Although most netizens are now very disgusted with traffic actors, sometimes online condemnation does not cause much effect.
The reason is also very simple, because there will still be a group of people, or a lot of fans to buy it, he/they like to look at those beautiful faces, as long as the love beans appear on the screen, they are crazy for it.
From a business point of view, if capital wants to make money, of course, it will not give up the traffic actors, but in this way, it is actually another industry that suffers.
It's the film and television industry.
You said, if those small fresh meat or something, just to engage in variety shows, some performances or something is fine, but people are not, but they are staring at TV dramas and movies.
Why? Of course, because it earns a lot, a film and television work is paid tens of millions of dollars, which small fresh meat does not compete to act?
The high salary is another matter, and what makes the public most angry is that these traffic actors actually do not take acting seriously at all.
The first is the question of the lines that everyone is familiar with.
"Mr. Digital" and "Miss Digital" are already relatively well known to everyone, in fact, according to some people who have participated in film and television production, there are more interesting.
For example, assistant teleprompters.
If the traffic actors only say 123456 on stage, the mouth shape is not right, and it is easy to cause controversy after shooting, so sometimes they still need to say lines.
The problem, however, is that these little fresh meats can't remember the lines at all, and they don't bother to take the time to memorize them.
Therefore, there is a situation, when the fresh meat on the stage needs to say a line, the assistant on the stage directly says the line and asks him to repeat it.
In the later stage, the picture is directly made coherent by means of silence and editing.
But everyone knows that this way of saying lines is very troublesome and cumbersome, and often a scene has to be filmed many times.
And the drawbacks of the small fresh meat can't remember the lines will also affect the actors in the play.
For example, when filming a crying scene, another actor brews up emotions, and the tears come out, but the little fresh meat can't remember the lines, resulting in a reshoot.
Well, reshooted, the actor had to re-brew the emotions, and then brought the tears out, and then the little fresh meat continued to remember the lines.
Remake again? How many tears can the actor in the play still have to shed?
This is not an exaggeration, but a revelation by a small actor.
Most of the actors of the older generation will memorize the lines, not just the lines, but when they read the script, they integrate themselves into the role and think about how to act.
But now the traffic basically does not memorize lines.
What is more fatal than the lines is that the small fresh meat actually "occupies the pit and does not act".
It is very normal for acting to have a stand-in, even if some old drama bones, it is impossible to say that all the plays are played by themselves.
Some scenes are performed by stuntmen, and there will be better effects, such as some martial arts scenes and the like.
These are understandable.
However, the stand-ins of the traffic actors are much harder.
Why? Because what they need to act is almost all the scenes.
As long as they don't show their faces, they all have to act, and all the dramas are all arranged.
As for the traffic actors? Just contribute that face.
In the early years, there was also the so-called "cutout" method, but later because this method was exposed, many people were dissatisfied, so now I have learned to be obedient.
It's the way to shoot the headshot, pull the camera closer to the neck, so that the fresh meat's face is exposed, and it's almost the same.
As for the fresh meat filming this "face scene", where was he himself? It's all the same, and it's no problem not to be in the crew.
Even the most exaggerated one, according to the revelations of some actors in the Hengdian, there are as many as 30 stand-ins for the traffic.
The salary of the stuntman is very low, generally four or five thousand a month, if it is specific to a certain scene, you may perform well, at most it is only 200.
And those who only need to contribute a face of traffic? The remuneration for a play is something that ordinary people can't earn in dozens of lifetimes.
The stuntmen who are really "filming" get paid so much, but the traffic of the stage is tens of thousands of times that of them.
satirize.
What's even more interesting is what the traffic is doing when the stuntman is filming for the traffic?
In another crew, playing another play, or participating in various activities.
Don't be surprised, this is actually the method of capital, the so-called "fast food means".
Since discovering that fresh meat can "eat by the face", capital has been thinking about how to maximize the use of them to make money, and in the same way, the traffic naturally hopes to pick up more drama.
This was unimaginable in the past, and the older generation of actors, acting in a play, memorizing lines, understanding the role, often may have to stay in a crew for several months or even half a year.
And the traffic now? This play can only need to use the face, let the stand-in go first, another play is not suitable for the face, just go through a formality, or let the stand-in act, go to participate in some commercial performances.
This is the so-called "efficiency maximization", whether it is capital or fresh meat, you can make the most money.
Naturally, it is the film and television industry that has suffered.
There is no shortage of good directors, good actors, and good screenwriters in China.
But in this environment, everything has changed, that is, from the previous "director-centric system" to "traffic-centric".
Fresh meat is the protagonist, both inside and outside the play are the protagonists, even if they only contribute a face, do you directors dare to say?
Don't dare, because they are used by capital to make money, you have to dare to lose your temper, capital does not invest money in your play, what can you do?
One after another, it has caused the phenomenon of bad money expelling good money.
Those who really want to make a good drama film and television production personnel, either compromise or leave.
Many people in the industry have also said this.
For example, Zhang Guangbei and others directly said that when filming a scene, the actor himself was not present, but the stand-ins were one after another.
Zhang Jizhong said even more bluntly that the small fresh meat into the group is equivalent to the crew inviting a grandfather.
Some children's shoes may ask, is there no way to put an end to this phenomenon?
There are still some, in addition to top-down supervision, more importantly, the audience's spontaneous resistance.
Capital is very realistic, in other words, as long as the traffic has no market and cannot make money, the direction will naturally change.
However, this is not an easy task, especially in this fast-paced network information age, coupled with various draft renderings, how crazy the star-chasing family is, everyone knows.
But what is certain is that this phenomenon is not eliminated one day, and the domestic film and television industry cannot continue to progress.