NO.10: Dangerous Relationships
It is indeed Quentin's mediocre work. At that time, he was a blockbuster by relying on novel structures, and he was still young in grasping linear narratives, and Django was finally sophisticated. Quentin's pre-millennial works, stable play, the style is obvious, showing a trick to steal beams and change pillars, and the golden cicada is out of the shell. Although the film is not wonderful, it can also be described as ups and downs, and the biggest highlight is the use of the soundtrack.
NO.9: "King Kong is not bad"
It can be said that most of the time in the film, I don't know what to see. There are really too many lines, and they don't feel like they make sense to me. But the story is actually quite simple, it is a story of revenge based on women. A very distinctive anti-genre film. Whether it is the picture, the mirror, or the plot character image, there is something worth playing.
NO.8: Kill Bill 2
The pace of the second and first parts is very different, the overall slowdown is much slower, and it is not like the first part that has been fighting and killing, but instead narrating the whole story and the emotions in it, but also creating a feeling of breaking through. This relatively slower pace, personally feel that in the white eyebrow cultivation that is the most interesting, I have to say that the killer as long as the target is determined, must be achieved, the last paragraph is a bit tearful.
NO.7: Kill Bill
An action movie that will be very cool to watch without a brain, and some taste of Jackie Chan movies. One of those points is given to the soundtrack of the film and the blood that can soar to your face. It's really adrenaline rush. Ignoring the bugs of group warfare and blood spraying, it is also a classic female anti-killing movie now, with no connotation, but a wonderful soundtrack. Love to watch, just this mouthful.
NO.6: Sin City
I like this film so much, it almost pokes at my aesthetic, the degree of madness is no less than that of mad Max, the black and white film style has the feeling of three hundred Spartan warriors, the essence is all on the first story, and the next three are repetition and procrastination. The language of the lens fully explains the aesthetics of violence, but I still can't stand the "hero saves beauty" story under the male condensation.
NO.5: "Falling Water Dog"
Each character has its own characteristics, the shape can be, the dialogue is really interesting, several laughs out loud, very simple a story, but there are many details, the acting skills are great. Quentin's debut laid the foundation for his unique style. Non-linear narrative, speech, plasma gushing, black humor and other characteristics begin with this film. The seemingly chaotic narrative is pieced together into a black comedy.
NO.4: The Eight Wicked Men
When the wicked meet the wicked, it is the mind and the details. When they first entered the store, the fake executive was so familiar with the place that everything began to get strange. The wicked also need the wicked system, and although the three wicked people are called wicked, they all have their own persistence. In addition, the sound effect processing undoubtedly cooperates well with the scene of the eight evil people.
NO.3: Shameless Bastard
The most profound thing is Christopher Waltz's acting skills, sinister and cunning, with a knife in his smile, and a highly intelligent brain, perfectly playing a frightening villain role. It's not so much Quentin's brain-opening to stereotype the characteristics of people in various countries. Rather, it was another of his adventurous attempts to take the great justice of his heart in a playful way of black humor at the risk of insulting the people of the world.
NO.2: Pulp Fiction
Quentin's films always have a lot of condensed and quintessential dialogue. Multi-line narrative, main line development, overall is not a very experienced twists and turns of the story, but it can always bring unexpected reversals and viewing climaxes. Quentin Tarantino. Nice name. Several of the stories told in the middle are good. Here is the protagonist, and in another story it becomes a supporting role. It's a good idea, but it's not outdated now.
NO.1: Django Rescued
The same Quentin style as always, the three-person explosion acting, the simple story, the friendship between black and white people that are out of place, and the idea of using a German to play a white man different from the South. The clichéd story of a hero saving the United States is a great thrill. Western style, male friendship, violent aesthetics, accurate and advanced camera soundtrack, like a few quick zoom lenses. Very exciting, Waltz and Leonardo acted very well, and Red Dead Redemption 2 has a lot of clips borrowed from this film.
Quentin's 10 films, the pinnacle of violent aesthetics, have almost all become epic classics!