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After last night, many people were circled by the old masters.
The reason is simple: Tu Men was the first guest of honor to diss a certain winner on stage.
After Tu's speech, Zhao Tao took the lead in applauding
To this day, keywords such as #China can not be less at all# are still at the forefront of hot searches.
"Needless to say, you are the best." Or paraphrase Chen Kun's tweet about Zhou Xun
So, what happened at last night's awards ceremony?
There are also some girlfriends who have not cleared up the situation
It has nothing to do with "freedom of speech", the way you talk on stage is really ugly
At yesterday's awards ceremony, when Hu Bo won the best adapted screenplay, everyone was moved by a "thank you" from Hu Bo's mother who received the award on behalf of hu bo.
However, it was soon taken away by a small episode to run the original rhythm.
One of the winners took the stage to accept the award and delivered the acceptance speech, and before he could finish speaking, the camera turned to the audience, and Chairman Ang Lee smiled awkwardly and bitterly, and the hands ready to applaud had nowhere to be placed.
Gong Li and Duan Yihong, who were originally happy to watch the scene situation, turned serious in seconds, feeling that they were going to get up and leave the scene at the next moment.
According to the plan, Ang Lee and Gong Li came to the stage to present the best picture, but only Ang Lee was the only one who came to the stage
The live broadcast posts suddenly changed the style of painting, and netizens went from the original single-line live broadcast to double-line operation: while watching the live broadcast while patriotic.
The Central Committee of the Communist Youth League took the lead in taking the lead in taking
Everyone is speculating about who will be the first diss to be the award/guest of honor for this winner.
Unexpectedly, the first to speak was an actor that most audiences had never even heard of, Tu.
Tu Men temporarily changed the award speech, saying:
"This time I saw many familiar faces, came into contact with many new faces, and met many new friends, and I felt that the two sides of the strait were close to each other."
As soon as this statement came out, a large number of fans did not say it, and it seemed to open the floodgates for the actors who were about to appear on stage.
Film emperor Xu Zheng's acceptance speech was changed to "Here is a professional film temple, we are all family, I believe that Chinese films will get better and better." ”
Gong Li, who planned to co-present best picture with Ang Lee, refused to take the stage.
Gao Yiyi, the post-production producer of "The Elephant Sits on the Ground" and the head of the FIRST Youth Film Festival, said, "Film is beyond language, it can make language unified"...
Even after a day, the topic of "China can not be less" has been hanging in the front row of hot searches.
Peng Yuchang, who was shortlisted for the nomination of the Film Emperor, forwarded a tweet from the Central Committee of the Communist Youth League.
The star artists who did not arrive at the scene also posted a position on the line...
Some things have nothing to do with ZZ, about the heart...
But speaking of Tu, it seems that every time he appears, he can give the audience some unexpected shots.
In the last session, he won the movie emperor with "Old Beast".
However, before the award, the shot of the dozing and dozing was caught by the camera.
True Lying Wins
When interviewed, Mr. Tu frankly said, "I am really sleepy"...
Whether it was last night's beautiful recoil or the wave of the previous big prize, it was not surprising that it happened to Tu.
Because all along, he was a real man.
From a horseback teenager to a generation of "emperors"
Most people know tus through last year's "Old Beast".
The story of "The Old Beast" takes place in the prosperous and desolate city of Ordos.
And Tu is the authentic Inner Mongolian people.
Tu grew up in the Hulunbuir Grassland. He was able to ride a horse at the age of 6, and his first job was when he was 10 years old, working part-time as a horseman.
At that time, he would drive thirty or forty horses to the river every day to drink water, and when he had drunk enough, he would rush back. And he was treated for doing this job, so that he could choose any of the horses and ride them back and forth once a day.
"To learn to ride a horse, you must first learn to ride a calf, as long as you can hold on to the calf for a minute, riding a horse is not a problem."
Such an experience is also an indissoluble relationship with the horseback complex in his future film and television dramas.
When they were young, tusson's dream was not to be an actor, but to be a soldier. This dream is related to his father.
Tu's father was a soldier, dignified and stubborn, worried about the current affairs of the country, but never close to himself. Tu men joked that his father was "cold and cold to himself, and some swords were fierce."
Source: Time.com
Tu Men grew up in the turbulent era, he first studied in the Chinese Department of Inner Mongolia University, and only in 1982, after the turmoil, did he apply for the Acting Department of the Shanghai Theater Academy by chance.
Tu's original purpose in Shanghai was simple, to see the world known as the "Adventurer's Paradise".
Tu men once bluntly said that he did not like to perform in the early days of college, especially in the early days, the kind of performances that were not physical and facing the air made him feel very painful, and the geographical differences made him very unaccustomed.
It was not until he starred in the Teacher's Choreographed Shakespeare Play "A Midsummer Night's Dream" that Tu began to be interested in acting.
In 1985, Tu, who was a junior in college, played a general in the movie "Genghis Khan", a role that made him feel very enjoyable, so he began to hope that he could really go on the road of acting in the future.
