(Open the "HuiShengHui Shadow" video section to watch these four videos directly)
Why did you choose Zheng Yecheng's "Three Thousand Crows to Kill" to re-edit? Why did you choose Huang Shifu's ancient style song as bgm? Let's start with the show itself.
Although this is a web drama without fire, it opened a door to me to deeply contact three people ~ Zheng Yecheng, Zhou Shen, Huang Shifu.
Zheng Yecheng's impression
As early as "Crane And Hua Ting", I met Gu Fengen and remembered this young man named "Zheng Yecheng", not because of his face, but because of his voice, "Xiang Xiang Shusheng" and "General Xiao Gu" before and after the contrast between the voices, giving the role a lot of points.
In "Three Thousand Crows Killing", with the change of plot and scenes, Zheng Yecheng's voice also changed. Whether it is Fu Jiuyun, the ambiguous Kaori mountain chariot god, or Gongzi Qi, a gentle and dashing Li Guole painter, he interprets them just right. In addition, he has more than ten years of basic skills in Peking Opera, and all the lively plays have been personally played, and he was immediately fanned by this post-90s boy.
"Fu Jiuyun" achieved Zheng Yecheng, and Zheng Yecheng played "Fu Jiuyun".
The entire story line of the TV series is also relatively clear, according to Fu Jiuyun/ Gongzi Qi and Qin Chuan's scene conversion can be divided into four stages, I named them as follows:
Mount Katori ~ Fu Jiuyun is entangled
Taoyuan Town ~ Fu Jiuyun Ambiguous
Gao Capital City ~ Gongzi chased after it
Fu Jiuyun finishes the epilogue ~ until death takes you away
The time of the four songs can have enough space to show the story line completely, and it can also more clearly understand the emotional changes and progressions of Fu Jiuyun and Qin Chuan at each stage.
Huang Shifu's impression
I had never heard of Huang Shifu's name before "Three Thousand Crows Killed", let alone her works. The interlude "Lifelike" is composed and sung by the Yellow Fairy, the voice is sweet and gentle, the melody is smooth and gentle, and the occasional drama is also the finishing touch, which is very stunning, and it is really a masterpiece in ancient songs. She combined her folk music major with Kunqu opera to create a large number of ancient songs, and I have listened to almost all of her works, such as "The World Is Not Worth It", "Ninety Thousand Words", "Qinse in the Imperial Palace", etc., the first ones are excellent works, which is really rare among singer-songwriters.
This time, several masterpieces of The Yellow Fairy are specially selected to fit the storyline:
The melody of Katori Mountain bgm's "Record of the Sea of Iniquity" is enchanting, and the aftersound of the drama is wrapped around the beam, which is in line with the mood of Fu Jiuyun in the opening chapter on the Kantori Mountain and the Qin River.
Although the lyrics of Taoyuan Town bgm's "Human World Is Not Worth It" describe all kinds of sour, sweet, bitter, moody and sad in the human world, the human world is not worth our sadness and sadness. It fits the situation where the immortal Fu Jiuyun spent a good time with Qin Chuan in the human world.
The lyrics of Gao Ducheng bgm's "Blue Sea Asking Boat" read: "He is a distant mountain in the spring of the world, and he is at peace with the lonely place; he is the dust edge of the folded branches into the painting, growing into an ancient tree towering in the sky; he is the thought of the dusk, inadvertently indulging in the fall; he is the whisper of the wind and snow, and he has been whispering and obsessing all his life" For Qin Chuan, is not it the portrayal of Gongzi Qi?
The finale bgm "Lifelike" itself is an episode of "Three Thousand Crows Killing", which is easier to resonate with the plot. "From now on, a person, the waves turned into a wisp of smoke, in the whirlpool of hatred, how to make a choice, in the past love rushed by, give me those cold and hot, so that I am vivid enough, the most deserved to be vivid" This is Fu Jiuyun was lit as a wick to death, leaving Qin Chuan to actively face the future, as a summary of the whole play.
Zhou Shen's impression
For Zhou Shen's understanding, at first he only knew that it was a boy with a voice that resembled a girl, and that was all.
When I heard the theme song "Ephemeral Flowers and Rain in Time", I was attracted by his naturally soft voice, and his breath, words, and singing skills were flawless. He almost wrapped up the most popular film and television drama theme song, mobile game theme song, and popular event promotion song. The annual production is so high and the quality is so good that it is really amazing that this is really a male singer who makes female singers have no way to go
Therefore, in many of my editing works, I will also use Zhou Shen's songs, which are very suitable for the style and artistic conception of costume film and television dramas. "Liu Li" bgm "Love Ruo Liu Li", "Away from the heart" Na Xi's bgm "Shadow", Crane Hua Ting's bgm "Wish to have a heart of man...
Having said all this, I still hope to share my favorite film and television dramas with a unique perspective to my friends! Friends who like Zheng Yecheng, "Three Thousand Crows Killed", Huang Shifu and Zhou Shen can often come to watch the works of "Hui Shenghui Shadow"!