My story with Wang Fuli, the "world's first sister-in-law"

Among the artists were many down-to-earth and excellent Communist Party members. Movie star Wang Fuli is one of them. She was once known as the "first sister-in-law in the world" in the Chinese film industry, and her works such as "Golden Light Avenue" and "Our Cow Hundred Years Old" have long been popular among the population. Her acting skills are beyond doubt, and what is even more valuable is that she is good at illuminating others with her own flash. I had the pleasure of working with her twice and was very impressed.

In the TV series "Song Qingling and Her Sisters", I worked with her for the first time. That was my second time playing Song Yaoru, and the director Pan Xia sent the assistant director to find me, and the next day I was going to shoot the scene. The Song family's drama was basically filmed at the Song family's old residence at No. 369 North Shaanxi Road. At the door, you will be greeted by a neat row of bamboo walls painted with black paint, and the large iron doors with black cast iron inlaid gold patterns silently isolate the eyes of tourists outside the high bamboo fence wall, giving people a sense of unfathomability. Don't look down on this snubbed garden house, which was once the residence of a prominent Song family in China's modern history, where many important things happened.

The next day, I took pictures in the song family's large garden. There was fruit on the big table, and the Song family sat around and talked about the sky, actually discussing Song Qingling's marriage. The lines have been memorized. Wang Fuli and Li Ling playEd Misty Ling and Qing Ling, and Zhou Xianzhen played Mother Song, who played Madame Wang in "Dream of the Red Chamber", all of whom were literary and artistic celebrities. Their calm performance in front of the camera has created an aura that has allowed me to quickly enter the role. In particular, Wang Fuli smiled and squinted at his lines, which made me understand that it was necessary to show a polite and elegant temperament that I did not care and strongly opposed my daughter's marriage to Sun Yat-sen. And this sense of proportion is guided by the opponent's play. The scene went well, and I saw this in director Pan Xia's eyes through the lens of her glasses.

The scene in the back was filmed in the house. If Song Yao of this play has a large line, my memorization of lines and memory is still not satisfactory, but the performance of Wang Fuli and others has played a great role in promoting me to enter the play. When Song Yaoru saw that her daughter decided to marry sun Yat-sen of her uncle's generation, she was extremely distressed. This scene is a test for the actors, I have memorized the lines in advance, when the filming began, this scene rolled in the chest, and when Song Xialing's words were finished, my tears began to burst out. The director originally shot the middle scene, and immediately let the camera push it into a close-up. Pan Dao did not praise, only nodded his head "OK" and passed once.

As a joke, my artistic path is paved by stars. In the first episode, Song Yaoru persuaded parishioners to let her daughter study in the United States, which was filmed two months later on the shores of the unnamed lake of Peking University. The extras that came that day, I was shocked to see, all of them are famous actors of the Haizheng Repertory Theatre, and I grew up watching their plays. Just like Wang Fuli, when she became famous, I had not yet entered the film and television circle.

In July of that year, we went to Beidaihe to shoot a scene. On a hot day, every day when the filming is about five o'clock in the evening, we will swim at the beach, I swim well, Wang Fuli and so on will look like a little girl, will be surprised and admired, but also tease me. Zhang Xiaomin, who plays Song Meiling, also asked with a childlike smile: "Why do you always play my father?" Wang Fuli and Li Ling often bought watermelons in the cool evenings, and would always call me: "My father, come and eat watermelon." At that time, I was also writing at the behest of the publisher, and they laughed at me: "How like a big girl." He will also repeatedly care for "don't hide in the house." The watermelon in the north is sweet and refreshing.

Writing this, I can't help but say that we Communists, not only do some people misunderstand that we always keep a straight face, but have warmth and the love of comrades and friends. In the days of filming with Fu Li, Li Ling, Xiao Min and Pan Dao, I deeply felt it.

The second cooperation with Wang Fuli was the TV series "Under the Bridge", which depicted the construction of the Nanpu Bridge, and she played the chief engineer, and I was one of her engineers. I said, "This time you're older than me." "After that, we didn't meet, but her performance on CCTV, I watched it every time. Wang Fuli is very busy, is a member of the Chinese People's Political Consultative Conference, has held many meetings, and has filmed a lot, but he attaches more importance to the responsibilities and obligations of a communist party member. She is never absent from the study organized by the "China Broadcasting Art Troupe". She said that only by continuously improving our ideological, knowledge and artistic level can we create excellent literary and artistic works and create a full artistic image. I think that in the glorious years of the centenary of the founding of the party, she will certainly be able to dedicate better programs to the dear party. (Wang Zhengyu)