I'm not going to talk about movies today.
The dean saw this passage on Weibo yesterday and had some feelings.
Yu Peier has no drama in China, including Aunt May and Binoche, and francis, who has no drama after this year's Oscar.
Mixed up in the color TV series cameo evil mother-in-law or something, and that's it.
Contrary to the world's concept of artistic value and culture, it is difficult to extricate itself from the self-indulgence in the box office concept of local tycoons.
The "young and beautiful" leather bag full of screens has never been able to get the spiritual quality and humanistic care of the table, entertain yourself!
This straight and helpless spit comes from actor Zhao Lixin.
His resume of works is very weighty, "Daming Dynasty", "Towards the Republic", "The Eternal Wave"...
But what really brought him into the public eye was this year's hit "Immersive".
His spit has also resonated with many well-known screenwriters in many circles.
Actors who can't act are the most expensive, and actors who can't act dominate the creation of the entire film and television industry.
The whole industry, especially the platform, is kneeling to lick the industry's spoilers... There is only China in the world.
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What is the current situation of domestic middle-aged actresses?
On this issue, this is the second discussion that has taken place this year.
At the beginning of March, netizens @SUM and hoped that China could make a version of "Lady's Character".
And "brain hole" four temperamental and acting actresses in the mainland starred, and even the human settings were well thought out-
Yu Feihong, the designer who seamlessly switches between delicate and cold, can talk about business on the field and dry in the next game.
Chen Shu, a smart female teacher with humor and patience in class, poisonous tongue and alienation in class.
Yuan Quan, a cleanser who is indifferent to outsiders but changes his mind with his girlfriends.
Zeng Li, the president of the company with more gold, crushes men in the workplace and can cover her girlfriends in the workplace.
Draw down this version of the "lady's character" keywords -
Forty years old, beautiful, rich, free, want to love whoever loves whom.
How bold the people are, how productive the land is. A brain hole attracted a group of people to revel.
Immediately after the talented netizens made posters and cut out a rather emotional trailer.
This "Lady's Character" has received so much attention, and netizens have made their own suggestions,
It is because it satisfies many women's beautiful vision of their current or future lives.
No parents short, no mother-in-law fights, no little three cheating...
40-year-olds, beautiful, rich, free, who they want to love, still have a youthful spirit.
They are not necessarily "unmarried", but they have the freedom to "marry" and "not marry";
They also need love, but they don't need Mary Sue to wait for a better man like "He Han" to "save";
Their love is not to make a living, but to pursue the resonance of the soul.
Their spiritual world is rich enough, and their exploration of life and the world stops at the end, and they do not regard "marrying" as their ultimate goal in life.
They are not silly and sweet, nor are they cunning women. They are beautiful and intelligent, and they are good at both business, which is enough to control their own lives.
This is probably the "goddess" that many women want to live.
The number of tens of millions of likes of the original Bo is enough to see the expectations of netizens.
It even alarmed the two "starring" Buddha-figures.
Why do people have such enthusiasm for a brain hole?
In essence, it is still a silent protest against the fake heroine of the domestic drama, the real Mary Sue.
Actors of about the same age, men can play and fall in love with little girls, women can only play evil mother-in-law or even male.
"My Pedigal Teacher" Uncle Lori matched
Thirty or forty years old is a watershed, and most Chinese actresses have only two states in film and television dramas after reaching this age:
Dress up young and dress up old.
Born with a childlike face and good maintenance, I try my best to mix in the idol drama for a few more years.
Otherwise, most of them can only play some stereotyped roles. The worried mother who forced marriage and the evil mother-in-law who urged the daughter-in-law to give birth to a child.
Even the big female protagonist who advertises "older female sister-brother love" still does not see the screenwriter's good intentions.
Belittling and stigmatizing women, mentally retarded lines grab a handful.
It is advertised as a story of a professional woman and a mature woman, but the plot is written like a mother-in-law drama without nutrition.
Criticism of "Little Husband" by Name
This year's Korean drama "Mist", which brushed a wave of presence, created a three-dimensional and full self-reliant image with a strong aura image that is not naïve and even somewhat "fierce".
Jin Nanzhu is such a "fierce woman" who is eager to succeed, strong and firm, and must be compared.
For the enemy who hindered her, she did not hesitate to fight back, no longer blindly virgin, let others bully, and be loved by others.
Claire, the heroine of "House of Cards", is a woman who has ambitions and desires more than men.
She knows her desires, knows how to judge the situation to cover it up, but also gives everything to achieve it in order to achieve the goal.
In "The Proud Wife", the heroine does not become the world's definition, but becomes another husband of her own - a powerful, idealistic, and strong person with followers.
In Old Enemies: Betty and Joan, Jessica Lange and Susan Sarandon,
Two Oscar-winning maniacs in their seventies can also go head-to-head in a play tailored for them.
Each age has its own beauty.
China does not lack attractive, good-looking and acting actresses of the Middle Age.
In addition to a few in "The Character of a Lady", Yan Bingyan, Tao Hong, Hao Lei, Qin Hailu...
Any single single out is the mainstay of the acting school.
These Mesozoic actresses are well-behaved, fashionable in appearance and strong in acting.
But do we have this kind of film and television project that suits them? No.
The dean also had to pick an old drama bone Pan Hong alone.
She acted in many films that were very advanced in consciousness in the 80s and 90s. He also participated in the screenwriting work.
"Woman Taxi" is the Chinese version of the end of the road crazy flower. The story of the single woman is the story of China's first generation of professional women.
"The Last Nobleman" is based on Bai Xianyong's novel, originally scheduled to be played by Lin Qingxia, which is indeed an elegy of the times.
"Man to Middle Age" explores the unique midlife crisis of the intellectuals of that era.
Pan Hong is fully qualified for the Chinese version of Diane Lockhart.
Look at the ones she's playing now—
Forcing the daughter-in-law to have a child and tearing her face with the son-in-law's family.
Just like Zhao Lixin complained, is the creative life of Chinese actresses ending on the evil mother-in-law?
Can't our film and television give women some space? Can't you come with some powerful characters?
The materialistic industry and the absolute authority of capital have led to a deformed positioning of the story.
Actresses over the age of 45 are generally in a bad situation, but among them, Chinese actresses are even worse.
Wang Xuexi was 60 years old when he was red, and he lamented that he could act but did not act, and the actress had to be prepared 15 years in advance
So many actresses with good looks, acting skills, style and charm, but they have always been invincible to the little flower who can only pout and stare at the performance.
But the little flowers will always have an old day.
It is heartbreaking for the actors in our country who are on par with Kim Nam-joo, Jessica Lange, and Susan Sarandon.
In fact, the audience loss is not large, that is, do not watch domestic dramas, American dramas Korean dramas and Japanese dramas are too good to watch.
But actors only have one life. Years pass and cannot come again.
In domestic films, middle-aged actresses are dead.
This is not their sorrow, it is the sorrow of this era.
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