Mention domestic dramas.
In addition to the highly polished filters, the vulgar and intellectually degrading plot.
There is also an audience member who suffers deeply -
Love.
I believe that many people often have a doubt in the process of watching the drama:
Nothing but love?
Athletes, participate in tournaments.
Personal insinceration should be blamed on the live reporter, requiring the reporter to leave the scene immediately.
Just because the two had a frontier in high school.
People in the workplace, the daily work is to talk about some fake big empty solutions.
Then the rest of the time is spent wrestling with whether to fall in love with someone's body or voice.
Immortal cultivators are even more exaggerated, and they have lived for tens of thousands of years without enlightenment.
For several lifetimes, he will die alone, and he will not hesitate to oppose heaven and earth for her/him.
It really opened the eyes of ordinary workers like me.
But amazingly.
The same is about love, Korean dramas can be romantic and beautiful, and Hong Kong dramas are mature and moving.
Today, let's talk about the difference.
To talk about the love in mainland dramas, it can basically be described by a few familiar words -
Love when you die.
This can be extended to two aspects: unlimited type, emotional enthusiasm.
We've seen it all over the genre.
Whether it is workplace dramas, idol dramas, fairy tale dramas, life dramas... Even military dramas.
It's all just a change of background template to fall in love.
Ab can list N species per person
In fact, I don't reject the love line.
But the problem with mainland dramas is that all elements have to give way to love.
Especially workplace dramas.
What we originally wanted to see was that the male and female protagonists have independent personalities and mature minds, and become more and more powerful under the tempering of one case after another.
As a result, I clicked on the mainland drama and found out what it was?
A bright and beautiful, male and female protagonist in the clouds.
It is not a fierce executive, or the business ability hangs the workplace of the people around it.
But similarly, all have exquisite makeup and swaying postures.
The workplace line flips over and over again on three axes:
Have a meeting to talk about which company to merge with today.
The phone easily won tens of millions of projects.
The company was jealous of the female protagonist for planting bribes.
Then three minutes of workplace, thirty minutes of love.
The president of the company does not have to work, and every day he meets the heroine as a flower farmer in the flower bed downstairs.
The Michelin chef does not have to work, and lures the toilet water heroine as his apprentice.
Let's just say this behavior, that hitper can resonate?
What is even more frightening is the concept of love in mainland dramas.
In their unified worldview, it seems that the heavens and the earth are not as great as love.
Esports-themed "You're Beautiful When You Plagiarize a Smile."
In order to please their girlfriends, professional e-sports players can directly play fake matches and release water.
For the sake of your girlfriend, you can leave the stadium in front of the princess in front of your teammates in the middle of the game.
In "Hello, Sharpshooter".
The 50-meter pistol slow-fire champion felt that the presence of the female protagonist affected his play.
The female protagonist sat in the audience seat in addition to the live broadcast, obviously did not do anything illegal, but the heartache of the male protagonist, and finally chose to interrupt the live broadcast to leave the competition venue.
Joke about the risk of unemployment for the entire group of companies.
Ah, the screenwriter wouldn't find this kind of unprofessional behavior very sweet.
This kind of love that affects others is one of them.
And maximizing love is the second.
Inexplicably liked, and then immediately deeply in love.
Before there was "The Sea of Stars" in which the male protagonist was captured by the female protagonist's pure and unpretentious behavior, after which the overlord became a storm.
First, Ma Jingtao possessed, grabbed the heroine's shoulder and shook and roared to beg the heroine to come back quickly.
Then use the water pipe to pour a cool heart for the heroine, and say bluntly behind her back that she will not give up.
After "There is you in this life", the male and female protagonists are still deeply rooted in love when they have not seen each other for many years.
The heroine is married and has children, he is sarcastic on the surface, but secretly he is silently waiting.
Knowing that the heroine suffered a lot of suffering before marriage, he sat at the door of the hostess's room and cried until he could not help himself.
Not to mention costume dramas.
The male protagonist of "Liu Li" gambled for the tenth lifetime for the unintentional female protagonist, and the ninth died at the hands of the female protagonist.
Besides.
How many male and female protagonists are passive and depressed because of each other's death, and want to be martyred.
It's not just the plot.
Propaganda in the mainland is also deliberately going to "sweet".
Use a variety of fancy kisses to attract the audience, and some even become kiss counters, counting the number of kisses you can kiss a day.
I admit that this love is beautiful.
But this intense and "ego" love, detached from the foundations of life, is more like a dream bubble, trapping people in an unrealistic fantasy.
The love in Korean dramas actually has the problem of opening up and closing.
Thinking back to the early Korean dramas, it is even more attached to the head of "love to die and live".
But their workplace dramas don't give way to love.
When describing the workplace, the real workplace life is portrayed with characters, and the audience can feel the charm of this profession from their experiences.
The heroine of "The Embodiment of Jealousy" is a weather announcer, unproven, and at the bottom of the TV station.
But she has never made a mistake in 1029 live broadcasts in 4 years.
