The 2022 Beijing Winter Olympics Theme Art and Calligraphy Exhibition of the National Academy of Painting of China opened at the Art Museum of the National Academy of Painting of China, and two gentlemen, Liu Hongbiao and Wang Houxiang, two of the four wild grasses, were exhibited.
Tianzhe couldn't help but sigh a little (note, after watching the opening ceremony of the Beijing Winter Olympics): Liu Hongbiao and Wang Houxiang of the four wild grass families used wild grass to celebrate the Winter Olympics is a match, and only wild grass is the most matched!
Why?
Tianzhe answered one by one with five comparative analysis points!
First, since the development of cursive writing, wild grass has appeared with a certain peak of social development! Today's China is brewing the arrival of the peak, compared with the Peak Period of Zhang Xu and Huai Su Wild Grass Tang Dynasty, there are many similarities, but more outstanding, more lasting. China during the Tang Dynasty, whether it was economy, culture or national strength, was the center of the world, and today's China, everyone has a number in mind!
Second, people who write cursive, if they do not have strong self-confidence in their hearts, cannot understand the various cultural connotations of cursive! You may wish to take a look at Huai Su's self-narration, from beginning to end the whole is a confident presentation... Mr. Liu Hongbiao was in a huge controversy at the Wild Grass Four Exhibition because of the "beyond the ancients" remarks, Tianzhe thought that no matter the context and true meaning of the speech at that time, we should support and understand the inner self-confidence of the cursive writers in their bones, saying that "transcendence" is what should be, not saying that it should not be, there is no such pride, can inject strength into all levels of cursive creation, dream about it... All, cursives are another creature that distinguishes it from man, and society should support its "wild" core! Back to this year's Winter Olympics, the epidemic, coupled with the brain-wringing blockade of some superpowers, our country, if there is no strong self-confidence, how to do well?
Third, romantic feelings and rich imagination! You may wish to look back at the works of the two, whether it is lines, orthography, ink, and chapters, there is a romantic feeling and an imagination that ordinary people do not have!
Fourth, strong tension. With the inside, there is a high technology, a high level, and a high culture accumulation, which is presented through an excellent form, which is the essential difference between cursive and other writing styles! When we look at the work, the large chapter is full of chapters, full of tension, plus a sense of strength, three-dimensionality, rhythmic fusion into the ancient and tense lines!
Fifth, the perfect collision of emotion and art! People without emotions cannot walk into cursive, and people without passionate emotions cannot walk into wild grass... For decades, technology, art, Taoism and art collide with emotions tens of thousands of times, and sparking moments are often accompanied.
Get into the details!
Characters:
Small:
tall:
Dwarf:
Thick:
Light, dry:
compact:
Loose:
Sitting on the edge of the seat:
skew:
Write slowly:
Rapid agitation:
Looking at Mr. Wang Houxiang's, the above contrast changes are all there, and there are:
The relationship between virtual and real!
The relationship between loose and dense!
Rhythm Zone!
Of course, Mr. Liu Hongbiao's couplet also has these elements, but the Zhongtang works are convenient for us to mark!
Look at the central axis of a line and a line, like a swing swaying in the wind, romantic colors follow...