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Reiza: I don't think that the "disfigurement" in "Mountains and Seas" is close to that era is the most beautiful

author:Observer.com

[Text/Observer Network Guo Xiao] "This is the drama that has passed nearly a year after "Shan Hai Qing", it is my self-recommendation and initiative to 'bump' with the director", nearly a year after the broadcast of "Shan Hai Qing", actor Re Yiza and Liu Jiacheng, director of "Love Full Courtyard", cooperated in the new drama "Love Man Nine Bends", a TV series focusing on the huge changes in people's lives after the reform and opening up.

Talking about the previous praise of the whole network for "disfigurement acting", Reiza said bluntly that he would not feel that it was "disfigurement", "respect that era, respect the wealth and spirit brought to us by that historical era, respect the people of that era, only when you are close to the truth, that is the most beautiful." ”

Reiza: I don't think that the "disfigurement" in "Mountains and Seas" is close to that era is the most beautiful

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Reiza, a Kazakh girl born in Beijing in 1986, has played the beautiful and lonely Ning Guiren in "The Biography of Zhen Huan", and played the brilliant Tanqi in "The Twelve Hours of Chang'an", etc. At the beginning of this year, he appeared in "Mountains and Seas" with a "gray head and dirty face", creating a simple, independent and tenacious northwest rural female "splash", earning enough tears from the audience.

Reiza: I don't think that the "disfigurement" in "Mountains and Seas" is close to that era is the most beautiful
Reiza: I don't think that the "disfigurement" in "Mountains and Seas" is close to that era is the most beautiful
Reiza: I don't think that the "disfigurement" in "Mountains and Seas" is close to that era is the most beautiful

Subsequently, topic words such as "Reiza acting" and "disfigured acting" rushed to the hot search again and again, and the whole network praised.

Reiza: I don't think that the "disfigurement" in "Mountains and Seas" is close to that era is the most beautiful

On the 20th, at the Youku 2022 Boutique Preview Meeting, Reiza revealed that after nearly a year in "Mountains and Seas", he cooperated with director Liu Jiacheng to star in "Love Full of Nine Bends".

Liu Jiacheng, who has directed classic TV series such as "Iron Tooth Copper Tooth Ji Xiaolan", "Zhengyang Gate", "Sorghum Red", "Love Full Courtyard", on the same day, he introduced that the time span of "Love Full of Nine Bends" is relatively large, from 1979 to the Eighteenth National Congress in 2012, from the informed insertion to the last batch of returns, the TV series focuses on the reform and opening up for more than 30 years, the life changes and life of young people in Beijing's Jiulongwan Hutong through emotional experience. Through the big feelings of small people, spread the Chinese spirit and carry forward traditional culture.

Reiza: I don't think that the "disfigurement" in "Mountains and Seas" is close to that era is the most beautiful

Reiza introduced that this drama is her self-recommendation, and the director "bumped" to come, "I took the initiative to say that I want to play this role, why do I want to act, (before meeting the director) I have to prepare to 'dress up' myself, to make the director believe that I am (in line with the role), and even to let the director believe that Beijing girls also have a long self, so I have watched a lot on the Internet, such as those Beijing girls in some short videos, who look a little similar to me. ”

Why do you like this show? Reiza revealed that she herself grew up in Beijing, has always wanted to play a Beijinger, plus especially like, nostalgia for the simple, pure life of childhood, "(at that time) although the days are very slow, but everyone is full of hope for the future, we are now, the pace of life is relatively fast, the communication between people is also, a mobile phone is completed, but that kind of year, in the New Year, everyone reunited to sit together for a meal, nag, talk about recent small achievements, and even brag about their moments, which I miss very much." I also like the life of neighbors in the courtyard who help each other and have no sense of distance. ”

"In fact, I also want to let everyone know from the perspective of an actor that I would like to play this role, and although it is about Beijing, it is actually a microcosm of the whole of China and Chinese."

Reiza believes that the generation of the fathers sacrificed their own small families to complete the value construction of a "everyone", the life we enjoy now, they are brought by them, their value is passed on to us, we should also pass on these, "every generation of people should have a part of the society." ”

In the last play contributed to the "disfigurement acting", this time is a period drama, still and "fashion", "youth and beauty" has nothing to do, Reiza said, will not feel that it is their own "defect", nor do they feel that their previous role is "disfigured", "We just reflect an era, a specific person's living state, they are so fresh, full of vitality, but our current life everyone likes to use beauty a little more, so dare not accept the real piece, But reality is the most vital, the closest to perfection. ”

She revealed that in "Nine Bends of Love", everyone is also reflecting the sense of reality, "respect for that era, respect for the wealth and spirit brought to us by that historical era, respect for the people of that era, so as actors, we will not consider which angle of ours in this play is good or not, close to the truth is the most beautiful." ”

Director Liu Jiacheng also revealed that when the actors read the script, he said to all the actors, "I can't guarantee that I will shoot you beautifully, but I will definitely shoot you beautiful, beautiful is not the same as beauty, beautiful is achieved overnight, everyone thinks it is very good in an instant, but as long as it does not match the plot, everyone will still think that this is ugly in the end, so the most real and natural is beautiful." ”

This article is an exclusive manuscript of the Observer Network and may not be reproduced without authorization.

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