Author: LIAR/Anitama Cover Source: "Tooth Wolf < GARO > - VANISHING LINE-"
As a commemoration of the second half of the battle of "Tooth Wolf < GARO > - VANISHING LINE-", the first to 12th episodes were broadcast in Niconico on January 11.
And after the end of the release, the supervisor Park Sang-ho and the producer Kubo Hyung rushed to participate in the special program, collected a lot of questions on Twitter and other places, and reviewed the production secrets of the first half of the war and the highlights of the second half of the war.
Producer: Hiroshi Kubo
Supervision: Park Sex Hou
Kubo first stressed that there were no voice actors participating in this event, only a group of uncles, which was a very hardcore symposium. Also present was the prop design of Yuyuki Sano.
Prop Design: Yuyuki Sano
Since it is an honor to invite Inspector Park this time, I will first ask for advice on the main work of this supervision. Park supervisor said that in simple terms, it is the storyboard inspection and art inspection of the entire animation, judging the original painting and setting, and the other is the work of instructing other production personnel. The relationship with everyone is superficially superior and subordinate, but in fact, it is not so severe, and everyone on the scene is very happy to work together.
Sano's work, first of all, was to adjust the original design of Okazaki Norishi to the design for animation, and the so-called props, including the character's costume, the armor of the tooth wolf, the weapon of the Lord of the Rings mage, the magic prop, etc., should be judged and redesigned whether it should be used as a painting or a CG.
The two have worked together from "The Seal of Fire" to the theatrical version of "DIVINE FLAME", and the Hora "Wild Dura" in Episode 18 is also the design that Park Sex-ho supervised for the first time, and when he first heard the name, Park Supervisor was dumbfounded, and did not react for a while, because this name was still the first time he had heard of it. Sano said that in the design team, everyone basically cares that these Hora are called in the form of "original character name + Hora", and only when you go to the official website will you know, "Ah, the original name was called", at this time Sano asked, these names are generally decided by who. Kubo responded, "These are all my decisions", but when designing, the general name is not set, so they don't know what to call it, let's call it what they like, just get used to it.
Talking about the opportunity to participate in the animated version of "Tooth Wolf <GARO >", Park supervisor recalled that his participation in the work of 18 episodes was in "Horror Remnant", when he received a proposal, whether to try to draw a storyboard, Park said that he originally planned to only draw a storyboard, and as a result, he was addicted to painting, so he found a producer, hoping that the performance, painting supervision, single-word character design, and original painting were also responsible for himself. Following this momentum, after the TV ended, he participated in the work of the theatrical version of "DIVINE FLAME", and took on the role of a storyboard and performance together with the superintendent Yuichiro Hayashi.
Kubo clearly remembers that when he was flying to Singapore with Hayashi Yuichiro, on the plane, Hayashi Yuichiro was still constantly checking the storyboard, the content was too much, it was difficult to stuff all of it into the 1 hour and 30 minutes theater version, had to endure the pain of love, the deleted part was mostly Alfonso content.
Sano Yukiyuki's work this time is basically no different from the past, in the "Flame Seal" is mainly the design of armor and Hora, his favorite is the armor and Hora's painting part, when painting, it is easy to forget the time around, did not expect that the project has been unconsciously involved in 3 or 4 years. Kubo said that he often posts some photos of the V-time on Twitter, and the painting part related to armor and Hora is almost the part in which Sano Yuki participated. The armor painting of DIVINE FLAME is also basically the responsibility of Sano.
This is a rare opportunity, Kubo Producer also brought the storyboard of episodes 1 to 3 of "VANISHING LINE" (the complete storyboard of episode 1 will be included in BD-BOX), and these 3 episodes are also the storyboards personally responsible for by Park Ho-ho, and the drawing is very meticulous. Mr. Park said that the cut 161 scene also basically reflected Sod's way of fighting, because Sod himself was a sword, so he basically fought with his bare hands, not with the Ring of the Rings.
Episode 1 Storyboarding
This scene is also the first time that Zarupa has participated in the "Tooth Wolf< GARO >" series as a "combatant", because it is the first battle scene, and Park Supervisor also hopes to paint it very handsome. When this shot was handed over to the 3D department, the other party also expressed great trouble. Sano also said that this time the tooth wolf is more overseas than the Japanese hero, and Park supervisor believes that the tooth wolf is indeed a Japanese hero, but this time the stage is put in the United States, and how the Japanese hero will fight in the United States has also become a topic this time.
