Full screen one star, starring in the pot! Please ask the worst "Notes on the Tomb Robber" in history to stop responding to the audience's weak explosion of the new iron triangle? Is this actually a comedy group Wu Xie selling Qilin blood, Zhang Qiling flew into the bronze door? The screenwriter is probably borrowing from the happy comedian special effects scene bad? The earthy flavor is the highest pursuit of the crew in history of the most arrogant "Tomb Robber Notes", why is it so "horizontal"?

"Genting Heavenly Palace" is too arrogant.

Really, I haven't seen such a big word in a long time. In particular, this is still a tortuous "Notes from the Tomb Robber" series.

As we all know, the audience is actually extra tolerant of this super IP.

Since 2013, when the third uncle of the Southern Sect sold and recovered the adaptation rights of "Notes from the Tomb Robber", he experienced a total of 6 film and television adaptations.

Except for "Ultimate Note" to reach 8.3 points, the two seasons of "Restart" will break through 7 points, and none of the other works will score 7 points.

But every time a new work is launched, it can still trigger the audience to pursue, which shows that the public is like their own children for this series, no matter how they scold, their own children still love. But this time, the comments section rolled over, thoroughly.

From casting, to the plot, special effects, encounter indiscriminate strafing, even if you go to the swear version of the commentary, it still sounds like the swear version. So, I dare not put comments.

The audience scolded it, got used to it, the focus is on Wu Xie's actor Bai Shu, who sent a "disclaimer" on the social platform before the start of the broadcast.

Bai Yixiao, the editor-in-chief who participated in "Old Nine Doors", "Ultimate Notes" and "Nu Hai Diving Sand", said: I have not done any work in Genting, and the signature is a gift.

Now across the screen, I can feel the pain of netizens: "This is a horror film for rice." ”

But it is this work that has been ridiculed by the group, in the same period of network dramas, into the top ten, hot search topics continue.

What kind of work can trigger such a tsunami-like reaction? And in the concerted efforts from the lead actor to the audience, can you smile at the ratings?

Catching up with the latest episode in one breath, I have the answer: everyone, you have actually misunderstood "Genting Heavenly Palace", this is not recognized as the worst "Tomb Robber Notes", but the strongest comedy in the series!

"Genting Heavenly Palace" is actually the funny ceiling of the tomb robbery series!

<h1 class="pgc-h-arrow-right" data-track="15" > the new iron triangle weak explosion? It's actually a comedy combination</h1>

The greatest value of an IP is: feelings.

For "Thieves" fans, the longest-lasting feeling is the "Iron Triangle" trio.

This year's Iron Triangle, it is said that not only the rice will be angry when it is seen, but the general audience will be even worse when they see it.

However, you have all misunderstood them, this is a group of actors with a comedic soul, and the root of comedy lies in subversion.

First of all, the male protagonist, the third uncle of the Southern Sect, has a clear description of Wu Xie's appearance. Wu Xie is handsome in appearance, has a face like a crown jade, is gentle and introverted, and has a bookish atmosphere,

In "Hidden Sea Flowers", Wang Fatzi described: fresh and unworldly little Lang Jun, out of the water hibiscus weak official.

In this part, bai shu, who plays the snake in "Liu Li", completely subverts himself and directly sets the character as an AI persona.

No matter what the situation, there is only one expression on the face: the prostrate patient.

Netizens said that it is better to let Xie Yuchen play his role, wrong, Xie Yuchen, at most can stand shoulder to shoulder with the classic version of Wu Xie, and Bai Shu's ambition, you do not understand.

Wu Xie's personality has a gentle, cute, cold, and extreme side, Bai Shu: What other personality attributes of Wu Xie have not appeared? Take it all, I'll challenge it.

Then, all of them evolved into AI.

What is innocent and what is innocent, no, is empty, is exaggerated, is the rigid movement of the body, is a face of half-dead decadent wind.

And the desperate scene of hoping that the third uncle will save himself, but being abandoned by the third uncle, perfectly interprets what a distorted face is.

Wu Xie, who could not wait for the third uncle, acted out as a black-eyed heavy person like staying up late to chase the drama.

What is the creation of subversive characters? Playing a Wu evil that fans of the original do not know, this is called creating a role.

Isn't that awesome? But the little brother's performance is more powerful.

