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On the contrary, the daily non-everyday of "Killer Fable" dramatically presents the other side of the killer

On the contrary, the daily non-everyday of "Killer Fable" dramatically presents the other side of the killer

In the past, comic book works often accompanied readers with the growth of characters, but today's popular works are often too powerful to know how to do abnormal operations.

This kind of long auror protagonist, who is very strong at the beginning, is a double-sided blade, on the one hand, it can reasonably describe the story of various protagonists hanging, but on the other hand, how to make the reader and audience accept and not feel powerful enough to be bored depends on the author's creative skills.

On the contrary, the daily non-everyday of "Killer Fable" dramatically presents the other side of the killer

Killer Fable: The Killer Doesn't Kill is the second live-action film adaptation of the original manga, The Killer Fable.

It describes the story of the legendary killer Fable who partners with a woman because of the boss's order to live as an ordinary person Sato Akira for a year, and cannot kill people in the middle. However, he was provoked by gangs, killers, and criminals, and Sato had to think of ways to solve the problem without killing them.

On the contrary, the daily non-everyday of "Killer Fable" dramatically presents the other side of the killer

Many juvenile comics are often adapted into live-action versions with tragedies, such as Fullmetal Alchemist, Attack on Titan, and the thunder "Dragon Ball: A New Evolution" dominated by Europe and the United States.

On the contrary, there are often slightly good achievements in the adaptation of youth comics, such as "Tokyo Love Story", one of the well-known Trilogies of Japanese love movies, the suspense drama "Only I Am Not there" in time and space, and even the "Daiao: Men and Women Reversal" with feminist and historical events in the Okawa drama.

On the contrary, the daily non-everyday of "Killer Fable" dramatically presents the other side of the killer

It can be said that the young lady manga has a good live-action effect in the adaptation because of its realism and closer to the characters encountered in life.

Killer Fable: Killers Don't Kill is the second time that the Killer Fables manga has been brought to the screen, recounting the legend of Akira Sato, a special event encountered by the killer Fable when he was ordered by the boss not to kill people to live a normal life.

The manga coexists with both blood and funny, and also creates a refreshing feeling with the perverted technique of Akira Sato to suppress many villains and masters, which is an interesting young manga work of Dragon Auror on the whole.

On the contrary, the daily non-everyday of "Killer Fable" dramatically presents the other side of the killer

This story continues with the first work of 2019, followed by the murder of the wheelchair girl Sawako by her parents, and also involves the enmity between criminals who escaped from the hands of the legendary fable killer Fable.

The manga "Killer Fable" itself has a special theme, and the cold Japanese humor style and various daily and simple killer tricks often impress readers.

The film version of "Killer Fable" adds many elements of action and positive and negative confrontation, reducing the author's daily description of the killer and cold humor style, and becoming a more pure Japanese action film. This change made the initial evaluation not too good and caused the original fans to resent.

On the contrary, the daily non-everyday of "Killer Fable" dramatically presents the other side of the killer

Therefore, the director in the second "Killer Fables: Killers Don't Kill" incorporated a sense of everydayness and cold humor into the original additional plot, this time receiving some good feedback from Japanese audiences, and buried the characteristics of the third villain role at the end of the movie.

The original manga artist, Nan Katsuhisa, was a professional worker who began working after graduating from high school, and later began serializing manga in magazines with an award for his debut road ride comic "Wave Car Mania".

Nan Katsuhisa used to love car modification and highway speeding, so he drew a modified car comic with his past experience, which is quite fascinating, and because of the appearance of the various lines of people he knows in this hobby, he can show his uniqueness in the face of painting characters.

On the contrary, the daily non-everyday of "Killer Fable" dramatically presents the other side of the killer

Although "Killer Fables" is a crime manga, it also more or less brings out Minami Katsuhisa's hobby through the fact that gangsters love cars. Hiroshi Takahashi, the original manga in the movie Pretty Man, believes that Nan Katsuhisa may be a talented manga artist who will allow him to quickly achieve long-term manga serials.

The "Killer Fable" manga is not mainly based on action scenes, but focuses on the many plans and actions of the evil people that seem to be unsolvable, but they are easily cracked by Akira Sato, the legendary killer Fable, which is still in the time when he does not kill and disguise himself as an ordinary person.

It also brings out the process of Akira Sato transforming himself because he was ordered to live a normal life, contact with ordinary people and help people.

On the contrary, the daily non-everyday of "Killer Fable" dramatically presents the other side of the killer

The live-action film version of "Killer Fables" focuses more on the action scenes and omits some of the protagonist's growth and emotional scenes, although it has a good high evaluation in the action scenes, but as many viewers say, the most important protagonist Akira Sato has become quite shallow overall.

"Killer Fables: Killers Don't Kill" is the second paragraph of the original film adaptation, although it improves the lack of too flat last time and gets good reviews, but it still presents a film with a different tone from the original.

I think the interesting point of "Killer Fable" is the non-everyday in the daily life, watching the killer Akira Sato perform a task without hesitation and the sense of contradiction in the daily life.

On the contrary, the daily non-everyday of "Killer Fable" dramatically presents the other side of the killer

I think that the big action scene is not in line with the tone of the work, but it can indeed give the audience a more dramatic experience.

Because the third adaptation involves Akira Sato's female partner Yoko Sato, and the internal split between the two gangsters of the killer group, it may be a third part of the killer fable that can be expected after the real person.

Thank you for watching, paying attention to me, and learning more about it.

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