[Focus on Sanxingdui] There is knowledge and fear of Sanxingdui ‖ Qin Xiaohong

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There is knowledge and fear of Samsung pile

Qin Xiaohong

"Ignorance is okay, but if ignorance is combined with fearlessness, it is terrible, because he not only misunderstands himself, but also misleads others." This is a sentence that Mr. Yue Nan said when he attacked an academic star.

I've always wondered whether the "ignorant and fearless" is positive or negative. Or is it a neutral word? Therefore, I firmly remembered this attacker, Mr. Yue Nan.

On May 29, 2019, the official of his hometown of Deyang City held a large-scale academic lecture on "The Return of Patriotic Intellectuals from the South to the North during the War of Resistance Against Japanese Aggression", and Mr. Yue Nan was invited to visit. What was even more gratifying was that on the evening of May 28, at the reading party in the ruins convened by the local minority cultural creations, I was able to face him close to him and talk, and after being slightly drunk, I was full of comfortable and radiant spirits, and was taught the answer to his true disposition.

Between "ignorance and fearlessness" and "knowledge and fear", how to choose in the end was the biggest gain of that night reading meeting. I know that Mr. Yue Nan's famous masterpiece "Returning from the South to the North", but I do not know the book "The Kingdom of Heavenly Gifts - The Amazing Story of Sanxingdui and jinsha ruins", which is also his painstaking work, and it is really a bit lonely. Fortunately, in the short days that followed, there was an increase in cognition and awe.

Sanxingdui Museum Bronze Hall Mask Hall (Sanxingdui Museum Courtesy photo)

What I didn't know before was that the book "The Kingdom of Heavenly Gifts - The Amazing Story of Sanxingdui and Jinsha Ruins" was actually completed as early as the SARS period in 2003, and Mr. Yue Nan used the real historical materials of the archaeological site to restore historical images in a literary way, and the archaeological process and Shi Hai hook were immersed in one furnace... Although I have accompanied the guests to visit several times, I have always turned a blind eye to the treasures around me and ignored them, which is really "ignorant and fearless"!

The lack of written records has not been found, which is an irrefutable fact of Sanxingdui. "Sleep for thousands of years, wake up and shock the world." Even in recent years, around the original two sacrificial pits, 6 new sacrificial pits have been found again, and exquisite cultural relics have ushered in another wave of "re-awakening", and the text and literature are still absent. It can be said that Mr. Yue Nan's interpretation of the text is to pick up the missing points at the right time. What is particularly valuable is that he has always been devout and respectful, and runs through the whole process from knowing Sanxingdui to revering Chinese civilization.

I was fortunate to receive Mr. Yue Nan's book "Mr. Then: The Roots of Chinese Culture in Lizhuang from 1940 to 1946", which is the precursor work of "Southern Crossing and Northern Return", which originated from his inspiration when he was collecting wind in Sanxingdui. In addition to the awe, what impressed him was his "Trek: The Appearance of Words". Seeing the words as they are, there are beautiful feelings and discoveries of "often reciting the heart, reading well and knowing the mind", "so we must serve the words well."

Sincerely. Mr. Yue Nan "first and foremost success is the superiority of the character" and "it is not just the content that resonates." "The Kingdom of Heavenly Gifts - The Amazing Story of Sanxingdui and Jinsha Ruins" is a kind of adherence. He frankly said that the biggest influence on him was the primary school literacy textbook, "only words must be regretted, and the roots of yours are also precious." Sanxingdui did not find that the written record is not a big problem, because of its own "knowledge and fear", the same can guide the reader to "have knowledge" and then "fear" through the words and beads.

The depiction of the Sanxingdui Sacred Tree can be seen in the tube. Mr. Yue Nan is rooted in the "Jianmu" recorded in the Classic of Mountains and Seas, in order to reflect the ancient Shu ancestors' worship of the sun and the sun god, and the "ladder to the heavens" function of the sacred tree; it is the shaman of the ancient Shu kingdom who uses this sacred tree to connect heaven and earth, communicate with people and gods, and finally achieve the magical realm of "the unity of heaven and man". It can be seen that Mr. Yue Nan hopes that through such a description, people will be guided to have the concept of the universe of knowing and awe, and acting and stopping.

Mr. Yue Nan admitted that because Sanxingdui has not found written records, from topic selection to interview, from conception to writing, "can only guess" and there are preferences. However, this subjectivity is based on the field archaeology and historical evidence he admires, supplemented by the distinctiveness and sincerity of the personality, "telling a well-founded story in a colorful way", to extract the essence and remove the false and the true, but it is easy to impress people's hearts.