Zhang Qiling, the description in the book is indifferent, the pupils are deep, the skin is white and black, the dust is unique, the figure is emaciated, the personality is cold, and there is a pair of eyes as light as water. This is a character who has lived for a hundred years and is as powerful as a god and Buddha.

If Yang Yang performed Zhang Qiling's Qingjun, Jing Bairan and Cheng Yi performed his martial arts value, and Xiao Yuliang performed his lonely height. That Zhao Dongze performed the humble side of a character that even the Third Uncle of the Southern Sect could not have imagined.

From the casting, it can be seen that the drama side is not simple, Zhao Dongze's figure is too strong at a glance, there is no sense of youth of the little brother, and he is vividly complained by netizens as "Zhang Qiqiu", which is "the humble who has to slip when walking".

But this is what the drama wants, out of the dust, the audience can not dream of it, the humble version of Zhang Qiling.

If a comedy version of tomb robber notes does not have such a little brother, this drama must have no soul, and if there is no strong figure of him in the tomb, it is like a pot of soup without salt.

Just because Zhao Dongze has no sense of substitution, people feel that they are not suitable anywhere, and they will always stare at each other in order to perform the look of the little brother becoming a talker.

The real subversive interpretation is that Yang Yang Xiao Yuliang is the image temperament written "do not enter the living people", he leaned on his mouth and said: "I am tired".

Even in the face of life and death, his eyes are still "I'm so sleepy, where am I, I want to sleep."

Only such a deduction can carry the first hair-coloring brother in history, as well as the little brother who uses his mobile phone to detect signals in the tomb.

If the audience does not understand the actor's intentions, and says that after watching this play and all the previous versions of the bottle evil have been reconciled, it is "a heaven".

Truly deep performances are invisible.

All the coldness, loneliness and innocence of the little brother are hidden in that humble expression, which is the limit of the performance.

But do you think subversion is enough?

I underestimated our actors too much. Subverting characters is what subversion, the real wild comedy, is to subvert the relationship between the characters.

What is the most soulful thing in Tomb Raiders? It is not a tomb robbery, but the lifelong friendship between Wu Xie and Wang Fatzi's little brother is from the mutual unpleasant glance at each other at the first sight, to the later life and death dependence.

For example, Wu Xie quit smoking and smoked with a smoking stick. The fat man saw it and accompanied him to play a "light cigarette".

For example, when the little brother heard that Wu Xie was going to die, he would say——

However, the ambition of "Genting Heavenly Palace" is to tell all the audiences: you, can't guess me.

Therefore, Wu Xie of this drama rolls his eyes at the fat man from time to time, and as soon as he opens his mouth, he is, "Don't you drag my hind legs", "Do you know that you are so annoying".

Every time he scolds a fat man, he can put people to death. That's right, it's to make the audience guess.

But, subverting brotherhood is enough? No, I still have to forcibly "sell corruption", this head has just scolded people, and the ambiguous bridge section between Wang Fat Zi and Wu Evil has been arranged again.

But, do you think they're really going to seriously sell corruption? Wrong again.

In fact, every time the rotten to the audience feels: almost got it, finish the filming quickly, and catch the next announcement!

See no, you can never guess what the crew is going to do, this is the real comedy.

It is also because this is basically a comedy group, so of course the performance should be too strong, of course, hysterical yelling, so that the roaring faction feels like there is someone to follow.

So in the end, all the lead actors accomplish one thing: a breakthrough.

Even after the same role has been interpreted so many times, then under the limited resources and performance space, the role can still be played and the original work can not be said to lose the soul, can only be said to have nothing to do with it. This, I have to say, is also a skill.

<h1 class="pgc-h-arrow-right" data-track="128" > Wu Evil sells Qilin blood, Zhang Qiling flies into the bronze door? The screenwriter is probably borrowing from a happy comedian</h1>

But, just subvert the performance, is that enough? The true soul of a drama is always the story.

In the previous "Notes from the Tomb Robber" series of web dramas, the best reputation was "Ultimate Notes" starring Zeng Shunxi, Xiao Yuliang and others. Although it is a combination of four stories from the original book, it is done in one go. The screenwriter even fixed some bugs in the original book within his ability.

But for the "Genting Heavenly Palace" crew, if you just do this step, it is not enough, it is not enough.

They want to subvert everything!

For ordinary audiences, the plot of the whole drama is full of all kinds of old problems of domestic bad dramas: story suspension, plot reduction, love drama vicious, messy...