Episode 2 Storyboard
Cut 40-43 on the left, luke and Sood in the conversation, Park supervisor said that he was very happy when painting this scene, Sooder's personality is more straight, Luke is more cold, not easy to confide in the feeling, what the two will be like together, from CUT 42 can be felt. On the right is the battle storyboard of Luke in Episode 2, because Luke is a sniper, so the battle shot will also be particularly handsome in his close-up of sniping. The painting supervisor of Episode 2, Akai Katayoshi, had cooperated with Park Ho ho during the time of "Hunting Angel Witch Blood Destiny", and this time he was also placed in the position of a key animator, including a series of work such as painting supervision, original painting, and design. Because Hola also draws very well, it can be said that he is one of the super powerful helpers this time.
Episode 3 Storyboarding
Then there is the storyboard of episode 3, the scene on the left where Soder is attacked in the car is also a picture that Park Ho Ho is very concerned about, this scene is also to highlight Gina's personality, and it is also Park Supervisor's favorite episode of these 3 episodes, this episode is very happy to draw, and the speed of drawing the storyboard is also faster than the first 2 episodes. The original painting in the set on the right is also a scene personally undertaken by Park Sex-ho, and the list at the end of the film is not recorded.
Episode 4 Storyboarding
In the transformation shot of episode 4, Hiroki Itai, who was acting in the storyboard, gave Sano Yuyuki a lot of room to play. Sano said that in fact, each transformation scene is very free, and when discussing Hora's design with Okazaki Noboru, Sano proposes that he hopes to be able to paint the feeling of the 80s horror movie, which is exactly the feeling in episode 4. Kubo said that when he handed over the episode's white box to the TV station, he also stressed to the other party that if such a scene was missed, there would be no such content in the future.
Because of the limited time this time, I jumped directly to the content of episode 8. This episode of the tooth wolf armor battle believes that many viewers and friends have already understood in advance, this battle is a special version of the tooth wolf holster actor Wada Sanshiro (Golden Knight Tooth Wolf) and Arakawa Makoto (Dark Knight) filmed the video to make a dynamic storyboard. Let's take a look at this precious image:
This dynamic video was filmed by Park Sex-hou supervisor personally asked the action team of the tooth wolf, when drawing the storyboard, Park supervisor hoped that this plot could be filmed in the form of a long shot, but the 3D division said that it was too long when this storyboard, a little bit unable to understand, if there is a video as a reference, this side can also work hard, at this time Park supervisor considered directly drawing by hand, but it is too long, can not find someone who can draw such a long paragraph, so he thought of the video storyboard. Found a special camera action team, Park supervisor said that at that time, he just wanted to find a random person who could fight, but he didn't expect to really be able to invite Wada Sanshiro himself. After yusuke Kawaba, the producer of the special film crew at that time, heard this invitation, he directly found the action supervisor of the Tooth Wolf series, Makoto Yokoyama. After the special camera crew found the team, MAPPA's production staff, including Kubo producer and Park supervisor, also rushed to the shooting scene, and after seeing Wada himself, the whole audience was stunned, and did not expect that the Golden Knight Tooth Wolf himself was in front of him. Action supervisor Makoto Yokoyama personally took the camera to shoot, and In this regard, Inspector Park also felt sincerely afraid, and did not expect to do this for such a scene.
In addition to 3D, this scene is also involved by "super animators" such as Shingo Abe and Yoshida, and it is also the result of the cooperation between the real-life shooting × 3D × hand-drawn.
After Episode 9, it is simply the story of Sood, Sophie and others who set out on a trip. Mr. Park said that "VANISHING LINE" was originally produced in the form of a trilogy during the planning stage, and episode 8 was equivalent to the end of part 1.
Next, we invited Yuichiro Hayashi, the supervisor of "The Seal of Fire" and the theatrical version of "DIVINE FLAME", to discuss the Tooth Wolf animation series.
Yuichiro Hayashi
First of all, the original case drawn by Norishi Okazaki was made public.
Sooder's original case
At that time, Okazaki's painting of Soder was more slender than it is now, and it was changed more and more strongly at the request of Park Supervisor, which is the bear-like shape that everyone sees in the animation. Sano Yuki was also very surprised when he first saw the image of Sood, after all, the male protagonist of Sood's body shape is basically invisible in the current animation, which is very fresh.
Sophie's original case
Park supervisor approved the plan when he first saw Sophie's image, and the image in the animation and the original case have hardly changed. Sophie was designed as a young girl after participating in the department event, and it had a special American feel, and the sportswear was also designed to be very long, which was probably 2 or 3 years older than herself. Inspector Park himself also likes the image of wearing headphones, and when painting, he also requires that the headphones be painted more finely. The crown in front of the tracksuit is designed with the feeling of being protected by a Knight of the Rings and a Mage of the Rings.
