the changes of ancient and modern times / walking thousands of miles, the principle of poor heaven and earth, and becoming a family

————————————————————————————

Selected poems of Tang Guoming's goose feathers published a poetic stream of long stories " Soldiers Who Insist on the Fortress of the Great Wall "

——————————————————————

………………………………………………………………………………………………………………………………………………………………

Tang Guoming, male, Han ethnicity, half-way philosopher, goose feather poet, dream of the Red Chamber, free ancient style poet, bright moon breeze person, member of the Hunan Writers Association, a famous writer and scholar who now lives in Changsha, a collection of literati, poets and philosophers, who created archaeological restoration and reproduction of Cao Wenhongxue, pioneered goose feather poetry, pioneered halfwayism, and created poetic flow literature.

Since his publication, he has published several articles in literature, red studies, and mathematics in Zhong Shan, Poetry Journal, and other books and periodicals at home and abroad.

In 2012, he published Zweig's more than 100,000-word non-fiction novel "The Biography of Magellan" and the more than 10,000-word short story "I Am Magellan" in Hemingway's "The Old Man and the Sea". The novel was first drafted in 2008, published in 2012, and now published in 2021 for almost 10 years. From 2008 to 2021, it has been continuously revised, and there are now more than 15,000 words left, which can be said to be Tang Guoming's first novel work with halfwayism.

Since 2013, its inkblot "Goose Feather Post" can be exchanged for 3,000 yuan.

In 2016, he published the famous work "Archaeological Restoration of Cao Wen after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time", which was included in the Red Chamber Of Red Chamber In 2017 and included it in the Red Chamber Journal's 2014-2016 Red Studies Bibliography.

In 2018, his autobiographical work "Such an Argument for Goldbach Conjecture 1+1 and 3x+1" won awards at the Shanghai Writers Association and East China Normal University.

In 2019, he published the half-way literary poetry collection "Goose Feather Poems" by Internet celebrities so far.

Since 2013, his dream-chasing deeds of pioneering archaeological restoration of Cao Wenhongxue, pioneering goose feather poetry, and demonstrating Goldbach's conjecture 1+1 and 3x+1 conjecture to obtain the "Halfway Philosophy" have been successively adopted by Hunan Satellite TV, Zhejiang Satellite TV, Beijing Satellite TV, Guizhou Satellite TV, Liaoning Satellite TV, Hubei Satellite TV, Anhui Satellite TV, Southern Satellite TV and other TELEVISION stations through TV programs such as "China Dream Show", "Wonderful Chinese Characters", "Favorite is China", "There is something to say"... It has been fully displayed and reported, and has been reported by countless newspapers and network media in the United States and at home and abroad so far.

In 2017, he demonstrated the world mathematical problem "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, and discovered the universal law formula from "3x+1", and came up with the "halfway" philosophy by arguing "1+1" and "3x+1": you are always on another unknown halfway, you are always placed in an unknown "zero township"...

In April 2018, he completed "Reproducing cao xueqin's hundred returns to the dream of the red chamber" (formerly known as "Tang Guoming Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber").

In April 2019, the bimonthly magazine "Taihu" in Wuxi, Jiangsu Province, published Tang Guoming's half-way literary exploration of "goose feather novel" original pioneering work "Soldiers Sticking to the Fortress of the Great Wall".

What is Tang Guoming's "goose feather novel", as the writer Tang Guoming himself said-

The goose feather novel is to absorb the poetic and unbroken creative technique, just like the goose feathers are separated from the swan, flying around in the wind, and the goose feathers are still the goose feathers on the swan.

In June 2020, he completed the halfwayist literary exploration novel "Goose Feather Novel" "Zero Township".

On October 29 and October 30, 2020, Tang Guoming became a hot search for two consecutive days because of the Weibo news topic #Men Live in 20 Years and Want to Restore the Dream of the Red Chamber for two consecutive days, becoming a popular figure in the Internet "hundreds of millions of traffic".

