Spring blows, spring arrives. Spring is a season full of vitality, but also a season full of vitality, when the spring wind blows all over the north and south of the river, the north of the South China Sea is full of a pleasant scene of purple and red and green branches and green leaves.
This scene is just like the Song Dynasty poet Cao Yanyue's "peach red willow green clusters of spring, swallow warblers cry out of the Sun Jia". Therefore, in the beautiful time when the spring breeze is swinging and the spring light is leaking, the ancient literati will always walk in the spring and enjoy the spring light.
For poets, they put the love of spring breeze into their pens and gathered them into poems. The spring breeze they write is a note of spring, and the poets present the colorful, dazzling and vibrant spring to the world with their soaring talents and flowing talents. Of course, in addition to praising the spring light, poets will also feel nostalgia, lyricism, and catharsis in the spring wind, and even feel life and think about life in the spring wind.
The colors of the spring breeze
The poet Zhu Xi came to the banks of the Surabaya River on a glorious spring day, the spring breeze blowing on his clothes, and the boundless beauty of spring light in his eyes. The poet was immersed in the spring light of the thousands of purples and reds in front of him, so he wrote a poem praising the spring wind, "Spring Day":
Katsuri looking for the Surabaya waterfront, the boundless scenery is new for a while.
Waiting for idleness to recognize the east wind, thousands of purples and thousands of reds are always spring.
It was a sunny day with a warm spring breeze, warm blossoms and sunny days, and Zhu Xi and his friends waded on the banks of the Surabaya River, with a charming spring light along the way.
The poet had intended to look for the spring light, but he did not think about it, there was no need to look for it seriously, the spring light was at his feet, and the spring light was in front of him. This makes the poet overjoyed, and the poet's mood can be imagined to be very happy. He couldn't help but think: everyone can see the face of spring, the spring breeze blows, a hundred flowers bloom, thousands of purples and reds, and everywhere is the scenery of spring.
The "east wind face" in the poem actually refers to the spring wind, and the poet visualizes and personifies the spring wind, spring light, and spring scenery. "Thousands of purples and thousands of reds are always spring", which means that the scene of thousands of purples and thousands of reds is all dyed by spring light, and people know spring from these thousands of purples and thousands of reds, feel the beauty of spring, and also feel the boundless prosperity of spring and the dazzling color appeal.
The warmth of the spring breeze
The spring wind in the poet Zhinan's pen is warm, gentle and delicate like spring wind and rain. On a day of spring breeze and drizzle, the poet Zhinan took a boat tour in the breeze and drizzle to enjoy the spring light, and after landing ashore, he walked on crutches in the pleasant apricot blossoms of spring, and the poet's mood was also very comfortable. The cane quinoa supports the poet to enjoy the spring tour all the way, which makes the picture appear intimate and natural. So, in the spring wind he wrote such a poem:
The ancient wood yin is tied to a short canopy, and the staff helps me cross the east of the bridge.
Wet apricot blossom rain, blowing noodles do not chill willow wind.
The poet holds the staff to the east, and is greeted by the blooming apricot blossoms and the swaying willows in the breeze, and the beautiful scenery is in full view; the poet feels that the drizzle is wet, as if wet but not wet, and the spring breeze that blows on the face is harmonious, gentle, and there is no chill.
"Blowing noodles is not cold willow wind", this sentence adds the poet's feelings about the spring wind, and the wind blows in the face, warm and delicate, do not feel a hint of chill, willow branches swaying under the blowing of the spring wind, which is the poet's visual experience.
The theme of this spring tour emotional and visual embodiment are out, this is the poet's evaluation of this spring trip, this is a pleasant spring tour, "apricot blossom rain" and "willow wind" let the poet have more of a sense of nature.
The vitality of the spring breeze
Wildfires burn endlessly, and spring winds blow again. Yes, the spring wind is vital, not only Bai Juyi thinks so, but also the poet He Zhizhang.
In the eyes of the poet He Zhizhang, the spring wind has vitality. The spring breeze awakens the sleeping plants, they breathe in the fresh and sweet air warmly, and can't wait to bloom with new green, which makes people truly feel the beauty of spring returning to the earth and warming the spring. This new green is the spring meaning and vitality of the poet "Wing Liu":
Jasper is made up of a tree high, and ten thousand green silk ribbons hang down.
