Zhonghua, unlike a young girl's name. And Yao Zhonghua is a young actor full of vitality.
<h1 class= "pgc-h-arrow-right" > "little character" of good luck </h1>
It seems that Yao Zhonghua's good luck continues. In 2002, "Little Red" in "The Golden Powder Family" was her first role, when she was still a freshman. Although Xiaohong's role is not much, it has opened a window for her. Since then, Yao Zhonghua has starred in film and television dramas such as "Red Flag Spectrum", "The Legend of Xin Chai", "Happy Life", "Moon on Dianchi Lake" and so on. In the 2006 TV series "Big Stage" filmed in Handan, director Hong Baosheng originally only planned to give Yao Zhonghua a small role, but after the audition effect came out, Hong Jinbao changed his mind, and the "little person" became the third female number kim soon-hee of the play.
Born in Ci County, Handan City, Hebei Province, a family of teachers, he attended the Handan Kindergarten Teacher Music Class, and originally Yao Zhonghua's future should be a gentle and beautiful kindergarten music teacher. The "child king" is the hope of parents, but Yao Zhonghua has his own dreams. With a dream of film, she came to Beijing to find professional teachers to study film and television performance, and during the holidays, she also specialized in Chinese classical dance at the Beijing Dance Academy and studied folk music at the People's Liberation Army Academy of Arts. Yao Zhonghua was successively admitted to the School of Film and Television Arts of Tianjin Normal University and the Central Academy of Drama.
2008 has a special meaning for Yao Zhonghua, she first played the female number one in the Hong Kong film "The Final Face", and starred with Kwan Li Kit and Lo Ka Ying. In the 25 episodes of the TV series "A Drop in the Sea", he starred with Lu Liangwei, Yuan Yongyi, as well as The Nursery, Zhao Yan Guozhang, Zhao Liang, etc. This time, she played Yang Shouyu, the first love of the famous Chinese painter Liu Haisu. In addition to film and television dramas, Yao Zhonghua is also very rewarding. From the end of September to the middle of October, the absurd comedy "One Night Crazy" is staged at the New Chaoyang Theater. Feng Bingbing, the heroine played by Yao Zhonghua, wants to stand out in the draft, but accidentally falls into a crazy situation. The play broke the box office record for the Little Theater. The day after the end of the drama performance, early in the morning, Yao Zhonghua took the crew car to Zhangjiakou to shoot the movie "Ma'ergou Educational Poem".
<h1 class= "pgc-h-arrow-right" > Korean dance and tai chi</h1>
No success comes easily. Unlike many young star chasers, Yao Zhonghua's idol is to have acting strength, and the actress she admires most is Sichengova. She firmly believes that actors have to rely on strength and work in the end, and as a young actor, hard work is the most important. From small roles to larger roles, and then to the main actor, Yao Zhonghua has come step by step.
When she was in college in Tianjin, she was overweight, and for the needs of the role, Yao Zhonghua ate tomatoes and cucumbers as a meal every day. After three months of perseverance, she lost more than 20 pounds. When filming "The Legend of Xin Chai", she had a high fever and a terrible headache for a week, but she did not delay a single scene.
Before filming "Once Upon a Time in China", for several small roles, there were more than 100 people to interview, director Zhang Li picked out 12 people, and finally only 3 people were left to really perform, and she was one of them. This is one of the small roles that Yao Zhonghua has played, starting from small roles, playing small roles well, and the opportunities are accumulated little by little.
When filming "The Big Stage", she played Kim Soon-hee as a North Korean girl. In order to highlight Kim Soon-hee's ethnic characteristics, she bought a CD-ROM of the movie "Heroes and Children" to watch and learn Korean dance. She had originally studied classical dance in Beijing, and she wore a long Korean dress with a good dance foundation, and dancing Korean dance was quite like that, and it was very simple to fool the past. However, she found a teacher who could dance Korean dance and meticulously learned authentic Korean dance.
In "The Legend of Guangfu Taiji", Yao Zhonghua plays Chunlan, the eldest apprentice of the heroine Yang Yuying (Huang Shengyi). Tai Chi was originally passed on from inside to outside, male to female, but Chunlan became the first person with a foreign surname to formally learn Tai Chi. In Yao Zhonghua's eyes, Chunlan is a straight woman full of a sense of justice, a straight heart, and no children's private feelings. In order to play this character well, Yao Zhonghua is quite attentive in both filming and boxing. The crew stipulates that every night from 8:30 to 9:30 pm is the time to practice tai chi, and Yao Zhonghua will participate on time every day, even if he is interviewed outside, he must rush back on time to practice. Many people think that under the guidance of a boxer, the lens is enough to use, there is no need to practice so well. And Yao Zhonghua "drilled the tip of the bull's horn": "Since the performance is a taijiquan master, it is necessary to have the appearance of a boxer when you raise your hands and throw your feet, and the embroidered legs of the flower fist will make people look down on it." "In the end, most of the twenty-four styles were learned, and the fight looked like it. Director Cao Rong is very famous for directing martial arts in Hong Kong, and he also admires the role of Chunlan.
"Ma'ergou Educational Poems" is Yao Zhonghua's new attempt. This rural education film, which reflects the late 1960s to the mid-to-late 1990s, reflects the development process of China's rural education from poverty to exuberance from talent poverty to talent, and vividly shows that the rise of rural education in China is the result of the selfless dedication of a generation of private teachers. Yao Zhonghua plays the protagonist Qiu Yue's experience from the age of 16 to 46 in the play, spanning 30 years. The characters in the play have experienced a complex process of change from the early days of the Cultural Revolution to the period of economic prosperity of reform and opening up. Yao Zhonghua successfully shaped the development and change of this simple, kind, persistent and selfless rural girl from adolescence, youth to middle age, and meticulously portrayed the inner world of the characters.