It was found that the number of spectators for the movie "10 Years Of Life Expectancy" (now available), starring Nana Komatsu and Kentaro Sakaguchi, exceeded 2 million people and the box office revenue exceeded 2.5 billion yen.
Co-starring Nata Komatsu and Kentaro Sakaguchi, the movie "10 Years after Death" (in the hit) has reached 2 million viewers and has exceeded 2.5 billion yen at the box office.
Over the 38 days from March 4 to April 10, the total attendance was 2,042,037, and the company recorded a revenue of 2,587,243,770 yen. Since the third entry present will be held from April 9, and the fourth will be held from April 16, it is expected to increase the record including repeat customers.
In the 38 days from March 4 to April 10, the cumulative number of viewers was 2,042,037 and the box office revenue was 2,587,243,770 yen. From April 9, the third bullet of the admission gift will be provided, and the fourth bullet will be provided from the 16th, and the box office is expected to increase including the two brushes and three brush fans.
It is known as a "crying movie", and on SNS, "It is the first time that I cried so much in a movie theater", "I could not see it without tears , I squeezed the mask after it was over", and some viewers uploaded the state after watching with TikTok appeared. It can be seen that the penetration rate to young people is also high, as humorous videos such as couples fighting before viewing are holding hands with each other after viewing and squeezing a handkerchief that is too crying and drenched after viewing.
Widely known for "movies that move people to tears", on SNS, "the first time I cried in a movie theater to sobb", "I cried until I couldn't watch it." At the same time as the clamor for water to be squeezed out of the mask after reading it, there were also moviegoers on TikTok who submitted their posts after watching the movie. Watching the couples who quarreled before, holding hands with the good after watching, and the humorous videos such as crying too much after watching the movie and tightening the wet handkerchief, it can be seen that the penetration rate among young people is also very high.
In the play, mari (Komatsu) records daily life with a video camera, but on official Instagram, the video camera video that has not been recorded as content that can immerse you in the afterglow of the movie is released, and it has received responses such as "I was very impressed by this scene", "I think of the movie and I want to cry again", "I want to see it again!". The "double" effect of the visitor present and the content soaked in the aftertaste seems to be driving the deep-rooted popularity.
In the play, images of Jasmine's (Komatsu) daily life recorded with a video camera are released, and on the official Instagram, the camera images not included in this article are released as a side of the movie. "This plot is particularly touching", "Reminds me of the movie plot and wants to cry again", "I want to watch it again" and other praise. The "double" effect of the visitor's gift and the fanwai consolidates the high popularity.
This translation is original in Hujiang Japanese and is prohibited from being reproduced without authorization.
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