The | Fan Quansen: the aesthetic thought and spiritual world of the mind and the object are integrated

Fan Quansen, the lord of the Water Mountain Pavilion, a native of Jingchuan, Gansu, graduated from the Department of Chinese of Northwest Normal University and taught Chinese painting at the Xi'an Academy of Fine Arts. He is currently a researcher at the China Academy of Calligraphy and Painting and a member of the Gansu Provincial Artists Association.

Fan Quansen has loved the art of calligraphy and painting since childhood, under the guidance of famous teachers, after decades of intensive research, he has gradually mastered the basic techniques of Chinese painting and formed a unique landscape painting style. His works are not only the presentation of a unique artistic style that is different from the ancients and different from today's people, but also an artistic portrait carefully tempered in the painting language based on traditional nutrition. The works have a wide range of themes, profound intentions, and in addition to the function of conveying the gods, the pen and ink language carries a heavy humanistic connotation and the atmosphere of the times, and most of the works fully reveal the supreme realm of "the unity of heaven and man" with the help of natural objects, highlighting the aesthetic thought and spiritual world of "things and me forgetting"--the aesthetic thought and spiritual world where the heart and things are integrated.

(Ding Fenglei)

Editor: Zhou Fengchuan