Regarding the artist, I think maybe she can be worthy of this title, every step is solid and correct, in every appearance presented to people are different roles, she not only in the film and television circle to do everything she can do well to do the best, each role brings people a different feeling, she also put herself in a new field, with a new way of performance to tell people that she is progressing, she takes every opportunity to perform seriously.
Such an artist, perhaps in her own country to do all of the above she can be called an artist, but in this article she is different, in addition to doing her best professional, she is also committed to the exchange between countries, every role she portrays has been loved by the people of the two countries, and she has also been working hard to promote friendly relations between the two countries, to borrow a very hot phrase on the Internet to describe this artist is: "Sure to look good is the last thing she deserves to mention." "It is because of the film "Wangxiang" that she became a Japanese actress and artist who became a goddess in the hearts of most Chinese people, Kurihara Komaki.
<h1 class="pgc-h-arrow-right" data-track="3" > the beginning of artistic life</h1>
The name Kurihara Komaki was an extremely loud name in the 1980s, and her artistic life may have been predestined from birth, she would become a goddess in the hearts of the people, and she would become a famous artist.
In 1945, after the end of World War II and the surrender of Japan, Kurihara Komaki was born. She was born into an acting family, her parents are engaged in acting-related professions, and she received a good education from an early age, in Japan's already "patriarchal" society, Kurihara Komaki's family has never had the slightest deviation and inequality in her cultivation.
When she was a child, Kurihara Komaki learned violin and ballet, and when she grew up, she entered a professional ballet school to systematically learn ballet, at this time Kurihara Komaki's talent was revealed, for the study of ballet, Kurihara Komaki spent four years learning the knowledge that others need to learn for six years or even eight years, Kurihara Komaki said, "She used half of her talent, half of her effort to learn."
Kurihara Komaki, who studied ballet, graduated from the Tokyo Ballet Academy, and if she insisted on ballet to the end at this time, there might be a ballet dancer named Kurihara Komaki in the field of ballet who would become an artist in the future, but in reality Kurihara Komaki was not a person who would be satisfied with the status quo, she was already outstanding in the field of ballet, but Kurihara Komaki wanted to jump out of her original circle of comfort and comfort, so she challenged the actor.
In 1963, Kurihara Komaki was eighteen years old, this year she entered the Haiyuza Actor Training Institute, one of the five famous theater companies in Japan, for professional actor training, and the eighteen-year-old Kurihara Komaki also had a high talent in the profession of an actor, perhaps because she had studied violin and ballet, Kurihara Komaki's temperament was also extremely prominent among actors.
In 1964, Kurihara Komaki, who was still studying in actor Peixin, performed her first film in life, "Rainbow Design", in the movie Kurihara Komaru first appeared sharp, starring in the movie "Rainbow Design" made Kurihara Komara officially become a film actor, we often say that to make a career depends on whether you have this potential, whether you have this look, and whether you have this unique talent? There is no doubt that Kurihara Komaru has, not only potential, looks, talent, but more importantly, Kurihara Komara has her own strength, she performs hard, carefully and meticulously to play every role.
After Kurihara Komaki performed the first film, she did not allow herself to be limited to one style, she performed "Young People", "Three Sisters", "Family of Three", these works have comedy, there are drama films, Kurihara Komara in these films to create a different role.
After a series of works were broadcast, the Japanese people at that time knew about such an actress who not only looked good and had good acting skills, but also online, so there was a saying in Japan that "men love Ken Takakura, and women love Kurihara Komaki."
In the 1972 film "Love of Oshawa", released in Japan, Kurihara Komaki played the heroine Shino, in this film that was originally adapted from a classic novel, Kurihara Komaki created a pure and gentle female image, this role gave Kurihara Komaki the first best actress in her life - the best actress at the 27th Japan Mainichi Film Awards.
In 1974, Kurihara Komaki went to the Soviet Union, staged a most beautiful love scene when the illness struck, in the film "Moscow Love", Kurihara Komaki played a Japanese ballet dancer who went to the Soviet Union to study, met love in Moscow, but also met the illness, and eventually died of illness Yuriko.
In the film, Kurihara's graceful posture presents a ballet dancer's graceful manners to the audience.
In 1978, this year for Kurihara Komaki may be a year of unforgettable, this year her work "Wangxiang" was released in China, in a special period of China, the japanese film release is naturally subject to a lot of criticism, this film now seems to be a classic but also caused a lot of controversy at the time, but no matter how these controversies, kurihara Komaki name began to enter the vision of the Chinese, the image of the upright and kind female journalist who did not want to give up was deeply rooted in the hearts of the people.
Subsequently, China introduced the movie "Life and Death Love" starring Kurihara Komaki, which is a love movie released in Japan in 1971, in which Kurihara Komaki appears in the image of wearing a white tennis dress, in which Kurihara Komaki plays Natsuko Nakata, presenting a youthful, clean goddess image in front of people's eyes, the introduction of this film also prompted Chinese people's yearning for bold and clean love.
In 1986, Kurihara's small scrolls performed the allegorical play "The Good People of Sichuan" created by the German dramatist Brecht based on Chinese mythological stories, and this year's Kurihara small scrolls began to enter the theater industry. Theater critics who have seen Kurihara's performance put it this way: "Experience and performance are perfectly combined." ”
Kurihara said, "Film is the stage for directors, and drama is the stage for actors." Kurihara Komaki, who became a drama actress, threw herself into the role, and the non-stop performance format made Kurihara more excited, and she seemed to enjoy performing on stage even more.
