The water pavilion is still cold in the twilight rain, and Luo Zhanchunxiang does not know.
Such a Tang poem actually appeared in an online martial arts film "The Rise of the Deadly Sword", which made people can't help but extend from the meaning of the poem to the deep meaning of the whole story. The poetry is to lament that the peony was defeated by the rain, and to reminisce about the past. The whole film revolves around a tragic massacre twenty years ago, and the eight masters who were once prominent have to face strong revenge from mysterious people after experiencing enough glory and glory. The mysterious man was dressed in black, wearing a vicious mask on his face, not only was he strong in martial arts, but also had a martial arts artifact, the snow cicada silk leaning over, as if he were a god blocking the killing of the god, the Buddha blocking the killing of the Buddha, as if entering the no-man's land, disturbing the rivers and lakes of this pool, and also shattering the sweet dreams of the heroes.
Thus, the artistic conception of "the water pavilion is still cold in the twilight rain" comes out leisurely. The atmosphere of the whole film is created well, whether it is a long mountain wilderness or a rainy night, bringing people infinite chills, even if the former battle of the rivers and lakes is lively and tragic, it is inevitable that there will be a moment of loneliness and slaughter. Although the whole film takes Duan Xiaofeng, a fast catcher from six doors, as the main line, his obstinate detective makes the direction of the entire plot appear too much "weird" deviation, the truth is always confused, and the black screen is getting more and more messy layer by layer. This is the suspense and mystery presented in the film.
And "Luo Zhan Chun Xiang Nuan does not know" points to the emotional part of Duan Xiaofeng as the male protagonist, whether it is his crush on the eldest grandson of the family, Sun Ying, or the secret love of his "magic cult" Zoroastrian leader Wang Feiyan, this paragraph is particularly emotional, and there are too many complex relationships of love and hate, not only as an embellishment of the film's martial arts theme, but also has a strong role in promoting the plot, the so-called "I love people do not love me, people who love me I do not love", the helplessness of love, from ancient times to the present, is simply a difficult problem to inherit. In fact, if you calm down and think about it, whether it is revenge or love, there are many unavoidable points.
For a long time, for martial arts-themed film and television works, "revenge" is an ancient theme, around a "vendetta", which can always lead to too many previous and aftermath. There is no exception to the genre of "Sword of Death", but the story has a lot of new ideas, which can be seen here, the screenwriter and creator of the film, in the story structure of the intention. In revenge, "killing" and "forgiveness" are often two mutually anxious living states, especially in "The Sword of Death", the former hatred has been buried by time for twenty years, is it necessary to lie down and taste the courage to hit it, or to forget the past and start all over again? This is a problem, but no matter what, watching the title of the film "The Storm Rises Again", you know that everything that has been there will never be such a simple wave of farewell.
Compared with the spirit of the teenager who broke into the rivers and lakes, Ye Wuji, who ranked in the eight masters in the film, was full of boredom and helplessness about the rivers and lakes. The attitude of Ye Wujie's life in the film reminds me of the "Tao Te Ching" in "Knowing its male, guarding its female, for the world's stream." Know its glory, keep its humiliation, and be the valley of the world. Knowing its whiteness, keeping its black, and being the style of the world", its meaning is that it is well aware of its white nature, but the posture of adhering to the chaos and darkness is Ye Wuji's gesture of hoping to maintain the rules of the jianghu, but unfortunately he cannot do it in the end, because "once the sword is stained with blood, it cannot be washed clean." "This sword is a bloodthirsty death-killing sword, and the blood stained twenty years ago still needs to be repaid today."
"Contaminated with too much ferocity, out of the sheath will drink blood and return" of the sword, is a sharp weapon in the film, but also the mission portrayal of the revenge of the man in black, the film through the "revenge" of this vein, for us to successively lay out a series of strange skills, divine weapons, as well as those enough to make people stunned martial arts duels, flying flowers and leaves can become blades, deep but have unique feats. From the perspective of martial arts, this is a fairly realistic work, and for the jianghu, this is another freehand chapter, between the virtual and the real, bringing out too many distinctive temperaments, becoming a different stream in the same genre. The mysterious and ghostly temperament that pervaded "The Sword of Death" from the beginning makes people involuntarily follow the plot together and indulge in revenge in the ups and downs of the rivers and lakes.
Just like this "life-taking sword", a dragon groan, thousands of armies and horses come to see each other, and it is difficult to dissolve the hatred since ancient times, only in the red dust of the year.