Belgian writer Amelie Nodong, who claims to be a "writer without borders", was born in Japan and spent two years in China, and then studied with his father in the United States, East Asia and other countries, until the age of 17, before returning to her homeland to settle down and study, the main "Crazy Nobel" is her debut work, and this book, once published, won the grand prize and became famous in one fell swoop!
Amelie's "Crazy Nobel", created in 1992 by Hunan Literature and Art Publishing House, tells the story of Pretekta Tash, who has passed the old age, who is a Nobel Prize winner in literature but has never been married. He has been living in isolation, but he is fat and fat, and he has a rare disease called "chondrocarcinoma", and can only live for two months at most. For such news, reporters flocked to interview him. However, the interview was extremely difficult, and the first four reporters were defeated by the writer's sharp-tongued Nobel master Yu Wei in less than five minutes, and the writer's meticulous logic and somewhat self-deprecating viciousness were difficult for the reporters to accept. The fifth female reporter who appeared was a big headache for the writer, and she was beaten down by the female reporter a little bit! The female reporter Nina read all the works of the writer on the second floor beforehand and learned that the writer hated women very much. At the same time, female journalists rely on their meticulousness, carefulness, bravery, wisdom, cleverness, and strong critical thinking ability, and are very responsive and articulate! She had already made up her mind to defeat the writer before she came, so she set the rule from the beginning: in a debate-and-head competition, the loser must kneel at the feet of the winner. With his many years of experience in the jianghu, Tashi easily fell on the female reporter's pawn, and after several confrontations, Tashi not only launched his own secret with the disk, but also finally signed a death verdict for himself!
The complex ends abruptly! Why did Nina, who had nothing to do with it, want to kill the writer, because she had mastered the secret of the writer! In the work, there are not many clues revealed, and finally, "the reporter has moved, the action is beautiful, clean and sharp." "This avatar looks appreciatively at his own hands." The other results are not explained, but at the end of the book, a sentence is written that "the road to God is not possible, and the road to success is even more impassable", which is obviously compared to the ending of this Nina, and the writer, because of this murder, in "ten years, he became a classic writer"!
The connotation of "Crazy Nobel" is whether the author has been calmly narrating, describing that although women can be very superior to men in their social behavior, they cannot hide the light of men in the end, and in the sense of gender given by their society, they cannot be compared to men after all! Or maybe it's a deliberate implicit amplification of feminism by writers. The author was born in the development period of the "second wave of feminism", when women's ideology made women more effective, and their social status gradually became clear, and many voices were established, which was undoubtedly a profound impact on the growing writers. Therefore, after experiencing the precipitation of life experience in Asia and the Americas, coupled with the philosophy and literary creation of writers' preferences, it is tantamount to adding wings to the tiger, and the writer will be more inclined to women in the intention of literary creation and the expression of words.
With her rich knowledge of philosophy, history, religion, mythology, and literature, Amelie integrates it into the storyline that she has put in place, hoping to get the attention of society! And the author himself, is a woman, as the translator Hu Xiaoyue said, Amelie "does not hesitate to laugh at herself, but more is still looking for her own identity and sense of belonging!" Therefore, when Amelie's many works are continued, it is not difficult to find that she deliberately crosses her gender through the text, integrates into the story, uses her ridiculous and witty talents to construct an almost absurd plot, and spares no effort to find and express the meaning and contradiction of fresh feminism in today's society!