Tang Dynasty Calligraphy 丨 Yan Zhenqing's Calligraphy "Duo Pagoda Stele" HD Appreciation (Part 1) [Trivia] "Duo Pagoda Stele" is worth carefully considering in terms of penmanship, knots and chapters. The monument uses a pen to use a center forward

Tang Dynasty Calligraphy 丨 Yan Zhenqing's Calligraphy "Many Pagoda Steles" HD Appreciation (Part 1)

【Trivia】

The "Multi Pagoda Stele" deserves careful consideration in terms of penmanship, knots and chapters. The stele uses a pen with a center forward, and the starting pen is mainly a Tibetan front, and the lu feng is used at the same time. The contrast between the thickness and thickness of the horizontal and vertical strokes is clear, rich in rhythm and rhythmic beauty, and also fully expresses the meaning of a "tendon" of the yan body. There are many changes in the turn, mainly there are methods of shrugging shoulders and slashing shoulders according to the pen, there are squares and circles, and both squares and circles.

The stele has the typical characteristics of Tang Kai's "Shangfa", the knot body is wide, the cloth white is relatively uniform, the glyph is slightly square, dignified and stable, the righteousness is full, and the face has begun to show the positive and heroic style of writing. The whole structure is strict, there is a silk column boundary grid between the lines, its knot body is wide, the cloth white is more uniform, the glyph is slightly square, dignified and stable, full of righteousness, the cloth is uniform, and the surrounding is full, so the momentum is majestic, which is another feature of the "Yan Body" script. In terms of rules, the entire work has vertical rows and horizontal columns. In the longitudinal direction, the center of the word is on the central axis; the size of the word fits well. The whole is majestic and magnificent, and it is also beautiful and colorful.

(Excerpt from the article: Spitting out the wind god with mixed strength, with a charming posture and a change - Yan Zhenqing's "Many Pagoda Steles" Appreciation 丨 Author: Zhou Chuyi)