Luke's original case
Luke's image was also fixed in the first draft, Luke is a "rain man" image in okazaki Nonoshi's view, so the raincoat is his personal very obsessive design, and the image of western cowboys is also a part that Okazaki personally likes very much. After that, the role design of Kishi Tomohiro's job was to retain as much as possible the characteristics of Okazaki's original case, and reduce the lines to the extent that the original artist and animator could draw well.
Gina's original case
Gina's original case is basically the setting set in the first draft, and Like Luke, she also has the elements of a western cowboy, and a large number of weapons are also her characteristics.
The original case of Mia the Lord of the Rings
Then there is Gina's Lord of the Rings Beast Mia, and Mia's cute image is something that Park cares a lot about, because it is very cute, so I hope to have a set of contrasts, that is, the image of the lower left. When Nozo Okazaki painted Mia, he also hoped that it would be commercialized.
Adelaide's original case
Adelaide, Luke's mother, also hopes that she will have more active shots from the image.
Knight's original case
Knight, voiced by Daisuke Nanagawa, who voices the protagonist in "The Seal of Fire", said that from this point alone, this role is very interesting. In terms of image, Luke's parents are unexpectedly young, and in terms of setting, Knight has not changed in image after killing Adelaide, and will not grow old.
Hadi Hora's original case
Okazaki is very obsessed with Hadi Hora, and Park Supervisor also likes this explosive head image, after all, when it comes to Okazaki Norishi, it is "Exploding Head Samurai". In the scripting phase, Hadi Hola's main feature is on his feet, and he is a very capable Hora. In painting, he also entrusted Shingo Abe to take care of it.
After watching the second half of the trailer, the first thing that made Kubo producers very concerned, when will these main characters all get together? Here, the problem was thrown to Inspector Park, who said that they would always get together and hoped that everyone could wait a little longer. In addition, Yuichiro Hayashi, who was sitting on the sidelines, seemed to be eager to try it out, and Kubo also hoped that Hayashi supervisor would also be able to enter the "VANISHING LINE" crew at any time. Hayashi Yuichiro said that he enjoyed it as an audience, and he looked forward to it when he asked Park Tohhou to draw the storyboard of "DIVINE FLAME", and he could also see such a wonderful fight scene in the future TV series, "VANISHING LINE" was his wish, and Hayashi Yuichiro would not sit here in vain this time, and there will be Hayashi Yuichiro's responsibility in the future, so stay tuned.
After that, let's take a look at the design of each prop,
The first is Luke's revolver and sniper rifle designed by Yukiyuki Sano.
Kawamoto's hamburger meat design is also a place where Inspector Park cares a lot, and in short, it has to be painted deliciously.
The three-view Zaruba motorcycle, a design that you don't want to draw at first glance, uses 3D in this article.
Design of the Golden Knight Tooth Wolf
Dark Knight Knight's design, the mask is up and down.
Finally, there's the question time, which is collected from Twitter.
Q: The name of the Dark Knight Jakes' magic horse that appeared in The Seal of Fire and the title before he degenerated into the Dark Knight?
A (Yuichiro Hayashi): Actually, there is no consideration of Jakes' story before he became a Dark Knight. However, for this show, Kubo specifically asked Yuichiro Hayashi to seriously consider the title and name of Jakes, so it was also made public for the first time - The Knight Jakes, the magic guide horse "wearing horns".
Q: Are Diner's waitressEs Chiaki (voice actress Tomoaki Takahashi, whose name is pronounced the same way) and her sister at the gas station the same person? Is it human?
A (Park Sex-hou): From the setting point of view, although they have the same face, they are different. And, not human.
Q: Are this series and The Seal of Fire different worldviews?
A (Kubo Hiroshi): It's the same worldview.
Q: Will there be an explanation of Soder's coat of arms after that?
A (Park Sex Hou): Stay tuned.
Q: Where is Sood's Lord of the Rings sword usually hidden?
A (Yuyuki Sano): If you watch the anime carefully, you should notice that it is usually hidden behind Sood, and there is also a place on the motorcycle where the Magic Ring Sword is placed.
Q: Are the three people in the Chinese restaurant triplets?
A (Park Ho-ho): This will be said at the time of the final sentence, and it is just the beginning of the storyboarding of the final sentence.
Q: Is VANISHING LINE aware of overseas audiences?
A (Park Ho-ho): I realized this when I was in the planning stage.
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Original: m.anitama.cn/article/92551b40f14c6d95?utm_source=toutiao