Based on the excavation report of the Sanxingdui site, we can see the scene, but also see people, things, and history. Mr. Yue Nan spends almost 80% of his time carrying out huge field interviews, investigations and investigations, collecting first-hand information in person, and then spreading them out in layers, switching freely between "real archaeological history", "relevant historical background" and "historical figure events", so as to "stitch together and restore the fragments of history little by little, and present the more vivid people and events to the reader".

Sanxingdui Museum Area Environment (Sanxingdui Museum Courtesy Photo)

Mr. Yue Nan believes that it is a kind of "cultural consciousness" that does not dare to talk about the sense of mission, which prompts him to embark on the road of "archaeological exploration" in writing. As a veteran archaeologist and enthusiast, he hopes to "write about the greatest archaeological discoveries of The 20th century in China in the form of literature." In the process of writing, he paid special attention to the literary nature of the work. Therefore, for some bookstores to randomly classify their own books, there is often some "resignation" in their hearts...

However, Mr. Yue Nan's unique professionalism and reputation are well known, and by chance, he became the first batch of writers in China to open up archaeological literature, and was also known as "the first person in China to produce evidence literature". Including the book "The Kingdom of Heavenly Gifts - The Amazing Story of Sanxingdui and jinsha ruins", he has completed the first set of 11 volumes of documentary books reflecting archaeological exploration in the Chinese-speaking world after more than 20 years of experience.

In the book "The Kingdom of Heavenly Gifts: The Amazing Story of Sanxingdui and the Jinsha Ruins", Mr. Yue Nan will enter the details of the controversial interview as an endnote. If you are not sure of the affirmation for a while, you will honestly tell that "this paragraph has yet to be examined." And some very interesting wild history, it is a pity to give up, be sure to declare "gu vain words, gu delusions listen to it." He even posts critical words from readers on his blog.

It can be seen from this that Mr. Yue Nan's "ignorance and fearlessness" of being like a fish in the throat and not spitting out unhappiness is entirely due to his instincts and instincts, and is a correct solution to the Most Holy Ancestor Confucius's "gentlemen have three fears" and "villains do not know the destiny of heaven and are not afraid". What he said was conclusive, and between the lines of his pen, he was incomparable awe for the entire Chinese civilization. At the same time, it drives readers to transcend time and space, and their hearts are fascinated, "beating with my pulse, realizing my painstaking love and protection of cultural heritage".

"The cultural relics of each country are linked to the destiny of the country and the destiny of the nation, and are all symbols of the country." Mr. Yue Nan has reached the realm of "knowledge and fear" through the ups and downs, tasteful cultural relics stories. As an expert in excavating stories and telling stories, he repeatedly emphasized that his "truth writing" and "live broadcast on paper" are not archaeological reports or cultural relics identification, but an attempt to restore the historical and cultural context and heritage as much as possible.

Mr. Yue Nan laid out and portrayed various character stories - the father and son of Yan Daocheng, the first discoverer of Sanxingdui (Moon Bay) jade, many foreign scholars and generations of Chinese intellectuals who explored the secrets and searched for the secret, gave heartfelt admiration and spicy lashing for the contributions or bad deeds of the ancients. Looking to the future, he inscribed an epitaph for himself: a person who was anxious and anxious for the progress of scholarship and culture, for the freedom of thought and speech, for the honor of the nation, and for the happiness of mankind, and who worked so hard that he died...

Some people and things appear to open a door and illuminate a passage in our world. Mr. Yue Nan wrote the book "The Kingdom of Heavenly Gifts: The Astonishing Tales of Sanxingdui and jinsha ruins", "using literary techniques to describe at the same time, using ideas to illuminate the history and reality related to this.". The people and things in the book, the white truth and the dark shadows, appear together and contrast with each other. The door was opened, the passage was presented, and the Chinese civilization was given a new hint.

From ancient relics such as Sanxingdui, we look for clues to the origin of Chinese civilization and the diversity and integration of chinese civilization, and use history to integrate and understand the spiritual life of reality, so as to enlighten today's human beings. Mr. Yue Nan is very determined, "In my heart, I think that doing something worth doing, if the reader likes and draws a little cultural nutrition from the book... Warm respect for the history of five thousand years of civilization, and even longer, my wish has been fulfilled, and it is also the value and significance I expect."

Looking up at the past and looking down at the present, history needs to be continued and inherited, and civilization needs panoramic observation. As Mr. Yue Nan firmly believes in the book "The Kingdom of Heavenly Gifts - The Amazing Story of Sanxingdui and Jinsha Ruins": "As long as the cultural relics unearthed in Sanxingdui, which maintain national feelings and the bloodline of Bashu culture, are still there, as long as the treasures unearthed on the land of China are still there, the bloodline of Chinese culture will not be cut off, and the incense of Chinese civilization will continue endlessly!" ”