In the 82nd grade of the acting department where he is located, the feelings between the classmates are very good, and everyone has a deep affection for the play. On the 70th anniversary of the play, their class became the only class with all the people in attendance.
Two years after graduation, Tu Men starred in the drama film "Yin and Yang Realm" directed by Wu Ziniu, in which he played Xu Datou, the captain of the Shangshang mu flying tiger team.
In the film, Xu Datou is bribed by the evil people, slaughters many warriors and ordinary people, and finally blames himself for being killed by the evil people.
However, what really left the impression on the audience was the Barai in 1996's "Sad Brooke".
Balai is rude and angry, but he loves Zora very much.
At the end of the story, Balai is brutally killed by the Japanese in order to protect Zora and the villagers. The role also earned him a Golden Rooster Award and a nomination for Best Supporting Actor at the Southeast Asia International Film Festival.
The historical blockbuster "A Generation of Heavenly Glory Genghis Khan" in which he starred caused a sensation at the time.
This drama recreates Temujin's renunciation of personal grudges and the transformation of his personality. He did not grow up with a broad mind, but also had his own children's feelings.
When he grew up in hunger and cold, he regained the position of Khan of Begyanbu, and his wife Erti was snatched away by the Beggars. Temujin took his beloved mother hostage and defeated the Shu'er beggars with his soldiers.
When he regains the Boertian, he finds that the woman he loves is already pregnant with someone else's child... Tu shows the pain and confusion in Temujin's emotions.
After "A Generation of Heavenly Glory Genghis Khan", Tu Men formed an indissoluble relationship with the king's power and wealth.
In Gada merlin, he is a tyrannical prince who seizes the land.
In "Zhenguan Long Song", he is the arrogant and domineering Jieli Khan. He was Li Shimin's sworn enemy, and in order to defeat him, Li Shimin put a lot of thought into it.
At that time, domestic TV dramas were filmed in three or four days to shoot one episode, and remakes were not allowed. When the multi-camera shooting of "Zhenguan Long Song", there was a 15-minute long line that also asked him to do it in one go.
In "Wang Zhaojun", he is the Xiongnu leader Hu Han Evil Shan Yu. For the sake of the unification of the Xiongnu, judging the hour and sizing up the situation, he decided to make an alliance with the Han Dynasty and came together with Zhaojun.
Regarding Zhaojun's departure, Tu has also proposed to the filmmakers to revise the script. The film turns Wang Zhaojun into a hero, and there is no big deal. Tu men believe that Hu Han and his relatives in exchange for Bian Sai Anning do not depend entirely on Wang Zhaojun, but completely depend on Da Shan Yu, and the script should be mentioned more.
In the "Stop Killing Order", he is the emperor Genghis Khan who killed the conquest.
In "Bing Sheng", he became the military commander of the State of Wu in the late Spring and Autumn Period.
Even if he does not play the prince, he is also a high-ranking official and nobleman, such as Bao Wangye in "Breaking into the Kanto" (novella).
Tu's martial arts films have a lot to do with Zhang Jizhong, and many of them are films directed by Zhang Jizhong.
For example, in the CCTV version of "Smiling Proud of the Jianghu", he is Zuo Lengchan, the leader of the Songshan Sect.
The "true villain" Zuo Leng Zen is strong in martial arts and has quite a city government, but he also has the arrogance of a jianghu master, and he and the "hypocrite" Yue Buqun play against each other.
He did his best to design the Five Peaks and Send, but he made a dowry for Yue Buqun.
Tu also played Zhao Min's father, The King of Ruyang in "The Tale of the Dragon Slaughtering in the Heavens".
Wu Sangui, who is quite deep in the city government in "Deer Ding".
It is not an exaggeration to say that he is a "professional household of the prince of the grassland" and a "professional household of dignitaries and nobles".
For such a title, Tu people are increasingly resistant. He felt that just being a genre of film would stereotype itself, which would be very unfree for the actors.
He also once said: "After playing so many princes, I found that many princes had to be associated with collusion with the Japanese, which is not in line with historical facts." "I will also try to talk to the drama side about the script.
But it can't stand up to human feelings, and can only act hard.
Later, he still couldn't help but act in the opposite modern theme film, and thus there was a career transformation.
When the "prince" becomes a bad old man
The first film Tu men transformed into was Farewell.
The characters in this film, based on the father of director Degna, tell the story of the Mongolian director Sef in the last moments of his life after suffering from cancer.
The dying father has a glorious past, although the hero is late, but his heart is still wild and uninhibited, resisting the call of death with an unusual and unreasonable stubborn attitude.
In order to play Seff's pathology, Tu also shaved his hair and eyebrows.
"At first, I was a little worried about whether the eyebrows would not grow out later, but then they grew better."
In the end, the heroic twilight old man was vividly played by him.
