First, a question for everyone.
If you finally wait for the love you are looking forward to, and your lover is in your arms.
Suddenly, a woman who had only had one side of the relationship came up and said she was going to have a baby with your boyfriend.
How would you feel?
Do you think this woman is neurotic?
But what if your boyfriend is really seriously thinking about it?
This is exactly the story that happened in the film that Little Sister wants to recommend to you today.
This 19-year-old film is not only large-scale, avant-garde in concept, but also delicate and real in the portrayal of the character's heart, which once made people unable to extricate themselves after watching it.
"Three Hearts and Two Sexes"
hash!
Nao also works in a pet store and likes to go to bars when he has nothing to do after work.
Like all single young people, the more you may be in a bustling city, the easier it is to feel desolate and lonely inside.
Especially those unaccompanied, uncounted, lonely nights at home alone, the heart will inexplicably feel missing a piece.
What is that piece?
Eighty or ninety percent are probably love and unmet love, or unmet love.
Adult feelings are often complex and delicate, so much so that we often can't figure out whether it's lust or lust that haunts us.
Naoto, who meets various men in bars and has a one-night stand with them, probably thinks the same thing.
That's why he wakes up in the morning and still wants to keep in touch with the other person.
Each time he was fully engaged, expecting the body to collide with the spark of the heart.
But the men all got up and left in a hurry, unwilling to continue.
Until the appearance of Katsuhiro, the one-night passion finally turned into a long-flowing love.
When he woke up that morning, Katsuhiro did not rush to leave, but boiled hot water in the kitchen and prepared to make coffee.
The two men dressed lightly, half politely and half shyly, opened the conversation. The sun was shining outside the window and the smell of coffee wafted through the room.
In such a beautiful morning, perhaps a flow of thoughts is enough to give birth to the warmth of a room of two people and three meals for four seasons.
After that, Naoya and Katsuhiro eat together, go shopping together, and lie on the bed together and hug each other tightly.
Sometimes Naoto also says, Katsuhiro, you hugged too hard.
But Katsuhiro smiled and replied, it's better than loneliness.
Sometimes they also argue, get emotional, and don't talk.
But it is always an apology, and a touch is reconciled.
However, this quiet year was soon broken by a woman named Asako.
While eating at a restaurant, Asako overhears a conversation between the two sitting behind her, and Katsuhiro says that she likes children.
When he left the store, he saw that Asako did not have an umbrella, and Katsuhiro was kind enough to let himself out.
This chance encounter, Neither Katsuhiro nor Naoya paid any attention to it.
However, Asako has since identified Katsuhiro.
"I want to have a child with you because you have fatherly eyes."
Afterwards, Asako finds Katsuhiro and bluntly explains his intentions.
Is Asako neurotic? Of course not.
Like Naoya, she had a long-term one-night stand and had two abortions as a result.
Until one day the doctor pointed out that there was something wrong with her body.
If you want to have children, you have to live in moderation, and if you don't want to, you have to remove your ovaries.
Asako's seemingly absurd life can be said to be due to the emptiness and loneliness that adults cannot cope with, but in the final analysis, it stems from the indifference of the original family.
Growing up, no relatives loved her well, and no one hugged her well.
This indifference between the family ties stabbed Asako deeply, making her want to commit suicide for a while.
Therefore, as an adult, she has been living alone, does not believe in the feelings between people, and therefore does not want to fall in love with people.
But when the doctor asks her if she wants to remove her ovary, Asako realizes that she has not completely given up.
She wanted to have a child, laugh with him, hold hands together, and look forward to the next tomorrow together.
She longed for such affection.
Of course, these Shengyu only slowly learned about it in later contacts.
As for hearing Asahiko's "ridiculous" remarks at the beginning, the reason why he did not refuse on the spot was actually because this proposal just poked in Katsuhiro's heart.
Compared to Naoya's frank coming out, Katsuhiro has been hiding his homosexual identity.
Not only did he not tell his family, but he even had to run far away from the company on a date.
In an era when homosexuality was not yet universally accepted, their relationship was not easy to maintain.
They must always be prepared to leave their loved ones and live alone.
Katsuhiro lost his father at a very young age and was extremely afraid of loneliness.
So he began to think seriously about whether he might be a father.
Therefore, even after being opposed by Naoya, he still did not reject Asako's contact.
But the two did not deviate from the norm, but only discussed the issue of birth and maintenance itself.
Asako does not intend to interfere with Naoya and Katsuhiro's relationship, nor does she want to rely on the sperm bank without emotional involvement to complete her dreams.
She only hopes to use Katsuhiro's sperm to artificially conceive, and then both parties have the will to raise it together.
Slowly, as the understanding increased, Naoya also changed from fierce opposition at the beginning to trying to understand and accept.
The emotional entanglement and fate of the three people in the film have always touched the hearts of the audience, what will be the end of the three people in the end?
The director gave a bold and warm arrangement, that is, the three lived happily together.
Next, they will begin to formally implement the birth plan.
During the meal, Asako gave Naoya and Katsuhiro a test tube.
She not only has to give birth to Katsuhiro, but she also has to give birth to Naoya.
At that moment, this emotional scale that tilts because of the child eventually creates a new balance because of the child.
It should be emphasized that the time in the film is not the present, but 19 years ago in Japan.
In the general perception that love itself is selfish and cannot tolerate a third party,
However, the director interprets the tolerance and breadth of love through special groups such as homosexuality and celibacy.
At the same time, it also makes people begin to think about the true meaning of family.
Moreover, it is rare that the film is not limited to the three protagonists,
Instead, through their respective living environments, they are integrated into the various forms of life.
For example, the noblewoman who often visits the pet shop takes care of her pet in every way, but is extremely rude and indifferent to her daughter;
For example, the company's assistant Nagata has low self-esteem due to physical defects, and has a sick love for others;
For example, Katsuhiro's sister-in-law, because she did not give birth to a son and was not accepted by her mother-in-law, has been living a stoic and cowardly life.
Whether it is the protagonist or supporting role in the film, the director has made a full, meticulous and complete portrayal and portrayal of these characters.
Therefore, in the process of watching the film, it is not only the ups and downs and changes of the protagonists' personal emotions that are felt, but also the ups and downs of the social group portraits and the worldly conditions.
Although you are in the bustling city, everyone in it is like an island.
The loved ones may not be intimate with themselves, the loved ones may not love themselves, and everyone has their own problems and hearts that need to be faced.
All this inevitably makes people feel difficult, frustrated and frustrated, but there is also hope and vitality in the life of carrying the burden forward.
Friendships and connections that are established by chance, greetings and concerns from strangers, bonds and words between relatives...
These small beautiful moments, always inadvertently, are like a sudden ganlin that nourishes our almost dry hearts.