Since september 4, 2020, "Ordinary Glory" ushered in the finale, showing a real and grounded workplace life, and was praised as a "real domestic workplace drama".
"Roaring Emperor" Wu Kezhi, workplace white Sun Yiqiu, intimate and funny Lin Yuming, Gao Sicong, Gao Sicong, pompous Hao Shuai...
Every character in the play is so vivid and vivid, and the progress of domestic workplace dramas is visible to the naked eye.
And in a group of "man plays", a female character is very eye-catching -
She is Lan Qianyi, played by Qiao Xin.
Qiao Xin, who debuted in 2012 in "Seven Nine Rivers", really let everyone know the role, is undoubtedly the "well-behaved girl" Guan Juer in "Ode to Joy" in 2016.
After this, whether it is Lin Ziyu in "While We Are Young" or Ding Xiaorou in "The Girlfriend I Can't Fall in Love", everyone's impression of Qiao Xin always seems to stay on the "well-behaved girl".
Until 2020, the 27-year-old Qiao Xin impressed us.
From Lu Han's ex-girlfriend in "Crossfire" to the villain in "In the End", Qiao Xin's role is more changeable, and the role of Lan Qianyi in "Ordinary Glory" has undoubtedly poured a lot of her efforts.
In the broadcast process of this film, he often followed up the progress of the plot, explained his understanding of the role to everyone, especially after the end, and personally did PPT to tell the feelings and harvests of playing Lan Qianyi.
Qiao Xin, who said that "female characters should not be silly and sweet", attracted fans to express their love and recognition for this role:
"I really like the role of Lan Qianyi, which is the most favorite female character in film and television dramas in recent years."
"Finally see no seven aunts and eight aunts, no little three marriage cheating, love love greasy drama, women work hard is really good!" 」
Why are so many people praising this character?
Because lan qianyi's female role is really necessary.
In the face of the silly white and sweet heroine full of screens, Lan Qianyi's three-point characteristics show the precious qualities of women in the workplace in the new era.
The first point, "other people's children": strong learning ability, frank people.
Like Gao Sicong, Lan Qianyi, who has a high degree, is a highly educated student bully, and can confidently say in the face of the company's test:
"My biggest selling point is that I don't use my selling point as a selling point."
But compared with Gao Sicong's shrewd self-interest, Xiaolan has more human touch.
From the beginning of teaching Sun Yiqiu to use a printer, to the rejection of teaming up with him, he confessed that he did not choose him because he was weak, but liked that he did not have a bad heart.
After that, in the face of Sun Yiqiu and the four groups to complete the project together, he directly revealed to Gao Sicong:
"I'm so jealous, and watching him make me a little jealous of him."
Compared with many film and television dramas that are not silly and sweet, or the stereotype of the heart machine woman, frankly express their thoughts and desires, do not engage in small actions behind their backs, do not cause misunderstandings, and have the opportunity to fight for it, so that female characters are more flesh and blood.
The second point is the "female god of war" in the workplace: there is tenacity and bottom line, dare to be afraid and confident.
In the workplace, it seems that women with stronger abilities are always looked at by others wearing colored glasses.
As the only girl among the interns in the play, Xiaolan also suffered from a lot of workplace prejudices.
Whether it is the intern of the "Eight Mothers", he said bluntly:
"Be careful of women in the workplace, they will make you discredited at every turn."
Or Shang Sima Zong sneered:
"At Jinchen Capital, don't think that you can eat by relying on men."
In the face of such a situation, Xiaolan picked up the mood and carried the pressure in the corridor by eating potato chips and silently shedding tears.
The PPT data given to her is long outdated?
Then she prepared two copies, updated the data herself, and let the boss who made it difficult for her slap her face.
In the face of Ma Zong forcing himself to say things against his heart?
Then steal the documents yourself to prove the innocence of the four groups, and you will not let go of your mouth.
It can be said that xiaolan, who does not need a man to help him move boxes, bravely check data in the warehouse, carry the various difficulties of his boss, and also teach himself shale oil projects, won the appreciation of Pan Zong of risk control, and is worthy of being a female war god in the workplace.
In addition, although she is very "hard", but also has emotional intelligence, in the face of Ma Zong previously vetoed Xiaolan's project, and then pulled down her face to tell her to continue to do, Xiaolan deliberately went up to ask Ma Zong to give her another chance and give him a step down.
Both the ability to resist setbacks, but also understand the sophistication of people, this is a good workplace person should have the style!
The third point, "sobriety on earth": maintaining self and sanity in love
To say that the most emotional moment of Xiaolan in the play is that she can't help herself when facing her ex-boyfriend Chen Zhanshi.
The two had previously met and loved each other in Youwei Capital, but in the face of Chen Zhan, who has strong work ability, Xiaolan was always talked about by colleagues as "relying on her boyfriend to get to power".
The confident Chen Zhan felt that it was a big deal to let Xiaolan become a housewife, and in the face of the unequal relationship between the two, Xiaolan foresaw that she would regret her decision to choose love for giving up her career in the future.
Therefore, Xiao Lan, who looked at this relationship very rationally, chose long pain rather than short pain, and broke up with Chen Zhan.
Although Xiaolan will lose her attitude when she reunites with Chen Zhan later, she has actually been very sober about her feelings and is no longer a woman who is "obsessed with love".
It is worth noting that in addition to Xiaolan, several other female characters in the play are also intriguing.
Yu Wenli, played by Zuo Xiaoqing, as the general manager of the technology media communication department, has a work list posted on her mobile phone and is at ease in the workplace.
However, she often can't take care of her daughter who is still in kindergarten, and argues with her husband because of problems such as picking up and dropping off children and holding parent-teacher conferences, and she sighs helplessly when she falls ill:
"Mothers, wives, and general managers obviously want to do everything well, but in their eyes they don't do anything well."
And Pan Zong, played by Wu Yitong, although "married to work" and became the general manager of the risk control center, in the eyes of everyone, he is a "single female devil in the workplace".
As the people in the play commented on Lan Qianyi:
"Lan Qianyi is Yu Zong when she is married, and Pan Zong who is not married is destined to be strong."
The role of women in the play is not much, and there is no strong accusation and sensationalism, but it realistically portrays the dilemma of women in the workplace and family, which is very rare.
For Qiao Xin, from being imprisoned by the role of "well-behaved girl" Guan Juer, to being ridiculed for "eyes without god" in "The Wind rises in the Long Forest of Langya List", and then to Lan Qianyi, who is now an undead "workplace strongman", Qiao Xin is also constantly honing her acting skills and performing the independence and bravery of contemporary women.
This role deserves to be remembered.
In general, "Ordinary Glory" not only speaks of the bittersweet and bittersweet of many people in the workplace, but also brings inspiration to women in the workplace:
"If we can't change the rules for a while, then we must remember to protect ourselves."
Bluestone Film Editorial Office | Morning
This article is the original content of Bluestone Movie, please do not reprint it in any form without authorization!