Text/Ma Qingyun
People who are familiar with the love of laughter programs are not strangers to Zhang Zidong. In recent months, with the comedy rookie's performance on "Happy Comedian", it has gradually become known to more audiences. Many netizens were unfair to Zhang Zidong's repeated defeats, and even directly pointed their swords at Guo Degang's shady scenes to open the way for his son Guo Qilin, thus secretly injuring Xiao Zhang, who had no father and no background. But there is also a reversal of public opinion, pointing out that zhang Zidong is behind a very strong company supporting.
Putting aside all kinds of shady and hype, specifically looking at Zhang Zidong's multi-period works, we will be surprised to find that he looks very similar to the diaosi temperament in Zhou Xingchi's early films, and in the arrangement of works, there are many Dong Chengpeng, which is what we call Dapeng's "di si men". If it is said that Di Si's appearance still has the innate merits of her father and mother, the image in Zhang Zidong's previous performances is to take a kind of di Si's bottom appearance, and I have to say that the intention is still relatively clear.
However, Zhang Zidong sits on the two major labels of "Zhou Xingchi" and "Dong Chengpeng", why has he not been able to come up with really good works so far? That's the most worth discussing. We may wish to discuss Zhang Zidong's works in the latest variety show. In "The Biography of Bai Yue", he played the image of a son-in-law who met his father-in-law for the first time, and after experiencing all the difficulties of the woman's parents, he suddenly experienced an earthquake, in the epicenter, he saved his father-in-law, but he was pressed under the wall. Is this drama good or bad?
If you want to watch the amusing drama between your father-in-law and your son-in-law, I can recommend to you the movie "Get your father-in-law" starring Xu Zheng. That movie, which is also a teasing between two people, finally settled on the basis of the son-in-law's behavior touching the old man, and Zhang Zidong's "Biography of Bai Yue" can be lost. But Xu Zheng's "Get the Father-in-Law" has a poor reputation, and a large number of reviews point out that this is a farce without any authenticity. Similarly, Zhang Zidong's work is also a typical example of a farce made up.
Di Si counterattacked her father-in-law to get love, which could have infected many low-level youths, why is Zhang Zidong so unclassiable when he plays? The problem is still in authenticity. This is also a common problem with a large number of our comedies. There is a particularly tongue-twisting but repeatedly mentioned discourse in literary criticism, and the typical character and behavior of the typical environment. To put it simply, the contradictions between father-in-law and son-in-law must have real personalities and collide with real conflicts, and these conflicts have a realistic basis, and even are taken directly in real life.
And Zhang Zidong's "Biography of Bai Yue", several major contradictions, are false to the extreme, can not have a hand move, otherwise please ask the family law, the woman's parents to check the boy's body and so on. None of this has practical significance. The boy inadvertently pulled the girl's hand, and was beaten five times by the woman's parents, which obviously belonged to the ranks of farce. The creators did not seriously observe how the contradiction of this skin kiss in reality clashed, and whimsically started to whip, making everyone think it was a farce. And the woman's examination of the man's body, this is also too direct, up is to see the nose and touch the eyes, not only in reality no one does this, but also in the performance, there is no comedic effect.
Zhang Zidong's works lack a solid observation of real life. This loss of authenticity makes the side of its dick counterattack seem so hypocritical. Although Xiao Zhang has done enough in appearance, he cannot really make reasonable works in the dramatic conflict, which is the root of hard injury. Let's take the example of the stone of his mountain.
Song Xiaobao and Yuan Shanshan collaborated on a performance last year in the work "Day and Night Men and Women", which tells the story of two dicks of men and women wandering in Beijing, and can only be separated day and night, sharing a bed. And it just so happens that the relatives and lovers of both men and women come to see them, thinking that they are mixing well, and both men and women want to let each other go out and disguise themselves. The difficulty of this kind of dick life is immediately revealed. In Zhang Zidong's works, there is a lack of this kind of tension that is not easy to shape in the life of Di Si.
This work of Song Xiaobao, facing the woman's mother, is very similar to Di Si facing the mother-in-law, and Zhang Zidong's face of the woman's parents is the same. However, Song Xiaobao's "Day and Night Men and Women" deals with that sense of reality, and there is no farce, everything is carried out in a reasonable arrangement, and finally it gives birth to touching feelings, north drift is not easy, youth is very difficult.
But Zhang Zidong's "Biography of Bai Yue", the final intention is that the hero fights the fire without leaving a name, and the firefighter is comparable to a good son-in-law. It seems to be the main theme, but it completely ignores the contradictions of all the father-in-law and son-in-law in front of it, and makes a fuss. In this way, everyone went to lament the firefighting hero, who cares about zhang Zidong's son-in-law's difficulty.
Therefore, Zhang Zidong actually wasted his performance opportunities on variety shows, even with Zhou Xingchi's early appearance, but also with Dong Chengpeng's ambition to counterattack, but in the end, his strength is not good, and his ability is not good. As an artist, what really grasps the audience is the work. Zhang Zidong's road is still very long, and he hopes that his future works can really be grounded and realize the real counterattack of Di Si.
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