From the once-popular Xian Xia Fantasy Drama "The Legend of the Immortal Sword" to yang Mi, Liu Yifei, Hu Ge and other stars, to last year's "Flowers and Bones" will also promote Zhao Liying, Huo Jianhua and other actors to people's vision again. In the period of network IP remake dividends, Xian Xia IP has always been quite popular in the market, IP fans are more inclined to chase the adaptation in line with the original person's setting, that is, the new generation of actors from the screening of male and female protagonists to the main creators put forward more stringent requirements, and the new faces in the IP remake are often more likely to get the attention of the masses. And the recent "Three Lives III" is also such a casting "picky" immortal fantasy big IP.
Recently, the costume fantasy drama "Three Lives and Three Worlds and Ten Miles of Peach Blossoms" that is currently being broadcast on Zhejiang Satellite TV and Oriental Satellite TV, "Extremely Beautiful Immortal Love Is Deep", Slogan makes people guess three points about the content of the series, Qingqiu Emperor Ji Bai Qian and the Ninth Heavenly Prince Yehua's three lives love and hate, the twists and turns of the three world entanglements make the drama's watch points endless, fascinating, and has not yet been broadcast has attracted countless IP fans to watch.
Among them, the elder warm male second master brother robe that is necessary for Kunlun To stay at home in the void is shaped by Song Haijie, a new young student in the interior, and during the disappearance of Master Moyuan (Zhao Youting), only the second master brother takes over all the big and small affairs of Kunlun Void, from raising cranes to take care of the alchemy furnace to welcoming all the gods to visit to resist the invasion of the demon clan. Compared with Kunlun's other division brothers, the second master brother's long shirt is more meticulous and warm in his personality in addition to being handsome.
And such an ancient warm male long shirt is not the first character with a distinct personality played by Song Haijie, and this actor who looks online and works hard has stepped out of his own story on the road of "multiple personalities of diverse roles".
Song Haijie played a multi-faceted picky and poisonous tongue man in "School Flower Raiders"
Unlike other popular students, Song Haijie may be counted as a new generation of students who really entered the entertainment circle with high appearance. With a unique exquisite face and noble and elegant princely temperament, he has been favored by many high-end brands and is known as the "new advertising king".
Obviously, he can walk the rivers and lakes by appearance, but he chooses to rely on talent. Although Song Haijie's appearance is outstanding, he chose a step-by-step witty style of the campus romantic comedy "School Flower Raiders" without idol baggage, and after receiving the script, he seriously analyzed the character personality, analyzed the story behind the character, looked for the character archetype from life, digested and processed it and enlarged it, and did his homework into the crew. He conducted detailed character discussions with the main creative team many times, in order to strive to achieve the fullness of the characters and avoid the symbolization of regular characters.
Song Haijie himself also admitted that through the "School Flower Raiders" himself has also passed a comedy addiction, exaggerated performance is a good experience, for him performance is a process of enjoyment.
"Returning to the Ming Dynasty as a Prince of Yang Ling", Song Haijie challenges the first villain
"Return to the Ming Dynasty as the Prince of Yang Ling Biography" The play is adapted from the ancient legendary historical drama "Back to the Ming Dynasty as the Prince" of the same name by the writer Yue Guan, Song Haijie is the first time to challenge the negative role, playing the general Bi Chun, in addition to several times leading the army to go out on expeditions and then adding knighthoods again and again, but also with Yang Ling, played by Jiang Jinfu, to stage a marriage robbery drama, and finally failed to do so, because of love and hate, became the first major villain in this play. This character is interpreted to the fullest.
In this play, Song Haijie tried to play the villain for the first time, slapped the scene for the first time, put on the beard for the first time, and also rode on horseback for the first time, in short, many of the first time was dedicated to this play. When asked what he thought of the villain role he played in the play, Song Haijie revealed, "Since you receive a villain, you should interpret this role according to the script without reservation, "the performance is hated" shows the success of the performance, and filming this play is undoubtedly a good exercise. ”
"Three Lives and Three Worlds and Ten Miles of Peach Blossoms" Song Haijie played the role of Shanggu Nuan male long shirt
The Kunlun Void in the recent hit "Three Lives and Three Worlds and Ten Miles of Peach Blossoms" is like an ancient aristocratic school, and the disciples under the door are outstanding, as if they are really people living in the Immortal Palace in the painting. In addition to Master Mo Yuan, the costumes in kunlun void are required to be all unified, and all the disciples with high appearance are from the Immortal Palace Dragon Palace Shizi, which is indeed a well-deserved ancient era aristocratic academy.
The male god Song Haijie is in it to play the ancient warm male second brother long shirt in the style of Ya Pi, which is different from the ordinary noble prince, and like a parent who takes care of the food, clothing, and housing of the brothers.
As a newcomer, Song Haijie tried the first Wia in his life when filming this scene, and he admitted that he was "nervous and fun". Although he was not injured in the process of hanging Weia, he made a joke by throwing himself to the ground with too much force when he was carried away by the magic weapon. Although Song Haijie had many blood marks on his body, he still smiled and completed the scene, and his professionalism was recognized by director Lin Yufen. In the following days of shooting, the director praised his "second master brother has made progress" on the spot, and Song Haijie's efforts to interpret the role of the second master brother's long shirt were affirmed by the director.
In Song Haijie's view, performance is a bridge for continuous self-cultivation. After creating different characters with distinct personalities, he is more like a fledgling young man who walks the rivers and lakes, looking forward to more new attempts and meeting more and better himself. Maybe that's what actors need, always keep a childlike heart for performance, always curious, always working hard.
