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Chinese painters, eagle painters, cattle painters, and zhu motherland, the art of ink painting
In the past hundred years, Eastern and Western cultures have constantly collided, and have continuously influenced and integrated with each other, and in the field of Chinese painting, there are a variety of academic propositions such as total Westernization, adherence to tradition, and the combination of East and West, forming a scene of a hundred schools of thought. Judging from the development process and experience of decades, the academic proposition of combining East and West has become the most acceptable idea, which also reflects our way of moderation and becomes the mainstream of the development of Chinese painting.
Chinese painters, eagle painters, cattle painters, finger ink painting art everyone Zhu motherland works
Cui Ruzhuo, a famous Chinese painter who has lived in the United States for a long time, once said: "There are many people who support the combination of East and West. I don't think there is anything wrong with the idea of combining East and West. The key is from what angle do you stand to increase the nutrition of Chinese painting? "As an artist with an international perspective, I grew up in Beijing, studied painting with li kuchan and other masters, copied ancient paintings in the Forbidden City, and then went abroad, not only have a deep understanding and understanding of Chinese culture, but also directly contact with the works of foreign masters.
The famous Chinese painting everyone Cui Ruzhuo
Mr. Zhu Guoguo, a master of Chinese painting, also said: "Painting is a silent language, and the works that modern art can enter the future art history must be composed of the common painting language of the world, absorbing the essence of Western painting, and adhering to the spirit of traditional Chinese painting is an important path for the development of Chinese painting." It shows Mr. Wang's adherence to the traditional spirit of Chinese painting and his open-mindedness to the advanced Western painting technique "Hainan Baichuan".
The works of the famous Chinese painter Cui Ruzhuo
The artistic achievements of the two gentlemen are inseparable from their broad vision and broad mind, and at the same time, this vision and mind feed back into the works and are vividly reflected in the works. Whether it is Mr. Cui Ruzhuo, who knows things well, or Mr. Zhu Guoguo, who has traveled through ancient and modern times, they are all masters of large-scale production.
Friends who have seen Mr. Cui Ruzhuo's National Expo exhibition should remember: the magnificent exhibition halls are hung with macro-scale giant productions, small tens of square feet, large hundreds of square feet, a flower bone can reach several square feet, magnificent, the momentum jumped out of the wall.
The same is true of Mr. Zhu Guoguo, whether it is finger ink painting or traditional painting, the size of eight feet of paper starts, whether it is the domineering spirit of the eagle, the humility of the cow, or the majesty of the landscape, the large scale and large stroke, the performance is vivid, beyond reach.
Both gentlemen like to paint big pictures and make huge paintings, which is entirely due to their minds, patterns, visions and inner world, unlike some painters who occasionally make big paintings, purely large paintings of small sizes, neither picture form, nor momentum, painting dead, lifeless.
Whether it is Cui Ruzhuo's "Huanrui Xueyi Jiangnan", "Lotus Wind and Prosperity" (hanging in the Great Hall of the People) or Mr. Zhu Guoguo's "Hometown" and "Motherland Landscape", they are all classics of huge freehand works in today's painting world, lyrical artists' intentions in their chests, conveying feelings, and being just right.
The great works of many painters in history are the reproduction of the personality of the painter, or the magnificence, or the aesthetic Hong Covenant, or the vicissitudes of suffering. Although each is beautiful, the magnificent one is most in line with the atmosphere of our new era, and it is also the artistic conception pursued by the current ambitious, and the painter with a narrow pattern is absolutely unable to paint a magnificent and natural grandiose production.
In the case of Mr. Cui Ruzhuo, in his twenties, he has been selling paintings in Rongbaozhai, Heping Painting Shop, and Beijing Painting Shop. He taught at the Central Academy of Arts and Crafts, settled in the United States in 1981, and received his Ph.D. in art from Dewey University in New York in 1984. In 1996, he returned to China, was recommended by UNESCO and Peking University in 2004, and was named one of the top ten artistic talents in China in 2004 and introduced as a cover character by the authoritative high-end magazine "China Talents". In 2008, Cui Ruzhuo donated 50 million yuan from the sale of paintings with Russia's Yevraz Oil Company to the charity To Create a Model Public Welfare Fund. In 2016, it donated 100 million yuan to protect the cultural relics of the Forbidden City...
Mr. Cui's simplest resume may be something that many ordinary artists have never thought, nor dared to think, but Mr. Cui Ruzhuo has done it. Pattern, mind, vision, of course, high and low.
Cui Ruzhuo's favorite Qing Dynasty painter Shi Tao once said that "pen and ink should be contemporary", there is no doubt that Cui Ruzhuo and Zhu Guoguo have done it, and their works are exemplary works in the context of our new era.