However, those who really understand them will understand that what is hidden in the superficial mess is the real feeling.

This kind of feeling, the audience saw it as soon as it opened.

In the first episode, Wu Xie appeared in the hospital, what was he watching? "Qingyunzhi", looking at it, cried.

Looking at the credits, isn't the director of this play one of the directors of "Qingyunzhi"? Huanrui drama, sure enough, is not so simple.

To make a real comedy, you can't take the routine, for example, the creators of the world will not write the plot of Wu Xie in exchange for money with Qilin blood in order to get the clue of the third uncle, in the words of netizens, there is no cerebral thrombosis can not make up such a plot.

But this drama not only dares, but also dares to write the plot of Wang Fatzi being bitten by a bug and asking Wu Xie to take out the Qilin blood to wipe it.

You see, is not the soul of comedy full of joyful comedians.

Only they can arrange for Zhang Qiling to use a smart machine, and the fat man and Wu Xie directly ask for a phone number in the tomb, and such a plot is directly put on the comedy variety stage, and there is no need to change a word.

So those who see that the third uncle is not saved from Wu evil, the whole drama is looking for the third uncle, but the third uncle runs everywhere, it seems that it is not difficult to find at all, and the audience who feels that it is a plot bug underestimates the crew.

All of this, put into comedy, is full of divine strokes.

For another example, some people say that the story lacks an effective plot, plays for nearly ten episodes to do the right thing, and everywhere is the invalid plot of the fat man crossing the Mirror Palace "coincidentally" meeting the little beauty, and the petite third master of Aningsa wants to invite the baby. You guys underestimated the crew again.

Watching "The Tale of Wulin", after eighty repertoire, have you ever done the right thing? True comedy is nothingness, it is ethereal, it just doesn't know what a group of people are doing.

The real comedy is only what you can't think of, and no screenwriter can't think of.

For example, letting Zhang Qiling fly into the bronze door with a knife is a fantasy.

In order to find the third uncle, Wu Xie ran out of the hospital barefoot, and got into a 99-way car without paying money, and the car would alternate between day and night, and the final destination was "Huangquan Road", which was a horror.

Wu Xie and Fat Zi took the train to Changbai Mountain together, and in the gap between Wu Xie's departure, Fat Zi secretly contacted Jude Kao, who turned out to be an undercover agent of Jude Kao. This is espionage.

Such a multi-type mixed plot development, the three uncles of the Southern Sect have to shout directly after watching it, sorry I lost!

Character change, plot change, everything is not the usual way, then the production of course can not go the ordinary way.

<h1 class="pgc-h-arrow-right" data-track="129" > the effects scene is bad? Earthy taste is the highest pursuit of the crew</h1>

In the past, in the eyes of the audience, what is a good tomb robbery note? It is a scene shot in real time, and no matter which detail can be seen, the whole crew is energetic and wants to make a good work.

However, for the crew of "Genting Heavenly Palace", the earthy taste is the highest pursuit of the crew.

Do you think that the "boulders" that rise and fall on Wu Xie's body as he breathes, as well as the bright and clean "model rooms" in the scene that lack recognition, all clearly show the "no heart" of the producer?

Do you think that when Wu Evil is entangled in tree vines, at the junction of special effects and character entities, a large number of virtual blocks appear, proving that the special effects are the level of "no money"?

You don't understand what it is.

Behind all this, which point is not the ingenuity of the crew? The most advanced comedy scene lies in the soul of comedy, like the wind, everywhere.

For example, the iron triangle enters the Miao village, bonfires, delicacies, beauties, beautiful boys, "Miao family style"? No, the atmosphere created by the crew is a farmhouse and a large bathing center.

For another example, when the "savage" came out of the Mirror Palace, when the Miaozhai people worshipped, they all conveniently put the "rocket" in their hands on the dry grass next to them, and it did not turn into a fire?

Absurd? Absurdity is right, absurdity is comedy.

<h1 class="pgc-h-arrow-right" data-track="130" > the most arrogant "Tomb Robber Notes" in history, why is it so "horizontal"? </h1>

But what's the most absurd thing? Even after doing all of the above, this audience said that the worst "Tomb Robber Notes" in history still broke into the top ten in the ratings list of multiple online dramas.

The ratings appeal of the "Notes from the Tomb Robber" series is still horizontal.

In fact, the pompous fabrications of the tomb robbery series have long been seen in our opinion, but why does this part cause group ridicule?

