The daily book | the heart-wrenching person said: On Lu Xun's politics and aesthetics

A book a day

literature

The heart-snatchers talk about Lu Xun's politics and aesthetics

READING

Book information

Brief introduction of the works

For Lu Xun, the "stirring of people's hearts" advocated in 1907 in the "Poetic Theory of Moro" is a symbolic and symbolic expression. "Picking people's hearts" inherits the "changing spirit" of the Sendai abandonment of medicine and the Wen period, followed by the "shout" of the May Fourth period. "Change" means "pick", and "spirit" means "people's hearts". In order to "shake the hearts of the people", so "shout" to awaken the people who are sleeping in the "iron house". Lu Xun is a "person who picks up people's hearts", because he is a "person who picks people's hearts", so he opposes concealment and deception, needle numbness and forgetting, so he advocates "facing a bleak life" and "facing the dripping blood", so he always maintains a sober realist attitude. Lu Xun is a "person who picks up people's hearts", so Lu Xun's works are all "people who pick up hearts". This "heart-snatcher", "said" out of "Scream", "Wandering", "Weeds", "said" out of "Grave", "Hot Wind", "Hua Gai Collection", "said" out of "Chao Hua Xi Shi", "Story New Compilation" ...

The one who picks up the heart says, and the one who picks up the heart is also said. "Talking about those who pick up the heart" means talking about Lu Xun and studying Lu Xun. This is another kind of "heart-snatcher saying." In the past hundred years, many people who have read, talked about, and studied Lu Xun are the main body of this kind of "heart-stirrers." His own heart is picked up by the one who has picked up his heart, and he also wants to touch him with the heart of the one who has picked his heart.

In the past hundred years, the interaction between the two kinds of "heart-snatchers" has formed a history of ideas, a history of the mind, and an academic history.

directory

Edited

On Lu Xun's "Nanjing Memory" - centered on the formation and expression of its "self"

I. "Off-site" in "Scream and Self-Prologue"

2. The traces of the forerunners in "Trivia"

3. Medical problems in the Constant Training

The multiple meanings of Nanjing as Lu Xun's "origin"

On Lu Xun's Interpretation of "Diary of a Madman" - also talking about the intertextuality of "Scream"

A "cannibalistic" duality and universality

The Fifth Awakening to "Cannibalism"

Iii The Extraterritorial Resources of The Diary of a Madman and Nietzsche's Problem

IV. The reorganization of the "cannibalism/saver" discourse

Conclusion "This kind of discovery is also very relevant"

From Ethics to Aesthetics: Lu Xun's Thought and Literary Re-recognition

The connotation and cause of "juvenile-based"

Evolutionary theory and the "juvenile standard"

3. The narrative and aesthetics of the "young"

Epilogue "Save the child..."

The secularization of the Enlighteners turned to Lu Xun's Dragon Boat Festival

An Introduction: Festivals and Lu Xun's Sense of Time

Ii. The genre of the "satirical novel"

Poverty and economic rights

IV. Dialogue with Hu Shi

Epilogue After "Scream", before "Wandering"

1926: The unfolding of Lu Xun's national discourse, centered on the "diary of the horse"

An introduction: the possibility of "diary"

II. The series of national texts in the "Diary of a Moment"

Iii. The formation of dialogue structure and dialogue

IV. Lu Xun's Reinterpretation of the True Biography of Ah Q

Yu on Lu Xun's criticism of Hideo Yasoka

1933: The Politics and Rhetoric of Essays: On the Selected Works of Lu Xun and Its Surroundings

A construction of Qu Qiubai's "Political Lu Xun"

The birth of the "impersonal author"

3. Essay style to Lu Xun and Qu Qiubai

Conclusion The unity of "weapons" and "art"

Ukiyo-e to Lu Xun-Lu Xun's ukiyo-e collection and related remarks

II. Ukiyo-e non-"woodcut"

3. Appreciation of Lu Xun's ukiyo-e paintings

Conclusion The complexity of Lu Xun's aesthetics

Aleksheev woodcut illustrations in Lu Xun's vision: from "Mother" to "City and Year"

Fourteen illustrations of Gorky's Mother

II. Illustrations and texts of The City and the Year

The concept of "comic strips"

Conclusion Lu Xun's "literature and art" returns and transcends

Lu Xun and Cui Wanqiu – Talking about the relevant annotations of the two Complete Works of Lu Xun

Cui Wanqiu's birth and death years and political identity

2. Cui Wanqiu in The Pseudo-Free Book: Afterword

Cui Wanqiu talks about Lu Xun's pen battle with the Big Evening News

IV. About "Directing Zhang Chunqiao to Besiege Lu Xun"

5 The meeting is not seen in Lu Xun's diary

Associate Editor

Lu Xun's Juan, Juan's Lu Xun

Embracing his hometown from afar, Mr. Lu Xun's nostalgia

Lu Xun's "Anti-Tradition" and "Tradition"

Sun Li's "Lu Xun Legacy" and "Yunzhai Novel"

There are eight kinds of "special paths", and "the same return" Lu Xun

——Comment on "Lu Xun and the 20th Century China Studies Series"

Editor's Epilogue The one who picks up the heart says, the one who says the heart