From October 9, 2021 to October 15, 2021, Tang Guoming was on the internet for the news topic #Men's Snail Rental House 21 Years Of Restoration of Dream of the Red Mansions#.

In April 2022, Tang Guoming published a cross-stylistic novel that has been painstakingly attempted to explain halfwayism philosophy in a literary way for 22 years, and an encyclopedic epic that integrates poetry, literature, history, mathematics and philosophy, and creates "poetic flow" literature, "Soldiers On the Fortress of the Great Wall".

On April 8, 2022, Zhengguan News released news about Tang Guoming on the whole network, "A Man in Hunan Lived in 22 Years to Restore the Dream of the Red Chamber", reporting that Tang Guoming pioneered halfwayism and goose feather poetry.

April 9-11, 2022 The Paper released about Tang Guoming's #Man Snail Residence 22 Years After Recreating the Dream of the Red Chamber 80 Times Cao Xueqin's Writing #News On Changsha Same City Hot Search.

…………………………………………………………………………………………………………………………………………………

………………………………………

Selected poems of Tang Guoming's goose feathers published a poetic stream of long stories " Soldiers Who Insist on the Fortress of the Great Wall "

Summary of Tang Guoming's mathematical and "halfway philosophical theory" achievements in the process of arguing goldbach's conjecture "1+1" and the world mathematical problem "3x+1":

=============================================================

1、“1+1”:

No matter how large a prime number is, except for primes 2 and 5, its single digits are always 1, 3, 7, 9; no matter how large and even, its single digits are always 0, 2, 4, 6, 8, and "any even number divided by 2" plus subtracts the same positive integer can give two prime numbers equal to this even number; and the two unequal prime numbers are distributed in the interval between the "even number divided by 2" and equal to the difference between the numbers. This theory holds in the known interval of even prime numbers, and in the face of endless unknowns we can only agree with this theory in the advance of the number of intervals and an interval number, so the Goldbach conjecture, that is, the general formula of "1+1" is:

t﹦[(t÷2)﹣q]+[(t÷2)+q]

(When the even number t>2, q is the difference between two prime numbers and "this even number divided by 2"; except for the prime numbers 2 and 5, the range of single digits of the prime number can only be cycled in 1, 3, 7, and 9. )

2, "3x + 1" and the law of universal flux, universal always on the way formula:

With an odd number of single digits that are 1, 3, 5, 7, 9, multiplied by 3 plus 1, it will be incremented to an even number whose single digits are 0, 2, 4, 6, 8, and we call this operation rule that increments from odd numbers to even numbers "odd change", and then use 2 consecutive integers to divide the even numbers into odd numbers, and we call this operation rule that decreases from even numbers to odd numbers "even"... Any positive integer greater than zero, through a continuous such "odd-even" operation, such as the infinity of infinite numbers is always in the "3x+1" conjecture through the "odd change" and "even" principle to reach 4, 2, 1 on the way...

The nth power of 2 is the final line of all "3x+1" conjectures " odd " and " even " coefficients " that reach the 4 , 2 , and 1 streams , and the starting line of the return to the infinite data universe from 4 , 2 , and 1. On this n-power line of 2, there are innumerable shunt points from the 4th, 2th, and 1st returns to the convergence point of the 4th, 2th, and 1th streams, but these points are on the number points of the 2-power combination of 4+6n. Therefore, following the "3x+1" conjecture "odd change" and "even change" rule through the convergence point of 2 n power combination 4 +6 n numbers, the return flow can be divided out of the odd number x combined with 1 + 2n or combined 2 + 3n number group, and following these number groups backflow, the backflow will reach the endless number flow of 4, 2, and 1 through "3x +1", "odd change" and "even change". It describes the endless odd even numbers that follow the "odd" and "even" running rules to finally reach the result of 4, 2, and 1. It is the universe that is inactive from disorder to order from beginning to end, and then from end to beginning, so that it exists in the universe and creates the best and most appropriate expression of the poetic generation and demise and extinction of all things in the universe, so the formula of this law of universal flux is:

...... 2x ↔ x ↔ 3x+1 ↔ (3x+1)÷2 ↔ ...... 2 to the nth power ↔ ... ↔ 4、2、1......

namely

...... 2+4n ↔ 1+2n ↔ 4+6n ↔ 2+3n...... ↔ 2的n次方 ↔ ...... ↔ 4、2、1......

