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The drama "Yu Dafu' Innocent Pen" "three changes and three performances" benefits the audience

Qianjiang Evening News Hourly News reporter Chen Yuhao

On the evening of February 22, 2022, the drama "Yu Dafu Innocent Pen", written by Lin Weiran, directed by Li Bonan and Liu Hao, and produced by the Zhejiang Repertory Theatre of Zhejiang Performing Arts Group, completed the "three performances" at the Zhejiang Dialect Art Theatre in Hangzhou. Since the play was selected as a rolling funding project of the National Arts Fund in 2020, three expert seminars have been held in the past year to polish fine products, bringing together well-known domestic theater experts to observe and discuss and put forward constructive suggestions.

The drama "Yu Dafu' Innocent Pen" "three changes and three performances" benefits the audience

"I once whipped a famous horse because I was drunk, and I was afraid of being tired of beauty." On the most loving day of 2022, this life story about love, love, and life told by a generation of literati Yu Dafu successfully completed the performance after the "three reforms" with a new and modified version.

From a book "Sinking" that shook the entire Chinese literary scene to the co-founding of the Creation Society to open a new chapter in the history of Chinese literature; from the beginning of the love Dou and the girl Longzi knew each other, to the passionate pursuit of Hangzhou's first beauty Wang Yingxia but the dismal end; from the fierce debate of the Japanese god of constitutionalism Ozaki When studying in Japan for national dignity, to the lone army in a foreign country who resisted the Japanese invaders and finally bled sumatran... Those years that originally only existed on paper, those yu dafu's hesitations and backs, turbulent displacement, love and hate entanglement, through the 40 years of history, through the actor's meticulous performance was vividly presented on the stage.

From the script creation to the premiere to the revision of the performance, "Yu Dafu Innocent Pen" has been polished and improved more than ten times, and every appearance of the play can see the zhejiang dialect's tireless pursuit and exploration of art. As an important masterpiece of the humanistic drama brand of Zhejiang Repertory Theatre, the play adopts the form of narrative, along the main line of Yu Dafu's writing to save the country, supplemented by the emotional story side line with three women, exploring the complex, contradictory, rich heart, emotion and personality world behind his growth from a writer to an anti-Japanese fighter, and under the proposition of trying to explore the wind and bone of the literati of the great era, the panoramic reproduction of Yu Dafu's magnificent legendary life.

The drama "Yu Dafu' Innocent Pen" "three changes and three performances" benefits the audience

In the process of striving for excellence and constantly polishing this play, the play has also received a wave of praise.

Yu Junfeng, the eldest grandson of Yu Dafu and chairman of the Fuyang Literary Association, said: "What kind of belief supports Yu Dafu, who can laugh at life and death and go to difficulty? The answer is clear, this is traditional culture. What traditional Chinese intellectuals value most is the 'integrity of the literati'. ”

The famous playwright Ouyang Yibing said, "Yu Dafu in the play used his life to practice the expectations of his friend Mr. Lu Xun, 'the storm is mighty and the foot is singing', singing wildly for the revolution in the vast world." ”

The "three changes" and "three performances" of "Yu Dafu's Innocent Pen" have all been completed, and the most loving day of 2022 has come to an end in the theater, but when the curtain is opened again, the magic of the drama will not stop.

This article is the original work of Qianjiang Evening News, without permission, it is forbidden to reprint, copy, excerpt, rewrite and carry out network dissemination of all works of copyright use, otherwise this newspaper will follow judicial channels to pursue the legal responsibility of the infringer.

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