Not only that, this warm man also often interacts with fans on Weibo, and his humorous and funny language is also very popular with fans.
Step by step, Song Haijie slowly walked into the public's field of vision, did not look up at the stars impetuously, he chose to bow his head and be down-to-earth, becoming a real actor.
Q: "Three Lives III" is your first time to appear in a costume drama, what is the different experience compared to modern dramas?
A: In fact, I have filmed some scenes before, but I have never been exposed to costume drama, in fact, the whole process is very interesting, I think the difference between costume drama and modern drama is that the whole costume of the costume can help the actor to lift his spirits, when you have a sense of immersion after the whole dress, can help you to better shape the character. But costume drama is more exquisite than modern drama, for example, we do a weekly ritual here in Kunlun, so we have to do a stroke before speaking, and then bow after saying it. Why do we say that there are more fairy tale dramas than the rules in the palace? At that time, we also invited a etiquette teacher to give us a week of training. Now that this drama has been broadcast, we will look back and feel that these rituals are necessary and will better interpret the temperament of the costume drama.
At the beginning, I didn't act in costumes, so in my imagination, costumes must be performed with a tone, just like many court dramas we see, everyone has to wear or how. But director Lin Yufeng told us that this play needs life, we are just playing a life, naturalized costume drama, not an epic historical drama, we need everything to come from life. We tuned a lot of performance methods on the spot, and now this play is more about the director's treatment of this play, which I feel very comfortable.
Q: Have you encountered any difficulties in figuring out the role?
A: Regarding the role of the second master brother, when I received the script, I saw that he was a very jumpy character. He is different from other division brothers is that he is quite alive, in the play is often to ridicule the master and the division brothers, and then he is very concerned about taking care of them busy to wash and cook, including taking the young apprentices to learn martial arts together. I found out that he was originally a figure in the Kunlun Void. At that time, when speculating about this role, we must not make him too fixed, we must show his flexibility, and we must distinguish it from other roles. Don't let everyone do a face-like performance, because I don't really like the way of acting with only moving my mouth and not having facial expressions. What I prefer is that every sentence you say with feeling, every action you perform is characteristic, is from the heart, and can be remembered.
Because from the heart, the role of the second master brother is not very big, but I think there is no small role, only a small actor, play the role alive, and then let the audience remember, you are successful. So when I played this second master brother, I didn't care whether the so-called facial expressions were good or not, and this angle was not photogenic or the like. I only asked to grasp the characteristics of the character, and the performance he was a Kunlun virtual and a little bit of a yak, with a bit of a ridiculous trait. If the second master brother is destined to be a comical character, it is necessary to force this teasing to be magnified many times, just so that the audience can have an impression.
Q: In the play, you have a lot of rivalry with Yang Mi and Zhao Youting, what are the things that make you unforgettable in the process of getting along with the two? How would you rate two people?
A: The first time I worked with Tinco, I think he's a particularly dedicated actor. We had a scene where when he came back from his resurrection, all of our brothers were so touched that they knelt down and cried. At that time, the main photographer of our division brother knelt there, he was a back face, only borrowing shoulders, but Zhao Youting also accompanied us to cry. This actually made a very deep impression on me at the time, I would feel that he was very dedicated, and he would help his opponents to act.
Mi sister I also saw me for the first time, the photogenic is very beautiful, I look very beautiful. She is also a very dedicated actress. In fact, I have also filmed in many groups, in fact, as the male and female number one, many times for many reasons will use stand-ins, "Three Lives III" also for Yang Mi and Zhao Youting to prepare a substitute for the stand-in, but I did not see them use the stand-in. Even if you borrow a shoulder and a back of your head, they are all here to play for you. I think that the actors are mutual, and when the first-line celebrities play with you, they shoot you, and she accompanies you to help you perform. When you shoot her, then you will definitely help her act wholeheartedly. I think this atmosphere of cooperation is very good.
Q: As a newcomer, although there are fewer works, each character has its own unique personality, how do you think about choosing the script?
A: As a newcomer, I'm more willing to try different types of characters now, because you haven't figured out what type of role you're a good fit for or a certain style of play for. I think every style of drama should be tried, and maybe in the end you will find a development direction that is particularly suitable for you.
I think it's a bit premature to pick the script, and now all the characters I get will be interpreted wholeheartedly. I just hope that the roles I receive are more three-dimensional, whether he is a good guy or a bad guy, a beautiful man or a slippery flower or a rich second generation, etc., I hope he is full, in addition to his personality, his events, his feelings, must be a complete character. Hopefully, the role is more than just a symbolization, because when an actor wants to perform and create with enthusiasm, everything has to be attributed to the script. If the script does not reflect this role, then unless you ask for the scene to add the director and agree, it is difficult for you to interpret this character more fully. So I hope that in the future, I will receive a more comprehensive role.
Q: What are your plans for your future?
A: For my future plans, I hope to go up step by step, and everything depends on the work. I think the most important thing for an actor is that there are works that have been broadcast, the roles are getting better and better, getting bigger and bigger, and then you will slowly have the right to speak, and slowly you will have the audience.
Of course, when I was young, I also thought that if I wanted to be an actor, I would be equivalent to a star. But in fact, I later found out that acting is a profession, and stardom is not a profession. Of course, soldiers want to be generals, and actors want to be stars. But I feel like I'm doing what kind of work I'm in now. Now I am an actor to act well, memorize the words well, and then take on the good play and take the role, which is a requirement for my future in the short term.
In the 17 years of the new beginning, I hope to have more opportunities to participate in quality projects and have better works to present to the audience.
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