History of Shenzhen Needs to record Mr. Tahara

Regarding culture, the criterion for measuring the duality of a city's economy and civilization is ultimately the issuance of certificates frequently with the unique standard of culture and art. The history of the city is summarized in the continuous filling and supplementary lessons before and after different people and different roles and different elements, which constitutes a picture of all aspects of the city.

Shenzhen's blue sky grand plan is the result of the arduous struggle of its Shenzhen people, and the East Wind looks back and builds a special cultural landscape on the hot land of Shenzhen. Writing the world's article, the city volume is based on the final identity of culture, and it is based on the coordinate scale of the pious soul.

Just like the cannon of the Revolution in October 1917, marxism was brought to China, and a hammer was heard in Shenzhen on October 3, 1992, which opened the Chinese art auction market.

Looking back at history, witnessing the glory, Shenzhen people, a Shenzhen hukou, culture and art, the pulse of life in a brand-new city, the chinese painting world plays an important first-class figure, Mr. Lu Yushao, Mr. Tian Yuan,,, people have passed away, carrying wordless feats, listed in the beginning of Shenzhen culture and art, a great cause silent.

Culture and art, the persistence of the ancestors of the south to Shenzhen, Mr. Wang Ziwu, Mr. Li Shinan, Mr. Lu Muxun,,, the spiritual face of the city of Shenzhen.

Entering and inspecting the short history of Shenzhen, it is indispensable to record Mr. Tahara.

A sentence: coming is the Shenzhen people, south and then south, the south sea on the wind outlet is hard, the wind is deep, the waves of the sea have swept away a lot of memories, a set of a series of equations Shenzhen people and Shenzhen people to produce Shenzhen amazing stories, Baidu, a city that is not old enough, but there are layers of thick cocoons.

Because of the art wood collection, there is a photo of Mr. Tahara, inadvertently turned out from the book, and it is like turning out the Shenzhen cultural topic, the history of Shenzhen culture and art, can not avoid Mr. Tahara, from Nanjing to Shenzhen with clouds, the fresh Shenzhen Fukong began to rain in the spring rain.

I still remember that year, Shenzhen Luohu Port Xindu Hotel. Decades later, he and Mr. Lu Muxun came to the Xindu Hotel Art Center together, and the Xindu Hotel in Shenzhen was a special venue for art exhibitions and art auctions.

That year, that day, that moment, pressing the shutter, instantly became an eternal memory.

The memory falls from time to time, and there are seven or eight years of time, go to Nanjing Antique City leisurely, see a curtain on the second floor, monopolize Mr. Tahara's calligraphy and painting works, go forward with a passion, she and Mr. Tahara in Nanjing when the family has the same deep relationship, said Mr. Uedahara ,,,

Three or four years ago, I was talking to a lady at my community home in the mangrove forest in Shenzhen, and she bought most of Mr. Tahara's family collection and many of Mr. Tahara's own works.

More than ten years ago, from Beijing back to Shenzhen and Mr. Xue Lu has visited The tianyuan residence for the second time, and then have dinner together, during the banquet and Mr. Tahara on the topic of collection happy and smooth, the "Securities And Times" of the year the people invested in the eyes, each issue has Tian Yuan and West Tuwaping collection of articles, haha a smile, this side is still a literary friend. Mr. Xue Lu bought a lot of Mr. Tahara's works in one go and opened a monopoly window in Macau.

At the second meeting, Mr. Tahara took out a copy of the "Collecting Fun Facts" he wrote and entrusted me to return to Beijing to forward to Lin Xiu.

Mr. Tahara and his eldest brother Zhang Zhixian had a very good relationship for more than twenty years, and at that time, Hou often met at the "Famous Artist Gallery" in Juji Park, and Mr. Tahara was still a collector of purple sand pots.

The history of Shenzhen, you need to write down Mr. Tahara, rooted in the promotion of Chinese painting and calligraphy art, in the 1990s, many places in Shenzhen pavilions, you can see Mr. Tahara's calligraphy and painting works everywhere in the wall courtyard office space, excellent: the word "rice cow" to leave people with too deep impression. Many people only know rice cows, but do not know Tahara. Mr. Tahara's calligraphy works inherit Zheng Banqiao all the way and are deeply loved by Shenzhen people.

There are still many memories, more than twenty years ago, the Shenzhen calligraphy and painting auction, to reduce the cost of the way of accounting, the weekend auction to the agenda, Mr. Tahara's works, every auction, Mr. Tahara's works are not left behind by people to buy. In Shenzhen, as long as you love calligraphy and painting, no one does not know Mr. Tahara, at that time only Mr. Tahara's works were generally recognized by the market, and only Mr. Tahara achieved the best combination of fame and profit. Pulling those fragments to the present, carefully recalling and touching, the original rise to a rare cultural phenomenon called the "cultural desert", in the 1990s in Shenzhen, it is undeniable to increase the soul supply of Shenzhen, a rudimentary city. Mr. Tahara with what strength, Shun Shun Dang has never had a flow of bids, at that time the calligraphy and painting auction market was difficult and difficult, almost a pool of stagnant water, only mr. Tahara's works the price of accurate in the flow of traffic climbing steadily, Mr. Tahara's own strength, for the later auction to pawn out the system of not falling into a loss of the system of legal objects, learn from the market from the market, grope forward, in the collection of works tilted to Mr. Tahara's works, the amount of constant temperature, a big and not easy thing, in those years of art weekend auctions, Each time there will be a certain number of Mr. Tahara's works on the auction, corresponding to this, there are many people in the customer base dedicated to the collection, far more than one or two collectors, Mr. Tahara's works, and finally become the guarantee of the success of the weekend auction.

Tian Yuan, Zi Rice Niu, national first-class artist, member of China Artists Association, member of China Calligraphers Association, member of China Printmakers Association, director of China Arts and Crafts Association. Art Editor of Xinhua Daily, Secretary General of Jiangsu Calligraphers Association.

In that era, Mr. Tahara's reputation spread far and wide, such as Japan and Heaven, and later Southeast University, Shenzhen University, and visiting professors. He also paints and writes, and his pen is diligent in cultivation. His writings are numerous, prints, comics, comic strips, frequent award-winning, and his works are abundant.

Mr. Tahara became so famous in the calligraphy and painting circles of Nanjing and Jiangsu that he became famous throughout the country.

Moving to Shenzhen in the early 1990s, the various spiritual radiation of famous artists has made due contributions to Shenzhen's urban culture, celebrity effect, jiangsu people in Shenzhen.

Inadvertently turning out the photo of Mr. Tahara, Mr. Tian yuan for many years, evoking the cultural fragments of the memory broken and falling, triggering a special feeling, Shenzhen, today after the construction of the socialist demonstration zone, is not the contribution of the older generation of cultural celebrities like Mr. Tahara, adding bricks and tiles to Shenzhen, and thus achieving the foundation of Shenzhen's urban culture

Identity.

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