The brocade robe is luxurious and ladylike, and the delicate twists are now slim.
Shaoyan young teeth, Yuan Yuan Tingting, temperament gentle, graceful and luxurious, the beauty of Jiangnan smoke and rain is not only a small bridge flowing water, bright moon high light, not only fish play lotus, gentle flow, not only smoke trees, fine grass like yin, but also the woman's kind of small family jasper's lovely beauty, that kind of ice-like skin, that kind of jade-like bones, and a rhythm is the retro elegant beauty of the qipao.
And the north of the tall slit wind is different, the southern women pay more attention to the interpretation of the clouds and moon splashes, pay more attention to a "soft" word, which is also the biggest characteristic of Jiangnan and women and northern women, the embodiment in the qipao is a thousand manners, ice clear jade, peach shy apricot let, bright eyes, good looks, the pace is full of pace, small slit shows the beauty of restraint, which is also the most essential concept of the Chinese nation for the qipao.
Clothing is a woman's temperament display, but also a woman's quality presentation.
"Heavy curtains do not roll for a long time, ancient Yan slightly concave and ink more", in fact, the qipao does not have a distinction between north and south, nor a personality, but because of the unique regional development, the style of the qipao has also undergone subtle changes, with the landscape of the region as the painting, to the regional ancient bridge waterway as the scenery of the ancient ink, deducing the qipao style belonging to Jiangnan, different from the charm and charm of the Shanghai qipao, different from the dignified atmosphere of the northern style, more beautiful.
<h1 class="pgc-h-arrow-right" data-track="15" > "Jiangnan Qipao Trilogy"</h1>
The first song: The Beauty of Inheritance
Heritage Star: Tao Huimin
55-year-old Tao Huimin is a goddess who perfectly inherits the qipao, as an elegant and elegant "old drama bone", from "Yang Naiwu and The Little Cabbage" to "Over-the-counter Youth", Tao Huimin's role is basically very gentle, with the tenderness and beauty of Jiangnan women, and the acting skills are recognized by the Golden Eagle and Huading team.
A fierce look at Tao Huimin's face shape and Chen Hao are still a bit like, round face, snow white "baby muscle", and retro qipao, using a modern style of collocation, improved qipao can be well combined with modern, more exquisite, bright yellow qipao with royal privilege of the dragon robe style, more noble.
Knowledge points of the royal cheongsam:
"Xia Yang is not as good as the golden robe, Mengyang three drunken red smile", the royal dragon robe is a symbol of imperial power and wealth, but also a symbol of power and honor, which is also an exclusive emperor costume, and now has become a representative of wealth and luxury, beautiful red dragon and phoenix presentation, the beauty of Kowloon, the wind of circling, the majestic atmosphere.
Pure gold silk cast, embroidery paved, pear blossom with rain, extraordinary temperament, cloud brocade silk combination, perfect interpretation of the noble style, dragon robe body, jade seal carrying, striding forward, no one can stop, now the qipao style also has this dazzling color, but more picky, unique temperament, white and beautiful goddess can easily control.
New and improved, diverse presentation:
Improved qipao can be said to be the best performance of inheritance and innovation, both have their own characteristics and style, but also keep pace with the times, perfect and modern society combined, Tao Huimin's qipao did not adopt the consistent right design, buckle modification, but the use of chic two-way Ruyi style senior neckline, symmetrical design, delicate small standing collar, dignified and elegant.
Stitching color neckline collocation, stitching color can weaken the bright color, increase the flow of color, and this collocation style pays more attention to the embodiment of charm and style, highlighting the beauty of neutrality, and the embellishment of neutral colors of flowers, more than a little bit of smoke and rain in the water town of Jiangnan, the so-called "a city with a thousand faces, a thousand clothes" is so.
The second song: the beauty of embroidery, the dress is with the cheongsam
Slender neck, small brute waist slender, graceful posture, feminine and moving, oil-paper umbrella and Jiangnan smoke and rain atmosphere is very matched, Jiangnan improved cheongsam pays more attention to the use of light colors, white, light blue, light pink, water blue, etc. more suitable for the southern weather of the sun color and sweet fresh clothing, more charming, with some retro flowers, full of charm.
However, light blue is also to see the age, if the older woman wears a cheongsam, more like dark, dark green, dark purple and other more mature colors, in the matching of clothing pay more attention to the lotus hibiscus, Xuangui camellia, butterfly bees, carp catfish and other more cute and delicate colors, for the landscape of the feelings are more intense, for the shade of the ancient town more favored, after all, this is part of the culture of Jiangnan.
Dark green standing collar effect, with the design of the corset, the right dark green high-grade and calm, but also elegant, small area embroidery and flower embellishment, more delicate than a large area of cloud printing, polka dot printing, and appear exquisite, reflecting high taste, this is the essential style of clothing matching. Through the matching of clothing, the most classic style characteristics are interpreted.
Points: Jiangnan's new-style cheongsam is basically short, more sexy, and can present the three-dimensional legs and the graceful figure, and the hairstyle pays more attention to the level of the short model and the elegance of the bun, and there is no exaggerated towering three-dimensional hairstyle, straight and short is the most basic feature.
Third song: Accessories embellishment, focusing on looseness
The current qipao and the early qipao are completely different, although it also inherits the beauty of the right side, the open form, the standing collar plate button, the pendulum side slit, the single piece of clothing, and pays attention to the gentle use of clothing collocation, Jiangnan textile is fully famous, so it is relatively gentle in the matching of clothing, more fine and light, strong self-cultivation, high aesthetics, in line with the modern simple style.
Different from the head and hairstyles in the north, the accessories in the south are not the imperial power accumulated from gold and silver, but the pearl jade pendant, delicate bracelets and earrings are cleverly matched, paying more attention to the use of petite materials and delicate beautiful items, which is more ornamental.
Points: slim lady, even, delicate and lovely, in the collocation of the qipao, the high-haired robe in the north, the short-sleeved jade bracelet in the south, each has its own characteristics, and there is obviously a regional difference between the north and the south, which is also a rich side of the clothing matching.
Summary: In this era of paying attention to retro, do not be blinded by the Retro Style of European Style, do not be disturbed by the American free wind, on the land of China, the cultural inheritance of a thousand years, the retro collocation culture of a thousand years, the system is perfect, the materials are diverse, the antique, the Tang Palace Chinese costume, the national essence of the qipao, the Hanfu style, everything is the national essence, we need to inherit and carry forward from generation to generation.
Clothing is not only a kind of clothing, but also a kind of feelings and national style, everywhere you go, it is the beauty of China.
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