I don't know who cut the fine leaves, and the spring breeze in February is like scissors.
The poet associates the drooping willow branches with the green silk woven skirts that fall on the girl's body, and it can be seen that the graceful willow branches swaying in the breeze have a special charm in the eyes of the poet. I wonder which skilled craftsman cut this thin leaf? It turned out to be the gentle spring breeze of February, holding a pair of scissors in his hand, and changing the earth into a new outfit. The poet compares the gentle spring breeze to a magical pair of scissors.
"February spring breeze is like scissors", it is the spring girl who uses her dexterous jade hands to cut out these tender green leaves, put new clothes on the earth, and give people the message of spring. The poet uses anthropomorphic techniques to portray the beauty of spring and the ingenuity of nature, novel and unique, and the spring breeze is vividly displayed, which sets off the infinite beauty and also reflects the poet's exquisite writing techniques.
Through novel imagination, He Zhizhang portrays the image of Chunliu in an anthropomorphic way, and gives a unique and novel image of Chunfeng with a wonderful and appropriate metaphor, showing the infinite vitality of spring, making people feel fresh and refreshing, and the concept can also be described as unique.
The structure of this poem is unique, the poet first writes the overall impression of the willow tree, then writes about the wicker, and finally writes the willow leaf, from the total to the point, the order is in order. Borrowing the willow tree to sing the spring wind, comparing the spring wind to scissors, saying that she is the creator of beauty, praising her for cutting spring.
The beauty of the spring breeze
The poet Bai Juyi's spring is the world of flowers and the ocean of flowers, and all of this is generated under the brewing of the spring wind, so a "Spring Wind" came into being in the spring wind:
Spring breeze first starts in the garden plum, cherry apricot peach pear second bloom.
In the deep village of the elm pod, the spring breeze is also for me.
Bai Juyi portrays the flowers and trees of the countryside as sentient life, especially the hundred flowers that bloom in the spring wind, the flowers that bloom one by one, one cluster, and one branch of the flowers that bloom one after another, all of which greet the spring with their enthusiasm.
By comparing the cute little creature of the cabbage with plum blossoms, peach blossoms, etc., the poet shows that spring is selfless: for flowers, the spring wind passes by, whether it is a famous flower in the garden or a country wildflower, it will not miss the flower letter brought by the spring wind; and the spring wind never favors one or the other, so that they present a happy scene.
The charm of the spring breeze
The peach is dying, scorching its glory. In the Tang Dynasty poet Cui Hu's pen, the peach blossom in the spring wind is the most beautiful, and what is more beautiful than the peach blossom is the delicate face of the girl.
The poet is faced with this picture of a peach blossom with a rich color, youthful glow, and two beautiful faces, needless to say that the girl's radiance and beauty are at present, that is, her mood, the poet's heart, the love and excitement hidden in each other's hearts, can also be experienced. Therefore, he wrote this poem "Title Capital City Nanzhuang" in the spring wind:
Last year, in this door, the faces of people were peach blossoms.
People don't know where to go, and peach blossoms are still smiling in the spring breeze.
The spring breeze evokes fond memories of the poet, and in the spring breeze he re-picks up the fragments of memory, and he tries to put them together and arrange them. Once upon a time, the poet had a beautiful encounter with a girl in that peach blossoming place, which left a deep impression on the poet and became an unforgettable event of his life.
Whenever the spring breeze blows and the peach blossoms bloom, he always thinks of this dear girl: the pulse of the first encounter, the love after the farewell, the affectionate revisit, the disappointment of the unenjured, etc., are all expressed implicitly or explicitly.
Because it is to write about the beautiful things that have been lost in the memory, the memories are particularly precious, beautiful, and full of feelings, which is the depiction of the gods with peach blossoms; it is precisely because of such beautiful memories that I especially feel the pity of losing beautiful things. Therefore, the poet will issue the feeling that "people do not know where to go, and the peach blossoms are still smiling in the spring breeze". The whole poem is naturally blended, like a clear spring gushing out from the bottom of the heart, and the charm of this spring breeze is clear and mellow, which is endlessly evocative.