In 1991, Kurihara Komaki performed the Sino-Japanese co-production film "Bells of Qingliang temple", which was directed by the famous Chinese director Xie Jin, filmed in China and Japan, after the filming of this film, Director Xie Jin's words made us feel the charm of Kurihara Komara even more. Director Xie Jin said that Kurihara Komaki would bow to every staff member on set and smile.
For Kurihara Komaru, this film also has a different meaning for her, in this film Kurihara Komaru changed the image of the young and beautiful goddess in the past, in the play, she played a mother Oshima Kazuko who was separated from her children, this role span is so large that Kurihara Komaru initially refused to act, and then after many efforts by director Xie Jin, she finally decided to perform.
Since 1991, actor Kurihara Komaki has gradually withdrawn from screen performances, replaced by drama actor Kurihara Komaru and later artist Kurihara Komaru.
For the audience, kurihara's fading out of the screen is a pity, but for Kurihara's return to the stage, she will enjoy the experience brought to her by the role even more, give herself to the role more, and empathize with the character.
<h1 class="pgc-h-arrow-right" data-track="8" > the opening of the China complex</h1>
In 1978, the movie "Wangxiang" starring Kurihara Komaki was released in China, and was sought after at that time, the fifty-cent movie ticket was doubled several times at that time, after the film was so popular, in 1979, the japanese film creative team was also invited to China, and Kurihara Komaki opened her first experience in China in this year, and it was because of this experience that she felt, Chinese the enthusiasm of the people, she was deeply moved and then had a follow-up thirty-five exchanges in China.
After "ping-pong diplomacy" broke the deadlock in China's diplomacy, Sino-Japanese relations became a topic of great concern to the people of both countries.
The name Kurihara Komaki means happy koshu in Japanese, and the father wants his daughter to be happy, and hopes that the future relationship will also be happy. Kurihara Komaki did not live up to his father's expectations, Kurihara Komaki said a sentence, she said, "They told me that they can see the goodness of Japan in my movies, this sentence is very important to me, and it is also the source of my courage." ”
This sentence comes from the mouth of the Kurihara Komaki Japanese, and there are many meanings, and among them are things that we will never forget, and there are also things that we hope for, and for peaceful and friendly exchanges, I think this is something that every country wants.
Since 1991, Kurihara Hassan has gone to perform dramas around the world, and she has been practicing what she said: "I am willing to make a lifelong effort to promote Sino-Japanese cultural exchanges and achieve friendship between the two countries." ”
Kurihara's small scrolls continued to come to China in the following period of time, and at the 2019 Beijing International Film Festival, we still saw this artist who has lost his beauty by the years but has left a different style and temperament. This year is her thirty-seventh visit to China, she has been working hard to promote Sino-Japanese friendly exchanges, she hopes that Sino-Japanese relations can be as good as she hopes, we also hope that this artist can always be active on the stage, and we hope that she has always insisted on everything she insists on.
The connection with China comes from movies, and for us Kurihara Is still a goddess, whether it is her work on the screen, on the drama stage or in real life, this artist works harder than we see, and more dashing and frank.
<h1 class="pgc-h-arrow-right" data-track="10" > about love</h1>
For Kurihara Komaru, she is immersed in the world of drama, and she is grateful for the screen she once was, but perhaps the only regret in her life is the lack of love. Unable to treat her children and husband fairly, and she can't let go of her beloved art career to marry and teach her children in the family, then choose to work, which is Kurihara Komaru's outlook on life.
Perhaps the artist's pursuit of art is the ultimate, in Kurihara Komaki's view of dedicating all her life to the things she loves is the best explanation for herself, once had a friend go to the temple of the spiritual experience for her to ask for a signature, the signature said that Kurihara Komara should find someone who can accompany her for life during this time. But Kurihara says, "My object is work."
Kurihara, who is now 76 years old, is still immersed in the creation of drama, and someone once said: "Drama will love everyone", I think this is right, drama will love all those who love them.
Kurihara Is the recipient of the China-Japan Friendship Promotion Award, the artist known as "Audrey Hepburn of the East", has been fulfilling her value, and in 2021, the 76-year-old Kurihara Komaki was awarded the title of "Ambassador of Sino-Japanese Friendship".
Is there a regret for love for Kurihara Komaru? I think maybe not, but for artists, every character they create is like their child, and the care for them is like being very careful with children.
Kurihara's small scroll is a youth memory for people in the 80s, a memory of the times, and a classic existence for people today, and her smile reflects the imprint of the times at that time. The current Kurihara small scroll is the memory of life, she represents the youth of too many people, represents the memory of too many people, and hopes that from now on she can be her own representative, to love everything that life gives her more.
Born after the end of the war, Kurihara Komaru had a profound understanding of the war, so he hoped for peace and friendship. She has her passionate and fearless pursuit of art, and she also grows old gracefully and freely for life.
The word "Virtue and Art Shuangxin" is used to describe the artist, and the same word is most appropriately used in Kurihara's small volume, the artist's elegance and sincerity are worth our slow and careful taste.