Because of the acceptance of "Farewell", Tu men refused the invitation of many friends Khan to play the role, hurting some kindness. But it was also a blessing in disguise, and was noticed by the director of "Old Beast".
After reading the script of "Old Beast", Tu was very interested, and even starred in the movie with zero remuneration.
Tu also imprinted the old beast in his heart, and in the 23 days of shooting "Old Beast", he never brought a script.
In The Old Beast, he is a wanderer who has gone from a wealthy class to a bankrupt and idle man.
At that time, many people had mines in their homes that became the diamond king's fifth oldest, and when coal prices fell wildly, they fell into the bottom of the small citizens. Lao Yang (Tu Men) is a microcosm of this opportunity.
What is an old beast? Probably it is a person like Lao Yang who does not obey the old and never stands still and keeps to himself. So the character is even a bit of an asshole.
Ignoring his paralyzed wife at home, he used the wallet of his friend's camel to raise a woman younger than his own daughter-in-law. He gambled and even embezzled the money his wife used to save his life for the operation.
As a result, a miraculous drama of the son kidnapping the father and the father suing the son was staged.
But he is not a complete evil man, and he has his own inner tenderness and struggle.
For example, he took the money from his wife's surgery, went to buy a cow and a transformer that his eldest grandson had in mind for the friend who had sold the camel, and the rest remained...
In the first half of the story, Lao Yang uses the way of eating, drinking and gambling to create the image of his still "local tycoon", and the reality interpreted by Tu is somewhat dazzling.
In the end, this "Old Beast" let Tu Them win the Movie Emperor.
After the successful transformation, Tu is still unwilling to be stereotyped by the role.
After "Farewell", he received a lot of invitations to play the role of the elderly with cancer, and after "The Old Beast", he also received many invitations from the same type of film, and he refused all of them.
He hopes he can create more characters for the audience, rather than a single type of actor.
My name is Tu, and I am a confused person
Tu's self-introduction is very special:
"My name is Tu, and I'm a confused person."
When he won the Best Actor Award, he humorously said that other people's nominations relied on talent and strength, and he relied on luck.
23 days of shooting without a script called luck?
Because he was caught by the camera because of his sleep, in fact, in addition to the problem of work and rest time, it was also related to his new work of the director.
However, he was particularly embarrassed to apologize, saying that his embarrassment had been exposed.
Although you are a movie emperor, Tu's life is very low-key.
After the award, there was no grand celebration banquet, unless the movie was promoted, most of the time it was just a two-sentence sentence and left in a low-key manner.
Tu protected their families well and rarely mentioned them.
He has a son in his 20s who majors in anime at Nortel. The father and son have a very good relationship, and they are the kind of "friend parents" that many of us envy now.
Tu said that he is a "free range" policy for children, as long as they do not touch the bottom line, all decisions are OK.
Source: 2017 MINT interview
He would also joke about telling reporters: "My son and I are buddies, and we can watch the film together!" How's that, enough kisses, right? ”
Source: Southern People Weekly
In addition, there is very little information about Tu's family.
The only thing that can make him talk more is work. And his biggest long-cherished wish for work is that the audience likes to watch, and there are many people watching...
Sister E concluded
There are always positive and negative sides to people's pursuits, and many young artists have mentioned when discussing "performance types", hoping that they will "play a wider road". Of course, this cannot be said to be wrong, and one of the ultimate charms of the profession of an actor may be to experience different "lives".
For Tu, "Mongolian prince professional household" is not necessarily a favorite label, and he also mentioned several times in the interview that he wants to play a little modern life, ordinary people's stories. This is an actor's pursuit of acting.
However, broad and deep, should not be mutually exclusive.
In the old days, there was a proverb that evaluated the humanities in colleges and universities, saying that "Peking University is high in the south", and the academic characteristics of Peking University are broad, while Nanjing University is "profound". Relatively speaking, broad is a model and replicable concept, Peking University so far, there are still traces of "broad knowledge" in the study style; and "profound" is elusive, only by eating the roots of vegetables, willing to do those almost meaningless repetitions, dare to do "craftsmanship" and "no spirituality" of mechanical labor, there is a real sense of refinement and depth.
As an actor, you should pursue different expressions, but at the same time, you should not be afraid of repetition. The "repetition" of the old masters of Tu is, in my opinion, worthy of respect, because there is no such repetition, and there is no artistic forging.
It is true that different roles can be proof of acting skills, but even if an actor has only one role in his life, he can still be a good actor. The significance of "Old Beast" to the old master, in addition to a film emperor, may be more in the profound and cutting into reality of the script, to achieve the historical drama or overhead drama can not be directly realized, the exploration of social reality, the analysis and enlightenment of political culture.
That's what matters to a truly pure actor. Otherwise, the Golden Rooster or golden phoenix does not matter.
Sartre was eating at the hotel with Beauvoir on the day he refused the Nobel Prize in Literature, a small plate of bacon and lentils. He said that some honors made him feel bound, and he felt that a writer should be a sincere person.
Isn't that also true of actors?
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