laitimes

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

Some male protagonists are OK at first glance, but as long as they are in the same frame as the male partner, the audience immediately turns against it, which is called the supporting role critical attack, which is also another way of saying Yan Pressure.

Of course, in addition to the appearance, many supporting actors in film and television dramas are fuller than the male protagonists, they either hold a beautiful and tragic script, or a sick and beautiful person, so from the perspective of character personality, supporting roles are more attractive than the protagonists.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

One of the most amazing supporting roles is Ouyang Mingri, played by Qiao Zhenyu, when "Snowflake Goddess Dragon" was broadcast, how many people sighed for the fate of the supporting roles, and sighed: "The heroine is either blind or stupid."

Ouyang's appearance is good, a little cinnabar red between the eyebrows, can afford "strangers like jade, the prince is unparalleled in the world", and the lyrics of "blood stains the country and mountains like picturesque, how to fight a little cinnabar between your eyebrows" is also like his character adjective.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

Guangmei is not enough, the characters must be charming, and compared with the traditional hero's life, Ouyang is beautiful, but he is born with a disability, which is the regret of his life.

But after being abandoned by his parents, Ouyang got the true legend of the frontier old man and became a Sai Huatuo who was "not dead and not saved", which was strong enough.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

When he appeared on the stage, he was full of golden light, like a god, arrogant and mysterious, satisfying the curiosity of the audience.

You think that Ouyang wants to seek revenge on his father, but he did not do so, even if he looks extremely cold, but Ouyang is the purest and kindest person in this world, he has no resentment towards his mother, and he is bright and honest with Shangguan Yan, and he does not take advantage of the danger of others.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

A perfect man with a sacrificial character ended his life in an almost virginal manner, adding a bit of ideal color to the cold jianghu.

Originally, "Snowflake Goddess Dragon" was a mediocre martial arts drama, but the existence of Ouyang Tomorrow made it still remembered many years later.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

Just as beautiful and tragic as him, there is also the male number three Xiao Jiang in "Peerless Double Glory".

Speaking of which, the two protagonists of this drama are considered to be big handsome men, one is Lin Zhiying, the other is TAE, but whether it is the shape or the human design, it is not as brilliant as Xiaojiang.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

At that time, Zheng Guolin was like the drizzle of Jiangnan, qingxiu to the extreme, and the long jade standing made people can't help but sigh: "Xiao Jiang's waist is not a waist, it is a life-killing chain knife."

Xiao Jiang, who should have been the protagonist, was transferred since childhood, and has since become a nameless and nameless killer, he is the son of the great hero Hua Wufeng, but he is forced to become the "running dog" of Tianmen.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

However, Xiao Jiang is sober and self-aware that he can hurt others in order to protect himself, but he does not do things that hurt nature and reason, he loves life, but he suffers from incurable diseases.

When Xiao Jiang silently helps the protagonist group to complete all the tasks, his whereabouts are nowhere to be found, and the male number three, who does not even have an ending, is more worrying than the protagonist.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

This type of supporting character is so distressing that many years later, people are still writing the same humanities for them, trying to change the ending.

On the contrary, another type of supporting character is loved and hated, they are vicious villains, with evil qualities and a human side.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

The first to bear the brunt is Fu Yushu in "Golden Silk Rain", known as the jade-faced little fox, played by Shen Xiaohai with his own ancient costume temperament, two strands of long hair floating in front of the forehead, looking back at the noble.

However, on the surface, he is pure and innocent, but in fact he is the villain boss, and this strong sense of contrast fascinates the audience even more.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

Evil and evil are mixed in one, there is a sense of immediacy between angels and devils, Fu Yushu is naïve on the one hand, evil on the other, and what is strange is that the audience does not feel that he is hypocritical, but has a sense of arbitrariness.

When he sneaked into the Taoist Temple and assassinated master brother, Fu Yushu's expression was always so natural, as if he was saying, "You stupid people, you can help me."

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

I don't know if Fu Yushu in the script is like this, but under Shen Xiaohai's interpretation, he is a complex combination, and the audience does not know whether to hate it or love it.

In other words, Shen Xiaohai often suppressed the male protagonist, and in "Flower Girl", he played the bamboo demon who relied on bamboo cultivation to be intoxicated, personable, and noble in every smile.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

Intoxicated with deep affection and elegance, and king Ning in "Clever Little Don't Understand" is the male number three with his own imperial temperament, showing his royal demeanor between his hands and feet, handsome Needless to say, more importantly, his body.

There is a kind of yan pressure called supporting role critical attack, they play the male supporting years, the male protagonist is eager to run away overnight

PS, Shen Xiaohai only stayed in the "Clever Little Don't Understand" crew for 10 days, because it was a temporary rescue, so the shooting was very rushed, but the core performance of the character came, which can be said to be a typical supporting role in the temporary rescue and amazing time.

Speaking of which, let's nominate some classic male partners, the kind of amount that coexists with appearance and temperament and human design.