Fan Kuan Snowscape Cold Forest Map
"Snow Scene Cold Forest Map" is a three pieces of silk left and right stitched together, which can be described as a huge production. Fan Kuan's typical composition and technique, painting the peaks of the group, the undulating mountain, the deep valley and the cold Ke, and the Xiao Temple. In the close-up view, there are ancient trees, and the flowing water winds down from a distance. When rubbing and dyeing, the painter uses the blank space of the slope stone and the top of the mountain to emphasize the meaning of the Qinlong Mountains and rivers after the snow. The forest at the top of the hill is dense, and the trees near the shore are dense, and the branches are sharp, which adds a sense of vigor to the painting.
Xia Gui HanLin on the snow map
"Cold Forest to Snow Map", with the empty mountain forest as the background, in the brushwork, more use of thick brushes, turning square hard, rich sense of strength, mountain stones with a large axe to split, the brush is steep and strong, fully expressing Xia Gui's unique style, the ink color is thick and simple, intriguing. After the baptism of wind and snow, the two trees on the left are resolutely upright, and the trees under the mountain are strong and branched, reflecting each other with overlapping peaks near and far; the huts and fences on the mountain are waved, and the lines are full of change and tension. The branches are dotted with ochre and ink colors, and the trunk is as thin as iron, mostly in a diagonal and tortuous state, echoing the small branches on the right side of the probe, full of infinite vitality. In the hut in the mountain forest, the two elders talked freely, unaware that the cold outside the window had long since solidified. The whole picture is quiet and peaceful, the charm is exquisite, the qi pulse is connected, and the pattern is novel.
Zhao Yong Han Lin Tu
Xie Shichen Hanlin Travel
Lan Ying (model) Snow Mountain Cold Forest Map
Wang Yi imitated Li Yingqiu Hanlin Yunxiu
Dai Ben Xiao Han Lin Yuanxiu Map
Yong Yao Han Lin Tu
Yu Rong Hanlin travel map
Wang Yun Hanlin Crow Array
Pu Ru Snow scenery cold forest
Title: On the eve of the North Wind, the micro-thunderbolt gathers the cold qi. The humor is suddenly unhappy, and the empty poetry of rain and snow is sung. The abyss is not extreme, and the cloud is for a period of time. Ting Ke zhan snow, bright for a long time. Not as good as the peach and plum tree, shaking down the Jun often sad. At the beginning of the month, the snow is beginning to fall, and the cold light is shaking. There is no weaving cloud, and the heavens and the earth are different. When the shadow of the elm willows is more and more, the pond platform is silent. The sea is lonely, and the river is clear. I want to ride the wind, and I feel sad in the middle of the night. Snow Night with Uncle Mingzuo. Heartburn.
Pu Ru Snow night cold forest
He Haixia Hanlin Louguan
He Weipu Snow scenery cold forest
Bangs Haisu Hanlin Diagram
Wu Changshuo Cold forest empty silence map
Wu Hufan Ancient wood cold forest
Wu Hufan Hanlin Xiao Temple Map
Wu Qinmu Hanlin Xiao Temple
Wu Guxiang Cold Forest Twilight Snow Map
Wu Jingting HanLintu
Song Meiling Snow scenery cold forest
Zhang Shiyuan Cold Forest Turbulence Map
Huijun Cold forest snow
Huijun Hanlin Yuanyue
Pu Ling Snow scenery cold forest
Wang Jiqian Snow scenery cold forest
Qi Kun Han Lin Gaoshi
Cheng Shifa Snow night cold forest
Yuan Songnian Cold Forest Twilight Crow
Yuan Songnian Cold forest duck noise
Yuan Songnian oblique sun cold forest
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Xie Zhiliu Snow scenery cold forest
Xie Zhiliu Snowscape Cold Forest Map
Zhao Yunyuan Hanlin Ludi diagram
Lu Yu Shao Cold Forest Stream
Huang Junbi Snow scenery cold forest
Attached: Dai jin "Snow Landscape" axis appreciation
"Snow Landscape" axis, Ming, Dai Jin painting, silk, color, length 144.2 cm, width 78.1 cm.
Department of Funds: "Qiantang Dai Wenjin wrote. "钤" Dai Shi Wenjin", "Yuquan Daoren" seal.
This picture continues the theme of "Snowy Cold Forest" and "Travel" founded by Li Cheng, Guo Xi and others in the Northern Song Dynasty, with a steep set and a tight composition. The pen is rough and longitudinal, the brushwork is changeable, the rubbing dot dyeing is informal, the strokes have a strong sense of movement, and the mountain shape has a momentum, showing the heroic momentum of the northern mountains and forests.