Because this drama uses its own perfunctory and arrogant, everywhere to show full contempt for the tomb robbery series, and repeatedly challenges the bottom line of rice.

In contrast, last year's "Ultimate Notes" with the same theme was much better.

Such a drama that does not have any sponsorship optimism, but also the only one of the southern three uncles did not participate in the screenwriting of the tomb robbery series, when the filming began, the crew could not attract investment, and the start-up ceremony was permeated with a strand of sloppy acid. The rating went from 6.6 at the beginning to 8.3, and it is the only work that is on par with the reputation of the "Ghost Blowing Lights" series.

And the drama and all the high-profile tomb robbery dramas have the same characteristics in production - loyal to the original and hard work.

From beginning to end, the entire series has a strict study of casting, scenes, and related plots. It doesn't have to be exactly the same as the original, but at least it makes the characters, story, and scenes believable.

Such a simple truth has become a rare and valuable thing in the tomb robbery drama.

So much so that a drama about tomb robbery was made into a comedy, or rather, a joke.

If you want to make a good tomb robbery drama, you must first have enough respect for the original work. Only by respecting the original work can we truly respect the creation, and then respect the audience.

Behind all the bad dramas, more and more practitioners ignore the important point, only know that eating the traffic dividend of the original work, everywhere perfunctory.

But who is used to this arrogance and perfunctory? Unfortunately, it's still the audience itself.

The first Li Yifeng and Yang Yang version of the web drama "Notes from the Tomb Robber". Although the Douban score is only 4.9, the shape of Killing Matt, the protagonist's facial paralysis acting skills, and the special effects of fifty cents have impressed many viewers.

But the record set by the show is phenomenal.

"Handed over to the state" and other explosive terriers quickly became popular, and it firmly sat in the 2015 annual web drama champion.

The 2016 film version of "Notes from the Tomb Robber" came out with the effect of a tomb bungee, and the box office was still 1 billion.

As a prequel, "Old Nine Doors" is actually only two doors: February Hong (Zhang Yixing) and Zhang Dafoye (Chen Weiting). The water injection of the series is not so much a tomb robbery, but rather a legendary idol drama of the Republic of China made in the name of tomb robbery, "February Red Came to Ask for Medicine" once became a bullet screen play, but it still became a hit that year.

Huanrui's film and television of "Notes from the Tomb Robber" is even more idolized.

"Nu Hai Diving Sand &amp; Qinling Sacred Tree" took the route of light weight and improved in special effects production, but the plot adaptation overemphasized the "bottle evil CP", but the 2018 Huanrui financial report showed that it was the sale of Hou Minghao's version of "Nuhai Diving Sand" that turned the first three quarters into profit.

No, traffic, ratings, and episode quality may not always be consistent.

Let's say "Genting Heavenly Palace", a large number of negative evaluations, the main creator throwing the pot, but has become the reverse propaganda of the series, and the overwhelming negative public opinion has boosted its popularity to a certain extent. Even if the content is mostly questioned and ridiculed, the hot search list is always a related topic of "Genting Heavenly Palace".

Many viewers chased the drama out of curiosity, and the popularity of the series at the same time was not even inferior to "The Ultimate Note".

Although, we will most likely witness the birth of the worst version of Tomb Raiders ever recorded.

Although, the show uses a comedy performance to continue to deepen the audience's stereotype of the tomb robbery series.

So in the eyes of all rice, it became a complete disaster.

However, this pressure box drama that has been released for three years is likely to be able to successfully return to the original in a bad review. The sale of "Notes from the Tomb Robber" is still worth doing.

But is that all there is to it for the Tomb Raiders? This series obviously has a huge world view, a distinct protagonist team, and a rich branch line of the story, which can obviously be made into a domestic fantasy universe.

But only when a good story is made, can there be good feelings; when the feelings arrive, the audience has the heart, worried about the fate of the characters, and follows this series all the way.

In this way, it is worthy of the continuation of a good IP. And now, after participating in the production of the first few Duxiti scolding, the third uncle plans to do the last unstructured tomb robbery series - "Hidden Sea Flower".

In the end, what this "Tomb Robbery Series" leaves the audience with may really be the memory of "killing".

Finally, I ended with a netizen's words, "I thought "The Ultimate Note" would be a beginning, and the result was the pinnacle of this series."

It's a pity.