- This is how everything in the universe is so poetically generated and died in the form of bands, dying and generating. This is the law of universal flux and the formula that all things always change on the way. According to the principle of "3x+1" conjecture "odd change" and "even change", the birth of everything in the universe should be a band and a band similar to the "3x +1" conjecture "strange change" and "even change" process, with the change size of n data and constantly arranged and generated.

The endless odd even numbers it describes follow the "odd change" and "even change" running rules and finally arrive at 4, 2, 1 The result is the best and most appropriate expression of the universe "everything is always on the way", and it is also the best expression of the world as an infinite whole, and it is also the best expression of the "3x +1" conjecture "odd change increasing" and "even change decreasing" principle in the future, and after entering the 4, 2, and 1 cycles of orderly operation in the form of big data, a kind of human dream "God", beyond the insight of every human being, and even includes all wisdom and omnipotence." The superego "will be born out of this world in the form of mathematical information. Moreover, the world's things are "even when" decreases back to "odd time", and returns to "odd time" will increase back to "even time", and world things are so following the "3x+1" conjecture "odd change increasing" and "even change decreasing" principle in the best description of all conservation and balance. At the same time, this formula also philosophically explains the cyclical and orderly operation of the world life system, just like the 4, 2, 1 forms of cyclical orderly operation, which are evolved from countless unknowns following the "3x+1" conjecture "odd change increasing" and "even decreasing" principles to meet us - that is to say, it is the best mathematical form of the solution that philosophers have been asking about "why the world has become so".

In any case, everything is always always on the way to 4, 2, and 1 through the "odd change" and "even change" principle, and everything in a certain moment and a certain historical period is only in its "strange change" and "even change" data flow, or in combination with 2 + 4n or 1 + 2 n or 4 + 6n or 2 + 3n or 2 + 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 in the 2 or 2 of the data separation point of other operating forms, always in an unknown halfway, always placed in an unknown "zero township"...

…………………………………………………………………………………………………………………………………………………………

3. "Halfway" philosophy (Tang Guoming follows his principle of "knowing your reason and force, looking at his reason and force, combining the reason and force of all families, knowing and doing, and getting my reason and force", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, the "halfway philosophy")

Under the premise that n is an integer, the n power divided by 2 is the smallest and the nth power of 2 is the greatest, Tang Guoming follows his principle of "knowing your reason, seeing his reason, conforming to the principle of all families, knowing and doing, and getting my reason", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, the "halfway philosophy" is obtained:

1 is halfway through 2 – everything is always in the middle of the way, everything is always on the way, and when you reach "1+n", you are in the halfway of "2+2n". That is, when you arrive at 1, you are halfway to 2, when you arrive at 2, you are in the middle of 4 or when you reach 1, you want to reach 2; when you arrive at 2, you want to reach 4. But you arrive at 1 at this moment, you arrive at 2 at this moment, you arrive at 4 at this moment; in the face of the infinity of the future, you are neither in the past nor in the present, nor in the future, but only on the way, only in this moment; you are either eternally existing in the infinitesimal flow of space-time on the power of 1 divided by 2 and spinning in circles for survival in the infinitesimally free way to the power of n, or you are in the space-time of the greatest and infinitest energy on the nth power of 2, and you will be infinitely eternal. You will always be in the middle of another unknown, and you will always be placed in an unknown "zero town".

We are neither in the past nor in the present, nor in the future, we are only on the way, in the present, we are all on the way. Our lives are not elsewhere, we are just living on our way. We are all halfway products. There is no far away, the far you reach, but it is a far away halfway above.