Is it by the heroine's aura?
No, it is the basic literacy of the work.
Take your own materials, pay attention to the weather that happens at every moment, write your own manuscripts, and ask the special effects team to do special effects.
Even if I had just finished surgery the day before, I had to endure the live broadcast work the next day.
There are also reporters in "Pinocchio", in order to obtain first-hand news materials, often stay at the police station for several days.
The TV shopping planning in "Need for Romance 3", the first thing to do every day when you arrive home is to turn on the TV to watch the competitive program and summarize the advantages and disadvantages.
Compared with the heroines in the mainland, they may not be so glamorous, gold fingers are fully open, and they can win tens of millions of businesses with their mouths.
They just see work as part of their lives, but they're more real.
When it comes to the love part, it is mostly around the growth of the two.
The heroine of "The Embodiment of Jealousy" has always wanted to be a news anchor, and has been tested for many years.
On the day of the radio morning anchor exam, she was just in time to go out on location.
The heroine who had rushed all the way to the radio from outside was panting and very nervous.
The male protagonist did not say much meat and encouragement.
Instead, he dragged her to the stairwell and taught her some little tricks.
After confirming that she was in a calm mood, he let her in.
Why is this scene heartwarming?
It's about achieving each other.
The male protagonist has outstanding business ability and has always been the target of the female protagonist.
So this scene does not use unnecessary body movements to create a sweet atmosphere.
Just a simple pat on the shoulder to show encouragement.
Say "Someday I'll be by your side to host together". ”
It hits our hearts in one fell swoop.
The love of the male protagonist for the female protagonist is not in expression, but in action.
And the best reward for the heroine is to seize every opportunity and make herself more excellent.
In fact, looking back at the emotional line of "The Embodiment of Jealousy", it is indispensable to be entangled.
A good friend falls in love with the same woman, and the male protagonist even proposes that the female protagonist step on two boats and then make a choice.
But it rarely gives people the feeling of dog blood.
Why?
This is because each person's behavior is self-consistent based on his or her personality.
The heroine is sandwiched between the two, self-deprecating as a bad woman who splits her legs, and finally breaks up on both sides.
This dog blood is not only real but adds a touch of comedy.
And the best play of Korean drama is to shoot love very beautifully.
In "The Embodiment of Jealousy", the three of them just met in Thailand and held up a red umbrella together.
In "Ghosts", the male and female protagonists walk under the maple leaf forest in the winter of Quebec.
Pinocchio is a kiss surrounded by flickering lights from snow-covered trees.
Almost every play can think of a romantic scene as soon as the title is mentioned.
This romance also dissolves a lot of the embarrassment of "maximizing" love, and the dream bubble unexpectedly reaches a balance.
Hong Kong dramas are completely different.
Their love is always just right, but it is precisely this that makes people more unforgettable.
To sum it up in one sentence: everyone is an adult, and if you don't fit in, you will scatter.
This TVB golden sentence list line breaks the concept of love in Hong Kong dramas.
Therefore, they are usually sober and loyal to themselves in their relationships.
In the "Forensic Record", Nie Baoyan found that the person he liked was not suitable for him.
There is no entanglement, no bad words, but let go and then put into work.
Because he was single, he was always urged to marry by his family.
But even so, she has always insisted on finding the right person for her.
Falling in love is not the whole story of life.
Sanyuan in "Top Gun Master Sister" likes his boss Cheng Feng.
But after Cheng Feng confessed to her, she suffered from gains and losses, and she was always worried that she was a stand-in for Cheng Feng's ex-girlfriend.
In order to please the other party, she forced herself to become a gentle lady, not only piercing her ears, wearing a skirt, but also wearing high heels.
But soon, Sanyuan realized that such a love was not what he expected.
So I decisively proposed to break up.
A good love drama, in fact, does not need to use the "ten thousand charms" way to make the supporting characters submit to the charm of the protagonist, just let the protagonist learn to love himself.
Of course, hong Kong dramas have a kind of romance that belongs exclusively to adults in addition to this.
In "Magic Hands and Benevolent Heart", the male and female protagonists, as the old drivers of love, hug and kiss dew love affair is not a word.
But what really makes people feel precious is that the two quietly hold hands and walk like ordinary couples.
The original rational adult does not want to succumb to desire at this moment, but only wants to show his true heart.
This kind of subtlety is even more heartwarming.
So you see the "sweetness" of the love drama is not that the male protagonist only loves the female protagonist, indulges in everything of the female protagonist, and follows the female protagonist to "wipe his ass", and the female protagonist only needs to be optimistic, confident, generous and lively, relying on the halo to open and hang.
Then a few minutes a kiss hug high, chase the saccharin into your mouth.
Good love drama, with more advanced expression.
Maybe it's knowing how to love yourself more than loving others.
Maybe it's that moment to let go of pampering and pick up respect.
Or maybe, the pattern of mainland dramas can be opened up a little more-
Without falling in love, there are still many things to do.