Huang Meizhen, also known as Gao Suzhen, some say that she was born in South Korea, and some movie covers say that she is a Chinese miss, and there is Mei Zhen Suzhen in her name, which is most likely Korean. She has also made many love movies in Hong Kong.
In 1991, "The Three Ladies of Desire to Flame", the female protagonist Zhu Baoyi and Huang Meizhen, the male protagonist Gu Guanzhong, Huang Meizhen played the second sister. The three beautiful female monster sisters are doing evil, and the third sister and the second sister must constantly seduce men and deliver food to the eldest sister.
Gu Feng and Gu Guanzhong were ordered to run to the demon to exorcise the demon, and Gu Was not good at learning the art to help him, let go of the eldest sister, and rescued the injured little sister Rabbit Essence. The eldest sister was angry but sought revenge on Gu Classmate and injured him, the second sister seduced him to get rid of him, and the younger sister saved him in order to repay the grace of saving his life. The eldest sister and the second sister are in a group, and the younger sister and Gu classmates are in the same situation as them.
Gu was injured by his eldest sister, and in order to give him joy, Li Daitao asked his brother and Zhu Baoyi to marry. Who wants to gu classmate's second brother was killed by the second sister, his family thought that it was Zhu classmate who did a good deed, beat her to seven souls and six spirits less, fortunately saved by the zombie master and apprentice.
Finally, the husband and wife recognized each other, and several people united to defeat the eldest sister and his gang.
The movie has the traditional Chinese ghost Shinto, and there are Westernized zombie masters, and finally a mess, which is very lively.
Many of the love scenes in the play are arranged by Huang Meizhen, who seduces passers-by at the beginning, and the scenes in the film that seduce Gu Guan are quite eye-catching. However, the heroine Zhu Baoyi, the feeling is to come out and go through the scene, in addition to the poignant appearance, the role is very redundant.
In the same year, "Liaozhai Jin Pingmei" was mentioned before, the male protagonist Qi Han and Gu Feng, and the female protagonist Chen Beiqi, Huang Meizhen and Wen Su. The story tells that the male protagonist of the book is in love with the little girl Jin Lian, Jin Lian was sold to Yingchun Pavilion by his stepmother, the two people eloped and escaped, and were chased back by the old bustard Wensu, the male protagonist was killed, fortunately, in the end Gu Feng helped them, and the two people eventually became dependents.
Huang Meizhen plays the missing girl in Yingchun Pavilion, and is a good sister of the heroine Chen Beiqi, comforting and accompanying her. His fate is miserable, not only to pick up guests but also to endure the pain of his lover being robbed by the old bustard Wensu.
Huang has a love scene with passerby A and the boyfriend of the servant in yingchun Pavilion in the play. The same is the costume, this play is more beautiful and beautiful than the previous one, but unfortunately the role is slightly less.
1994's "Maiden Pan Jinlian" is Huang Meizhen's representative work, the male protagonist of the film Shan Liwen, Huang Meizhen plays Jin Lian, and the director is Li Hanxiang, the originator of Shaw's big director Fengyue film.
Director Li Da as early as the Shaw period to the golden bottle plum originally filmed the famous wind and moon film "Golden Bottle Double Yan", netizens believe that the most suitable for the original, the lens is meticulous, the set is elegant.
This 1994 film mainly recalls her tragic and debauched life from Jin Lian's point of view. The movie basically ignores the plots in the original work in which JinLian seduced Ximen Qing, plotted to kill Wu Dalang with Wang Bao and Ximen Qing, and the two of them lived an absurd and unscrupulous life together. The focus falls on her life in the rich man's house when she was young, how she was hooked up, and after marrying Ximen Qing, after Ximen Qing died of absurdity, Jin Lian and Chen Jingji fooled around, and when the eldest lady found out, she drove her out of Ximen's house to give to the princess, she seduced the princess's son and was sold by the princess, and Wu Song bought her away to kill the priest.
The movie fictionalizes the one-night stand of Jin Lian Wu Song, and what is even more funny is that Shan Liwen, a professional household of Ximen Qing, plays two roles and arranges Wu Song and Ximen Qing, on the one hand, as a love scene for Wu Song and Jin Lian, on the other hand, ximen Qing and Jin Lian Hu Tianhudi, good split.
Huang Meizhen's love drama runs through the whole play, the movie is quaint and quite charming, but I don't know whether it is a photography or costume problem, Huang Meizhen is full of old-fashioned, full of the taste of Shaw wind and moon films in the seventies.
The same is based on Jin Pingmei as the original film and television works, the love movie in line with the current perception is the "Millennium Jin Pingmei" starring Shan Liwen and Yang Simin, the storyline, character modeling, set settings, love scenes, and character shaping are all good. Produced by TVB and starring Wen Bixia, "Hate lock golden bottle" interprets the story of jin ping mei from another angle, and can also be seen.
In the same year, "Bamboo Lady" should be a young girl Pan Jinlian set shooting. The male and female directors are all in the same class, the set costumes are similar, and some of the pictures are in both movies, but they interpret different stories. (Many sources mark the shooting time of Lady Bamboo in 1991, but there are too many similarities between the two films)
Huang Meizhen appears in the second story, telling that she was forced to marry a child bride to a child, and the lover Shan Liwen broke into the new house to kidnap the groom official and she secretly did the last madness, and finally was caught by the government and did not wait for the story of separation, huang Meizhen contributed a lot in the play, like her do not miss.
The love movies that Huang Meizhen has made are probably the ones mentioned above, and there is no information to be found on the subsequent encounters.
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Welcome to the previous series:
Forty-six of those beautiful meteors in Hong Kong movies: Vincent
Forty-five of those beautiful meteors in Hong Kong movies: Cheng Jiamei
Forty-four of those beautiful meteors in Hong Kong movies: Lin Yashi
Forty-three of those beautiful meteors in Hong Kong movies: Yan Qianwen
Forty-two of those beautiful meteors in Hong Kong movies: Xu Shuyuan