What is Pyrotechnics? According to Ya, it is Huang Tingjian's peach and plum spring wind a glass of wine, the night rain of the rivers and lakes ten years of lights, to put it colloquially, is the downstairs shop fritters and soybean milk, the chai rice oil and salt in life, the noise of the night street. As for the dictionary definition, it is "earthly vulgarity". According to my understanding, it is more like something that can make people feel alive, and it is the most common and simple memory of walking in this world.
At first glance, the word seems to have nothing to do with the eight rods of the game, and belongs to two very different levels of things. But this abstract concept is also an indispensable element in the game.
The game itself is a virtual world built to bring players a transcendental experience and adventure, bringing "realism" and immersing the player in it is its primary responsibility, so the game often adds a variety of realistic elements to highlight the reality of the game. This also creates a connection between the two, after all, the essence of pyrotechnics is reality.
Bringing this concept into the game will give birth to a variety of fun ways to play that combine virtual and real, the most intuitive of which is fishing and cooking.
If you are more involved in games, you will find that whether it is adventure, sandbox, or apocalyptic survival, martial arts, fantasy and other genres, this kind of content is indispensable.
This is not a coincidence, nor is it a personal like or dislike, but an element that must be touched when it is realistic. After all, people have to eat when they live, and when they see rivers and lakes, they will also have the idea of fishing, which is the so-called "everything you see should be within reach", which is an inevitable result.
For these "realistic" content, some games will be made very perfunctory, making fishing into swinging the fishing rod out of thin air, hooking at the end of the countdown, and the fish is also a look. Some will be very delicate, like the fishing gameplay in the "Ghost of a Woman" mobile game, including the design of finding fish under the hook, keeping an eye on the fish drift, and different species, so that players can feel a more realistic leisure experience in the real fishing process.
The same is true of the cooking gameplay in the game, and works that do an animation and let the characters cook out of thin air are everywhere. But it is in this aspect that is ignored by most games, the "Ghost of a Woman" mobile game has played its own novelty.
Just this month, the "Ghost of a Woman" mobile game launched a food-themed event. In this event, players receive a recipe called "Four Seasons Drinking and Eating", which contains a number of delicacies. The player's task is to collect various materials and make these mouth-watering dishes. But this process is not simple at all. Because what is first written on the recipe is only a rough and superficial production content, the player needs to constantly try and mix to get close to the correct answer.
For a famous dish like crab stuffed orange in the game, the specific way of making it involves four ingredients, five ingredients, and two cooking methods. It can be said that it is exactly the same as the way the dish is cooked in reality. It is no exaggeration to say that as long as the process of cooking is found in the game, it can be completely restored in reality. And a certain female player who was hungry for the game at night personally verified this and successfully made crab stuffed orange.
With crab stuffed oranges, the "Four Seasons Drinking and Eating" records a total of four famous dishes: Dialing Xia Offering, Lotus House Fish Bag, and Shanhai Hui. The choice of these four dishes can be said to be very exquisite, involving a unique food culture. Like the Lotus House Fish Bag and the Mountain and Sea Festival, they correspond to the summer and spring seasons respectively. Crab stuffed orange, a dish with oranges and crab meat, corresponds to autumn, the so-called autumn crab fat, autumn orange health, is a local specialty food that has been passed down for hundreds of years in Hangzhou, and is also a typical epitome of the fine style of Hangzhou cuisine. Dialing Xia for this rabbit meat hot pot, the corresponding is winter, that is, warm and strong, is one of the Sichuan hot pot culture.
It can be said that in the choice of these dishes, the "Ghost of a Lady" mobile game is quite attentive, not only complete in color and fragrance, but also casually spreads the seasonal food culture in Chinese culture, assumes the social responsibility that belongs to the game, and also allows players to experience a real and illusory food search journey.
From the case of the "Ghost of a Woman" mobile game, we can find that only by taking reality as a reference and playing from the details can the game's fireworks be more intense and the player's game experience more realistic. The study of copywriting in the mobile game "Qiannu Ghost" is also a place where domestic mobile game peers can learn from and reference, after all, the game itself has some cultural inheritance responsibilities in addition to its entertainment role, which needs to be as responsible as the "Qiannu Ghost" mobile game.