On August 23, the TV series "Tianlong Babu" was updated to episode 25. In the latest plot content, Arjun pretended to be his father and eventually died. In this TV series, a very important female character officially went offline. For the performance of actor Su Qing, it can be said to be convincing. It can be said that the Aju brought by Su Qing is an important surprise brought to the audience by "Tianlong Babu".
From the perspective of the original work, the Aju in the "Eight Parts of the Heavenly Dragon" first needs to have a wise temperament, especially in terms of sharp teeth. At the same time, this kind of sharp teeth will not be excessive, and will not make the reader's role too shrewd. This is a sense of cleverness within the realm of human goodness, beyond which there is goodness. In terms of love temperament, what Arjun presents is a typical dare to love and dare to hate, especially with a chivalrous temperament. At the time when Xiao Feng was at his most depressed, Aju "insisted" on Xiao Feng and promised him by body, this temperament has transcended love itself and set out for the spirit of martial arts.
Therefore, for the roles presented in the TV series works, it is necessary to find a "middle point". First, there is the middle point of cleverness. The second is to find the middle point between female femininity and chivalry. The clever middle point is easier to understand. If the actress's acting skills are not flexible enough, it will give the audience a feeling that the role is not smart enough. In other words, pretending to be smart is not really smart. In many of our film and television drama works, we like to create a smart and clever hostess, but the performances of some young actresses are ultimately smart.
In "Tianlong Babu", I think that the cleverness presented by Su Qing is more real, and the "loading" part is removed. This kind of cleverness does not lead to an impetuous way of acting, and it does not let the characters deliberately pretend to be happy and cute. In Su Qing, she seems to be more inclined to lead the role of Aju to maturity and stability, and to show cleverness and cleverness in this stability. This is a more accurate way of acting, and does not make the character as smart as a child.
On the other hand, this kind of cleverness, but can not be too clever. To be too clever is to be human. This is where acting skills are most tested. In many of our Jin Yong martial arts dramas, the actresses want to show intelligence, they are overdone, and they seem to have a sense of déjà vu. In the earliest archery dramas, Huang Rong's problem was that people were more than enough, the books were insufficient, and the wisdom was too much. In "Tianlong Babu", Su Qing's presentation of Aju has always remained in a calm and mature state, and it can even be said that this role has been looking for a restrained intelligence and trying not to develop in the direction of human essence.
Let's talk about the middle point between feminine femininity and chivalry. In Arjuna, the first thing is to have femininity. Secondly, this character is a temperament that rises to chivalry. Femininity and chivalry are themselves likely to conflict with each other. Among our established ancient women, they were all feminine, and the chivalrous guests were male tough. For the role of Arjun, how to find a middle point, or how to take care of both, is to test the level of actresses' acting skills.
In "Tianlong Eight Parts", actor Su Qing obviously grasped this middle point very well. In the Aju she presents, she has a very good feminine feminine temperament, which can infect the audience's aesthetic nerves. At key moments, Arjun can always click Xiao Feng, and even has the ability to become Xiao Feng's spiritual belief. It is not so much that Xiao Feng took Arjun to the end of the world, but rather that Arjun led Xiao Feng. This is in line with the spirit of the original work. In the pen of Mr. Jin Yong, the most inflamed reader in Aju's temperament is precisely this ability to "become Xiao Feng's spiritual belief".
Young actor Su Qing, in "Tianlong Eight Parts", once again proved his acting skills. This actress once appeared as a heroine in Liu Yunlong's TV series "Odds of Victory". At that time, this TV series had been filmed, because the heroine needed to be replaced, so a large number of remakes were realized by Su Qing alone against the curtain and the camera. In "Odds of Victory", the audience may feel that Su Qing is a little unable to integrate into the whole scene. As everyone knows, this way of shooting, to this extent, has been very powerful.
In the TV series "Armageddon", Wang Cuiyun presented by Su Qing is even more self-contained. It can be said that this is the characteristic of revolutionary women in the new era. In Wang Cuiyun, the audience is more likely to see the tough side of women, which is the characteristic of not loving red clothes and loving arms. When the actor Su Qing harnessed the role of Wang Cuiyun, he hid his red-clad side very well and presented his armed and heroic side.
In this "Tianlong Eight Parts", the acting skills of actor Su Qing are maximized. The character of Arjun itself is wonderful. In the realization of Su Qing, basically the Aju personality written by Mr. Jin Yong was all played in place - not much to give, but also a little bit to give, which is an effective precision. Based on this, I think Su Qing is a mature and high-quality actress. (Text/Ma Qingyun)