Originally, Diga Ultraman had no theatrical version of the filming plan, and the whole story ended after the last episode of Dagu defeated Gattangjee. After that, it was the story of Dana Ultraman seven years later, but the popularity of Diga Ultraman was too high, and the Round Valley Company at that time was not short of money or good screenwriters. So, two years after the end of Diga Ultraman, the Diga Ultraman theatrical version was put on the big screen. The original Diga Ultraman story of the main drama is already very complete, there is no room for development in the sequel, and there is still the story of Dyna Ultraman in the future timeline. So simply set the theatrical version of Diga Ultraman's story to 30 million years ago, taking the discovery of the Ruins of Luluye as an opportunity to tell the story of Diga Ultraman 30 million years ago.
This kind of story that is outside the main drama is actually quite easy to write, as long as it does not break the original setting. But the two theatrical versions of the filming have broken the original Diga setting, I don't know if it is because it has been a few years since the end of Diga Ultraman at the time of shooting, and everyone has forgotten the plot of Diga Ultraman, resulting in the setting of the theater version and the main play not matching. It gives people a feeling of dog tail and sable, especially the Diga Ultraman story is completely a money-making work, and it is not as good as any episode of the Diga Ultraman drama.
First of all, there is the setting of dark Digga, which is simply incomprehensible, and a bright and righteous Ultraman is suddenly written as an evil Ultraman. The whole story of the final jihad tends to have a darker tone, giving it a very depressing feeling. And in the original drama, there is no record of Diga being originally a dark Ultraman, so there is no foreshadowing, and the sudden appearance of dark Diga is difficult for everyone to accept. Not only that, Dagu was also set up as a negative man, and an image of light and justice that was originally bright and righteous was destroyed. Dagu ke defeated Gatanjae with a righteous heart, and was already a perfect hero. It is also completely unnecessary to set up a story of a helpless hero in the final holy war, and the rest of the victory team is like a whole playing soy sauce, without the slightest idea of what Dagu is doing.
Secondly, the story of the final holy war is also slightly boring and not so brilliant, especially when the super ancient light giant gives the power of the great ancient light at the end, and people who look at it are very confused. Without making any preparation, you must know that the ultra-ancient is destroyed in the hands of the dark diga, and now the dark diga and Camilla are infighting, the super-ancient giant is too late to watch the play, why should I help the great ancient. Finally, under the inspiration of Dagu, Camilla turned into light, so what did she do before. Therefore, the whole drama is very hasty, many places have not thought well, the original setting of the main drama has been broken, and some pits have not been filled.
And Diga Ultraman's legend also has the same problem, how good and affinity Dagu was as a civilian hero. In the outer biography, it is necessary to add the identity of an Alam heir, and it feels that if it is not their family, there is no way to summon Diga. Then Diga Ultraman's final episode of everyone is light is broken, so that the last episode is meaningless. And the final enemy in the sequel, the Dark Giant God, does not have a sense of oppression, it is difficult to make people feel that this is a very evil monster, the whole drama is confused, no one can understand what is being told, anyway, in the end, Alam successfully defeated the monster to draw a perfect end to the play. In addition to the label of Diga Ultraman, this drama can be said to have nothing to do with Diga Ultraman's thought.
So both plays are not good, the story and ideas are not taken over from Diga Ultraman, and it is also a bit of a sense of ruin. So neither of these theatrical versions is very famous, and in the end the jihad is fine. After all, the overhead was thirty million years ago, and a lot of energy was invested in production, and it was still good for the whole story to be independent, and it would not be good to undertake the Diga drama. The sequel is more like Diga's small story, just look at it lightly, and there is no excessive intersection with the main drama.
These two theatrical versions were obviously less successful as the spiritual sequels of Diga Ultraman, so There is no next theatrical version of Diga Ultraman. The story is almost finished in the main play, and there is no need to say too much in the theater version, but the theater version is still a bit ruined, so the future Round Valley Company always leaves a little plot for the theater version after the main play, it is estimated that it is also affected by this shooting. Well, here is the warm anime, welcome to comment attention.